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Liz asks Roger what happened. He doesn't know. Liz fears this will hurt Vicki; they love each other, what can change that? Roger tells her not to get worked up, but she can't be calm. He assures her he isn't calm or unemotional, and she says she didn't mean to attack him. She prayed that for once, everything would be well. Perhaps it will be, says Roger, not convincingly. Liz can tell he isn't sincere. Whatever happens, says Roger, you must not allow it to affect you--the expression on Jeff's face spoke of bad news--Vicki might need you more now than ever before
Catherine and Bramwell share a passionate kiss, too, but Catherine's feelings are a lot more mixed. "See, my darling," he says, "everything's going to be all right." I feel responsible for Morgan's death and all the unhappiness I caused when I married him, admits Catherine--do you know how I feel when I look at Flora, and at Julia? Darling, he says. She draws away from his embrace--I feel guilty when you call me that, she says. But you are my darling, he reminds her, drawing her close again. Yes, she says, kissing his hand, holding it pressed to her face. You always will be, he says--we will leave within the week--we will forget everything that happened here. I can never forget, she vows--I'll remember now that I must follow my heart, not my head--I'll never make that mistake again. "Never forget, you will always have my love," he says tenderly. That I will remember, she promises, kissing his hands. I will make you happy, Catherine, I promise, he says. They kiss, holding each other tightly.
...
36 QUENTIN - CLOSE-UP (NORMAL COLOR) - 1971 36
Oblivious to Tracy, he stares out the window.
TRACY (O.S.)
Quentin?
37 EXT - GROUNDS - 1971 - QUENTIN'S P.O.V. - 37
NORMAL COLOR
It is back to normal again - no fog, no body in
the tree.
38 TRACY - MEDIUM ANGLE 38
PAN WITH HER as she crosses to Quentin.
And that's when today's quote -Page 13/Scene 38 - Tracy: 'Darling, what's wrong? What are you thinking about?'
- comes up.
And it's still the case that there aren't any differences between the way DC's and Grayson Hall's scripts are written up to this point - and there also aren't any notations in either script for what's covered in this post.
...
And so far as the directions and descriptions go, the only things that are different in the film is that Quentin actually does some unscripted blinking of his eyes in Scene 36 before we see in Scene 37 that things are back to normal - and ... we don't pan with Tracy after she asks Quentin what's the matter because after that we immediately see Quentin and Tracy actually comes to him from behind him.
...
Suddenly, Quentin realizes she is next to him.
And that's when yesterday's quote -Page 13/Scene 38 - Quentin: 'What? (turns to her) Oh, I don't know. Just ... daydreaming I guess.'
- comes up, followed by the script continuing with:
He frowns as they both look out the window.
TRACY
It's so beautiful.
39 HIGH ANGLE 39
as Carlotta ENTERS with the tray. Tracy crosses
to the table, Quentin still stands at the window.
QUENTIN - CLOSE-UP
He is still trying to understand what it was he
saw.
And that's when today's quote -Page 13/Scene 39 - Tracy (O.S.): 'Come on, darling ... it looks delicious.'
- comes up.
End of scene and sequence.
And it's still the case that there aren't any differences between the way DC's and Grayson Hall's scripts are written up to this point, however, there are notations in both scripts that we'll get into below...
And so far any differences in the dialogue go, ... - and while Carlotta's return to the room doesn't actually take place in the film as it currently stands, Grayson Hall has a notation in her script that when Carlotta returns she says "I brought some white wine. I hope you like it", and what's very interesting about that is that unlike in any other version of NoDS, in the one that's available on Amazon, during Quentin's final close-up we actually do hear Carlotta say "I brought some" before she gets cut off by the effect of the film moving to Scene 40 - and ... Tracy's quoted off screen line also does not appear in the film as it currently stands (however, all of this missing stuff is part of the recovered footage).
And so far as the directions and descriptions go, as I've already pretty much noted, we don't see Carlotta enter with the tray or Tracy cross to the table because all that remains in the film from Scene 39 is Quentin's close-up. And speaking of that close-up, DC has a notation in his script that Quentin's close-up is "full face", which I suppose is the way it appears to be. And getting back to Grayson's script, she has a notation that Carlotta should start to serve, and the notation does go on a bit from there, but, unfortunately, it's hard to decipher all of her handwriting, so we'll leave it at that.