And yet more of Scene 33, picking up where we left Quentin staring at Angelique's portrait:
Quentin stares at it. Tracy moves to the window.
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And that's when today's quote -
Page 11/Scene 33 - Tracy: 'Every room I've been in, I've kept thinking - oh, this is where I'll spend most of my time. But this is it! The view's incredible.'
- comes up, followed by the script continuing with:
CARLOTTA I've prepared a salad for supper. Shall I serve it here?
33 CONTD CONTD 33
TRACY Oh, yes - would you?
Quentin stares at it. ...
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And yes, while it's still the case that there aren't any differences between the way DC's and Grayson Hall's scripts are written up to this point, both DC's and Grayson's scripts have some notations that we'll get into below.
And as for any differences in the dialogue, rather than today's quote, what Tracy actually says is "Carlotta, I think this is my favorite room. The view is really incredible" - and the notation in Grayson's script is that she crosses out the word "supper" in Carlotta's dialogue and replaces it with "dinner," as in "I've prepared a salad for dinner" - and after Carlotta asks if Tracy would like the salad served there, Tracy actually replies with "Uh...well, yes - would you?" However, unlike the way they're scripted, part of Tracy's remark about the Gallery being her favorite room and all of Carlotta's references to the salad and Tracy's response about it are all delivered off screen - but more on that below...
And so far as any differences in the directions and descriptions go, DC's script has a notation that Tracy's lines about the Gallery being her favorite room begin "on the cross," and while that's technically true, in the film she doesn't actually cross to any window because what she does do, as can be seen in today's capture -
- is cross to a nearby table, pick up a book (perhaps she's on a similar wavelength to what KMR wants to do in the room
), and delivers her lines - however, the "The view is really incredible" part of it is delivered off screen because, as we can see in the following capture, what we actually see on screen is that the camera trucks in on -
- an extreme close-up of Quentin as he stares at Angelique's portrait as if mesmerized by it (the view that's captured him is obviously not the one outside
) - and what's interesting about the shot of Quentin remaining on screen for the duration of everything else that follows in the parts of the Scene 33 that are covered in this post, DC's script actually contains a notation that Tracy is supposed to turn from the window to Carlotta and then cross to the table as she answers Carlotta regarding serving the salad, but obviously none of that is seen on screen, plus the last we see Tracy before Quentin's close-up, she's already standing at the table (and as we'll see from a capture for the next post, she'll still be standing there).