Just to point out....

[spoiler]In Quentin's "original" death, it was Beth who shot him, not Judith.    Beth did know that Q was a werewolf, so for all I know she used silver bullets.  The "flashback" does not reveal how Q "originally" came to be walled up dead in his own room.  Barn has a line where he says something like "we can't answer all the questions now."  I think that goes double for the DS writers and the whole Quentin Collins storyline.  If you factor in temporal paradox, it's all enough to make your head not just scratchy, but do a full on Regan-and-pea-soup spin.[/spoiler]

In my own experience of watching Dark Shadows, I long ago gave up trying to have the story make too much sense.  I find it is more fun if I just sit back and enjoy the ride.

Cheers, Gothick

I have an interview with Violet Welles somewhere or other--I believe it was published in TWODS, but it may have been in "Inside the Old House."  It's true that she was a publicist, and she even worked on one of Grayson's plays (might have been "The Love Nest"?).  She was also a ghost-writer, and would handle some of Gordon Russell's workload when he got too frazzled to deal with it.  I believe he suggested that she talk to Dan Curtis about becoming a staff writer for DS, but I'm not sure when that happened.  Gordon Russell began writing for the show in, I think, the Summer of 1967, so it may be that she already wrote some scripts back then--they would have had his byline, however.  (On the topic of ghost writers, there's a fascinating article about playwright Robert Patrick's work out in LA in this capacity; it's a lucrative line for writers who want the freedom to pursue their own work.)

Welles officially stopped writing for DS in, I think, some point of the Parallel Time 1970 storyline, but she came back to do a lot of the scripts for the Parallel Time 1841 sequence.  Again, I think most, if not all, of these scripts had Gordon Russell's name on them.

G.

I would love to see a panel honoring Grayson Hall at the 40th anniversary Dark Shadows Festival!

I look forward to the author receiving a standing ovation for her hard work and dedication to this project! Let's hear it for RJ!

I agree that a selection of clips would be more appropriate than screening entire episodes.

It goes without saying that if there's anything I can do to assist, I rely upon you to say the word!

Best, Steve

Darren, I'm sure that you're right; they're using a period advertising image for the cover design on that box. Although I can't recall having seen that specific image, the format matches others I have seen for the movie.

I just watched it last month and James Ward got much better billing than did Grayson in the film's actual title sequence.  He got bigger type and a separate screen with, I think, Cyril Delavanti? (but don't quote me on that)

I've never, ever seen any promotional designs for the film that featured Grayson's image.  In the trailer that was on the old laserdisc, the funny thing is that her name was never mentioned but three of her scenes were shown in excerpt.  I found myself asking "who's selling this movie, anyway??"

Best, Steve

Mozart was also Count Petofi's favorite composer (and probably a personal friend, too).  There's a slightly hysterical scene during the Quentofi sequence of "Quentin" avidly listening to a Mozart recording....  I sometimes wonder whether this wasn't a tip of the hat to Mr. Norris' passion for the perky little Viennese and his compositions in the Christopher Isherwood novel "Mr. Norris Changes Trains."

Cheers, Gothick

Golly, what an OUTASITE list of songs!  thanks, Sandor!

Among my personal fave raves on that list are "There's a kind of Hush" by Herman/Hermits, California Nights by fab Lesley Gore (she performed it on a Catwoman episode of Batman that year!), "Jimmy Mack" by Martha & the Vandellas, and "I'll try anything" by The Divine Dusty!

Would love to hear "Sunday for Tea" by Peter & Gordon, & that Hollies song... I've been thinking of buying a Hollies CD, basically, forever!  I am very curious about Brenda & the Tabulations, too!

Thanks again!

G.

Re Grayson's work as Julia on DS--

A friend of mine suggested some years ago (she had watched DS faithfully as a youngster and was watching it again on Sci Fi) that the style of Grayson's characterization as Julia was something Grayson may have taken from observing a friend (or possibly a once-upon-a-time mentor) who may have been a professional woman of some sort.  My friend thought Julia's odd way of speaking, occasional twitchiness, abrupt mannerisms. throat-clutching etc. could well have come from a real-life professional woman of, say, the 1950s, who was to some degree not quite at ease with her own sense of self.  The odd way of speaking is something I have observed myself in academics who seem to imagine an invisible podium propped up whereever they happen to be sitting or standing.

I mention this because so many of what people think of as Grayson's mannerisms or over-acting in the part of Julia seem to me a self-conscious effort on her part to create a character who was much more "straight-assed" than the actress was in real life (to severely understate things).  I think this is particularly obvious if you watch the shows where RT Julia is confronting one of her PT counterparts.

The one mannerism I've seen in several other Grayson performances is that thing she does with clutching onto the phone with both hands.

G.