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And moving on to today's new scene:
Julia says Vicki only remembers moments, fragmented, she seems afraid to remember all of it. Barnabas fears Vicki does know about him, why else is she afraid? He kneels on one knee (such a submissive posture!) and begs her to help him as he did before. Can't they be friends again? She doesn't know. She was ready to save him then, he points out, and his life depends on what Vicki knows.If Julia won't let him, she must find out. She says she's trying to. Will she use what she learns to help or hurt him, he asks, and she says that depends entirely on him. (GOOOO, Julia!) She leaves him, still kneeling, and he decides he can't count on Julia--he must do what he can himself.[/spoiler]
And now moving on to the next scene in the script:
Barnabas comes out of the Old House, and Vicki tells him she's glad to see him. He is confused; he's never met HER, he says, and she asks him if he's teasing her--and why is he wearing those old clothes?He notes that her attire is odd, to say the least.[/spoiler]
to learn about notes DC made about Scenes 171-171C but erased
...
And with that out of the way, moving on to the next two scenes:
And moving on to the next four scenes:
Roger thinks I over, then says you must want these paintings for a reason--and for money--therefore I won't give them, but sell them to you. Sam offers to give back the fifteen thousand. Roger turns to look at him, fascinated--where would YOU get that kind of money? he demands. I'll get it, promises Sam. I see, then they are valuable, guesses Roger. Let me think--art prices usually rise in time, if the artist is any good--and I think you're exceptional, Evans, I've always told you that--I'll sell you back the paintings for 50 thousand dollars. Sam is stunned--and angry.[/spoiler]