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Messages - Gothick

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3826
MacFarland's books are always expensive.  They cater mainly to libraries, especially academic libraries.  I find that their books are always laid out in a very workmanlike fashion, usually with a lower grade of people and black and white photographs that are in text.  No color photos, no glossy paper, and nothing remotely exciting about the look of the books (I work in an academic library so I have had the chance to peruse many of them).

And I seriously doubt whether this title is going to make a dent in the reputation of the PomPress books as the go-to source for documentation on DS.  Didn't PomPress also do a book on the Night Stalker films and series, too?

cheers, G.

3827
Current Talk '09 I / The Beauty of Grayson Hall
« on: March 12, 2009, 03:01:47 PM »
Hell's Bells!  what a GORGEOUS portrait of our Beloved Grayson on today's capture!  I'm fainting in the aisles!  Stagger-drunk with Beauty! 

My hat, were I wearing one, would be off to the Most Magnificent and Munificent Mysterious Benefactor!  Huzzah!

gasping for breath, hand clutched dramatically to throat,

G.

3828
I'll have to check out that article, but I'm more of a fan of Sixties TV.  Besides DS (which, even though it lasted into 1971, was, to my own mind, very much firmly in the zeitgeist of the Sixties), the shows I've been watching in the past year have included Boris Karloff's Thriller, The Wild Wild West, T.H.E. Cat, The Addams Family, and recently a couple of episodes of 77 Sunset Strip (I think technically those were from '59, as was another series I've been enjoying--Yancy Derringer).

I associate the early Seventies with the rise of Norman Lear via the hugely popular All in the Family (which I couldn't stand), and Good Times and Maude (both of which I found very amusing).  I recall endless newspaper and magazine articles of the day applauding the way Lear pushed a new level of frankness onto the tube with the subject matter and writing style of his shows.

There was nothing remotely "groovy" about this new trend, or about the other big hits of the Seventies (even Sonny & Cher's show was more glam than groovy) so it sounds like a case of someone who wasn't around blurring their decades.

G.

3829
Current Talk '09 I / Re: Up to episode 91
« on: March 06, 2009, 04:32:47 PM »
MB, I also read Art Wallace's interview in the old DS Files book (which I don't think I own any longer--moving multiple times over the years is tough on a personal library), and I was very surprised when I saw Malcolm Marmorstein's interview on one of the DS: the Beginning DVD sets recently, and Marmorstein actually claimed credit for inventing the character of Barnabas!  If I recall correctly, Art Wallace also claims credit for inventing the character in that old interview, and then there's the story of Bob Costello finding the name of Barnabas on a tombstone in an old cemetery.  In the newer Malcolm Marmorstein interview, he says that he chose the name Barnabas from a list of names he found in a book, and he ran it by Costello, who then supposedly spotted that tombstone somewhere.

The continuing revision of the early history is almost as intriguing as some of the original storylines...

G.

3830
Calendar Events / Announcements '09 I / Semi OT: spoof of hoDS
« on: March 03, 2009, 11:51:26 PM »
Fans,

This short clip (described as dating to the 1970s but obviously much more recent) has a final "sting" shot that is VERY reminiscent of a shot that fans of the film house of Dark Shadows (1970) will instantly recognize.  I don't want to give any more away but I'll just say--keep watching when it looks as if credits are beginning to roll at the end because that is when "it" happens!

http://www.youtube.com/watch?v=yD7Ggl7Mx3g

The clip runs for around 5 minutes I believe...  really something just for a giggle.

G.

3831
Current Talk '09 I / Re: Discuss - Ep #0733
« on: March 03, 2009, 11:33:30 PM »
Laura did scream when the flames took her.  In a memorable scene with Quentin in 1897, she expressed with crystalline clarity just how painful her initial "death by fire" had been in Alexandria.

But who knows--perhaps her screams in 1967 were orgasmic.  There was this lady who used to live upstairs from me, and--

sorry, I was about to go WAY off-topic there.

cheers, G.

3832
Just an update to say that my copy of the ANGEL FOR SATAN disc came in, and I watched the movie last night.  The print looked gorgeous, although I suspect that the anamorphic widescreen transfer may not be the best possible treatment for this material.  The Italian language soundtrack with a fine, evocative score for full orchestra sounded fabulous on my equipment, and the subtitles seemed fine, apart from one egregious gaffe which slightly "spoiled" the payoff of the story (although for the attentive viewer, the "shocking" revelation did not come as much of a surprise). 

Barbara is part of an ensemble cast in this film, entering at about 17 minutes into the story.  The narrative is a highly characteristic bit of florid Italian melodrama.  The performances were uniformly fine, and the storyline gave Barbara a little more range than was typical for this type of material (there were even very subdued hints of lesbian eroticism in a couple of scenes!).  The movie reminded me in some ways of the under-appreciated 1962 film Blood and Roses, especially in the way in which the dramatically filmed landscape acted as a character in the drama, and the music of the soundtrack added emotional depth to the story.

I recommend AN ANGEL FOR SATAN to all Barbara Steele fans--you won't be disappointed.

G.

3833
Calendar Events / Announcements '09 I / Re: Joan as a bride
« on: February 27, 2009, 11:46:49 PM »
I love the mantilla--very stylish and very late 1940s!

I saw the Secret beyond the door a few years ago and found it to be very Dark Shadows-ish, down to some of the themes in the plot.  Natalie Schafer is a hoot and has some really way-out lines in it.

G.

3834
Calendar Events / Announcements '09 I / Re: Shadowgram
« on: February 25, 2009, 11:47:57 PM »
Wow, that's fantastic if true that the long-awaited restored movies DVD will be out in 2010.  So Mote It Be!

Thanks for the post, Midnite... for some reason, I'm no longer on the list for these emails...

G.

3835
Current Talk '09 I / Re: favorite lines of dialogue
« on: February 25, 2009, 07:02:32 PM »
Grayson looks as if Julia is having a severe attack of gastritis in the "Dave ... is dead?" scene.  LOVE it.

G.

3836
Here's a hilarious trailer for Deathmaster:

http://www.youtube.com/watch?v=ssAltxajwNo

I remember Quarry doing the maniacal laugh shtick in Count Yorga, too.

have fun!

G.

3837
Current Talk '09 I / LeviaLiz
« on: February 25, 2009, 12:56:50 AM »
Just a thank you to MB for allowing us to enjoy the spectacle of LeviaLiz in all her glamorous glory giving Willie a FREEZING reception upon his historic return to Collinwood in 1970.  This has to be one of my all time favorite scenes on DS--poor dear Willie is completely unaware of just how very little Liz cares about the fact that he's returned or anything he's saying.  Truly priceless!

I wonder whether we'll get at least one more capture from the Leviathan era before the 1970 bits switch to Parallel Time?

cheers, G.

3838
Just read the obit and am happy to hear that the purported animosity between Quarry and Price did not exist in real life.

It was fascinating to learn of his friendships with such artists as Joseph Cotten and Katharine Hepburn--clearly, there was something special about him.

G.

3839
I love the seance sequence at the beginning of Count Yorga Vampire.  That, and the scene where the Count, attired in a smoking jacket and a very frosty smile, is "entertaining" the two protagonists who have been unwise enough to enter his home, I actually found reminiscent of similar sequences on DS.  I thought the film slithered rapidly downhill from a rather promising start.  For years, I had thought that it was the fault of the hack job the censors had done on the CBS Late Movie broadcast print, but a few years back I finally got to see the original, uncut release film and it was still cheesy, slipshod, amateurish work.

My personal favorite Quarry performance is as Darius Beiderbecke in Dr. Phibes Rises Again.  Although Quarry and Vincent Price did not get along very well (due to some busybody who "helfpully" told Price that Quarry was being groomed as his "replacement" at AIP), they had a wonderful chem together onscreen.  They acted together as well in Madhouse, which is out on DVD now but I have yet to catch up with.  I saw it on VHS in the 90s and was distinctly underwhelmed, despite the fab cast--Peter Cushing and Adrienne Corri also appear--Corri probably has the best scenes of anyone in this.

There was a really good print interview of Quarry in one of the mags some years ago.  His departure has yet another "end of an era" ring to it.

G.

3840
OMG, KLS plays "Nurse Evans"!  Somebody in the bulletin boards on the IMDB reported that KLS claims the character's name is a coincidence, but if so, it's one worthy of how the screenplay for the movie sounds.

Interesting cast... Timothy Bottoms is in it as well ... and the plot revolves around bizarre dream sequences, with lots of weird props... sounds like a topic for one of Philippe's Six Degrees of DS Separation posts!

G.

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