Melanie comes in, laughing uproariously. Why aren't you ready for the funeral? Flora asks her daughter and she and Quentin stare at Melanie, shocked. Melanie goes over to the coffin, puts her hands on it and says, giggling, "They don't pay any attention to you, do they?--you tell them what they must do, and then you die!--but they don't have that lottery, oh, no, they're much too smart for that!" Melanie, please! begs Flora. Melanie continues, "It must go on, don't they realize that, the lottery must happen again!"She laughs, chillingly.
No one played possessed better than Nancy Barrett, and the writers often imbued humor into those types of scenes for her. Perhaps no other scene is a better example of that than this one from Ep #1204. And it's quite obvious that NB had a field day playing it! And by contrast, the way Joan Bennett and David Selby played Flora and Quentin's horror at her behavior only makes what NB did as Possessed Melanie all the better...
It's a tense scene between Angelique, Josette and Natalie as the latter two try to explain that they're concerned about Barnabas and there was nothing improper going on. Josette admits to Angelique that she left because Barnabas felt her life in danger, but Angelique essentially tells them her husband's whereabouts are not their business and orders them out of her house when they become insistent.
Nat begs them to forget the petty quarrels for now, and after again begging Angelique to help them, coldly says she hopes that, wherever Barn is, he's safe.
refusing to open the door unless the person knocking identifies himself/herself. The knocking continues, relentlessly. "Who is at the door?" asks Stokes insistently. It's the blind Sam Evans, a friend. They are linked together, says Sam. "By whom?" demands Stokes, hearing Cassandra's laughter. Stokes refuses to allow Sam to lead him, but Sam warns him he'll die if he goes alone. "I will not die. . .here," says Stokes.
What have they been saying about me downstairs? He asks. Nothing, she assures him, everyone is as concerned about him as she is. Being Collinses and suspicious by nature, he says, I expect they intend to keep me watched, don't they? They haven't said anything about that, she tells him--if I can't appeal to you as my husband, perhaps you can try to understand me as a human being--this has come as a great shock to me--it's as thought my own husband were dead. She sees him standing at the door. I'm sorry, he says, but I do not like to be spied on--I must have my privacy. He locks her in the bedroom and leaves while she bangs on the door, begging to be let out. Stoically, he walks away.
I've been thinking and searching for an answer--I thought of someone who might help--an old woman who lived in the forests near Ahsjdin--she turned Count Petofi into a werewolf--she knew about everything--gypsies came from everywhere to consult with her. She was an old woman when I was a child, says Barnabas, incredulous. Yes, says Magda, but she had a daughter, Julianka, and if that daughter is alive, perhaps she has the knowledge--the problem is, the world is wide for the gypsies, so where might she be? She is a member of the Romana family, and not long ago, there were some in Boston--King Johnny Romano was there, perhaps she is, too. We must hope she isn't too far away, says Barn, we have no idea how much longer it will be before his destiny catches up with him--it could be tonight, tomorrow, anytime, we must act quickly. Magda wants to go to Boston right away, but Barn wants to speak to Quentin first. Magda says, I'm sorry for what's happened and wants him to know I wants the children to be healthy, well and free from the curse. Probably remembering the baby's coffin he and Chris dug up, Barnabas looks away guiltily. What's the matter? Asks magda--I got a cold feeling just now, as if you know something about the children I don't--something that's going to happen. Avoiding her question, he advises, start packing for your long trip. She stands, brooding.
What is our goal? asks Liz--can you tell me? What makes you ask that now? queries Barnabas. Something Julia said, reveals Liz--what is our goal?--what are we trying to do?--and what does Paul have to do with it? You will know when the time comes, promises Barnabas--but this I can tell you--we will bestow on a particular person a very great honor. He smiles. Who is this person? she asks. Someone we will all be very proud of, says Barnabas, and that's all I can tell you.
I don't think you ought to look for anymore surprises, advises Willie uneasily--they're no good--take that book and burn it. The problem can't be disposed of as easily as that, says Barn--something exists, and I must understand it--and I will understand it no matter what happens--now let me read. All right, agrees Willie, but don't forget--I warned you! Willie goes. "Of one thing there is no doubt," reads Barnabas, "Barnabas Collins was born in the middle of the 18th century, heir to Collins lands that spread from..." He reads further ahead "...and so, rich in years, he died in 1830, grieved by his descendants, and most particularly by his loving wife, Josette. "Josette!" murmurs Barnabas aloud, entranced.
I understand you prepared Elizabeth's Stoddard's horoscope in great detail for the rest of the year 1970, says Stokes. Yes, agrees Shaw. And according to your observations, you saw nothing that would indicate a disaster of any kind at Collinwood in that time? queries Eliot. As far as Mrs. Stoddard was concerned, no, replies Shaw. You are aware, says Stokes, that there are those who disagree with you? I'm aware that Mrs. Stoddard harbored certain fears when she first came to see us, says Shaw--about the two children at Collinwood, I believe. That's correct, says Stokes, but you managed to convince her those fears were groundless--Mr. Shaw, are you absolutely certain that your projections are correct? Shaw looks uncomfortable. He stands and walks away, remarking, no one can be absolutely certain of anything--I think I made the best interpretations of the signs I could--but you must remember, Mrs. Stoddard isn't under any obligation to live her life according to my projections--she may live any way she wants. How much did you charge her for her horoscope? asks Stokes. No charge, says Shaw. Are you independently wealthy? asks Stokes. My clients are told to give me whatever they feel my services are worth, explains Shaw. And what did Mrs. Stoddard feel your services are worth? asks Stokes (I love his nosiness). I suggest you ask HER that, Professor, advises Shaw. Stokes rises from the sofa with one more question--when and how did you acquire this ability of your? Shaw smiles--I like a man who is direct--but why don't we just skip my background for the moment and get right to the point--the fact is, you think I'm a charlatan, don't you? To be quite frank, I don't know, says Stokes, but I am concerned about your influence on Mrs. Stoddard. Let me put your mind at rest, says Shaw--I'm quite honest, quite legit--as a matter of fact, I'm something more than just an astrologer. What do you mean by that? asks Stokes.I'm a clairvoyant, says Shaw, I have the ability to see into the future.
Leticia reverently removes the mask from Judah's face--he's alive! she proclaims--soon he will be able to talk with us! Julia listens to his heart, first with the stethoscope, then her ear-- all the vital organs are just barely functioning, she reports, we must be very careful--if everything continues to function, the body will live. What should we do now? asks Leticia. Keep watching, says Julia, check his pulse and heartbeat to see there's no change. How long will he stay like this? asks Leticia. All through the night, answers Julia
we've got more important things to worry about now--how am I going to tell Mother about Gabriel? Haven't you? she asks, incredulous. I didn't want to upset her after the things she's been through, says Morgan. You must tell her, now, insists Catherine--shall I come with you? No, I've got to do this, he says--you go to bed.
Fishing shack - Told the news, Leticia is thrilled to hear Joanna's plan--I've been pondering and pondering what I can do about Desmond and Quentin--and you have it all figured out!--oh, me, and they say I got second sight--11:30. The light leaves Leticia's eyes when she has a premonition--I have a feeling it isn't going to work--they're never going to get on that ship. But they must! cries Joanna. No, says Leticia, something is going to happen. Don't even say things like that! begs Joanna.
Collinwood drawing room - Tell me what you've done with Julia Hoffman, Angelique! demands. Nothing, she responds weakly, I don't know what you're talking about. Is she dead?--have you murdered her, too? he asks. Perhaps I have, she taunts--and perhaps not. You're feeling faint, he comments although you deny it. No, she says, but he catches her mid-swoom. You are weak, he says, helping her into a chair. It's Roxanne, says Ang, something is happening to her--she must not be allowed to speak, Barnabas. For once we agree, he says, she must not speak, at least not yet. He leaves her almost unconscious in the chair.
Caption This! - Leviathans
Roger enters and weakly greets Barnabas--I was looking for the two of you, he says, but can't quite remember... Are you all right? Julia asks. Yes, he says, why shouldn't I be?--the light is so bright...Elizabeth, I must find Elizabeth--I just ran into Megan Todd--terrible about her husband. Barnabas' eyes shoot open; he looks at Julia, who immediately catches what he's conveying. Roger, says Julia, let me give you something for your headache. Certainly not, insists Roger--I can take care of it myself. Roger, dazed, leaves. We've got to help him, insists Julia. He's under her spell, says Barnabas, what can we do; one by one, we will watch others come under her spell--we must stop Megan. She turned down the injections, Julia reminds him. You know what we must do, insists Barnabas, we must find her coffin during the day and stop her the only way she can be--with a stake and a hammer.