Grayson made notes in her script where she explains that when Carlotta touches the locket like that, it means something to do with Angelique's spirit--it might even be called an act of communion between Carlotta and the spirit.  The notes implied that this was the original base of Angelique's enhanced awareness of, and activity in the physical world.  This is what it means towards the end when John Karlen's character has a line implying that Carlotta was "keeping Angelique's spirit alive."  It's too bad that that line makes no sense at all in the film as chopped up for the final edit, unless you have really extraordinary powers of connecting seemingly random dots.

Great screen capture of this moment!

G.

That's a beautiful shot of her in that, Robot Quentin.

G.

Yeah.  I thought there should have been at least one more Ethan/Dorian scene.  I found some of the choices Logan made with the storyline and scripting to be less than inspiring as time went on.  It also became an even more heavily "Catholic" metaphysical universe.  The big finale with Vanessa's confrontation with the Devil at the end of season 2 really did not work for some viewers.  I did find it a cool scene.

G.

Lara did a couple of plays around this time as well as a strange movie called "Hi, Mom."  I think a trailer for it was included in the final DVD package of the original DVD release.  I don't know if all those trailers were included in the "coffin set." A lot of special features may have been omitted so everything would fit in the "coffin."

Lara had just finished up a very busy period covering for a lot of people who were out for the movie shoot, so at the end of the PT1970, she got a break of a few months.  I don't think a lot of fans realize just how gruelling the schedule was working on the show.  If you were in more than 2 episodes in a given week, it was a real rollercoaster.  In one of her interviews, Grayson described the schedule:  be at the studio by around 6:30, maybe 7 at the latest, a.m.  Read-through and get notes from whoever was directing.  "Lunch" break around 10 or 10:30 a.m. while the techs set up for camera blocking.  Makeup of course somewhere in there (it looks in the photos as if makeup was done before the morning read-through in most cases but not all).  Tech rehearsal.  Dress rehearsal. TAPE, usually between 3:15 and 3:45.  Sometimes they then trooped into a TV room and watched the show aired on that day.  Not always.  A short break and then, if you had a show being taped the next day, wait around for the people to come in to do first rough read-through of the next day's script. Get home, have a bath according to Grayson, COOK (the most important act of the day for her), and basically fall into bed.  Sometimes Frid would go have dinner there so they could run lines while she was cooking. No doubt others did as well.

If you were taping the next day it was get up around 5 a.m. and start all over again!  Wheee!

As Grayson commented, "yeah it was fun but... IT WAS A LOT OF WORK."

cheers, G.

Gerard, the Festival should hire you to organize that cruise!  In addition to your salary and a free stateroom, you could tell them they need to give you a DVD of the 2004 pilot as part of the deal.

G.

I have no idea what the typical cruise costs, so can't compare. 

There was widespread speculation that this year's Festival would be the end of the road for that type of event.  I wonder whether a formal announcement regarding this will be made, or if the Festival committee will simply let it drop.

It sounds as if all in all, it was a very nice weekend for everyone, so it is good that it is going out on a high note, if this is indeed the grand finale.  Too bad people were turned away because the venue couldn't accommodate larger numbers.

G.

Special thanks for today's quote.  I have no memory of these lines at all (which is hardly surprising given other lapsus memoriae I have mentioned).  Interesting to learn what Laura's fate was.  "Laura my darling" paid a bitter price for that funeral laughter.

G.