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Current Talk '24 I / Re: And Now The Return of Another New Slideshow (Sort of), Part 2 [**Now featuring alternate versions of scenes - see replies #18,#21,#23,#49,#64,#69,#76,#88,#90,#100,#105,#107,#115**]
« on: January 30, 2017, 10:20:33 PM »
And now we need to deal with many, many dialogue free scenes in DC's script before tomorrow's entry in the slideshow comes up:
And that's it for now. But coming up we'll get into what in the film is different in all that...
27 EXT: COLLINWOOD ENTRANCE - NIGHT 27 WIDE ANGLE Daphne exits the house and starts walking along the drive. There is the SOUND OF DISTANT THUNDER. 27 CONTD CONTD 27 DAPHNE - CLOSE UP CAMERA TRUCKS IN FRONT OF HER as she walks along drive. There is more thunder. She stops, looks up at the sky and starts walking again. This time a little faster. She hears the DISTANT SOUND OF A DOG HOWLING. She quickens her pace. 28 EXT: COLLINWOOD DRIVE - NIGHT 28 WIDE ANGLE to the stable LONG LENS THROUGH THE Daphne in the distance walking rapidly towards camera. She wants to reach the lighted main road that runs parallel to the grounds. 29 EXT: WOODS - NIGHT 29 Daphne can be seen through the trees walking rapidly along the drive. CAMERA TRUCKS keeping pace with her. It is as if someone is moving with her and watching her through the darkness from the trees. DAPHNE - MEDIUM ANGLE CAMERA TRUCKS IN FRONT OF DAPHNE as she suddenly stops. She senses something in the woods and AS she turns to camera right looking into the woods, CAMERA TRUCKS BACK ARCING TO ITS LEFT FRAMING HER IN THE FOREGROUND SILHOUETTED against the woods. There is the SOUND OF THE HOWLING DOG. This time CLOSER. Sensing danger she suddenly starts walking very fast exiting the shot. CAMERA HOLDS ON WOODS for a beat and then CUT TO: 30 DAPHNE'S FEET 30 CAMERA TRUCKING ALONG SIDE THEM. Suddenly the camera stops. The feet exit the shot and we truck in to the bushes at the side of the road until a pair of MEN'S BOOTS fill the FRAME. The boots begin to walk through the underbrush. DAPHNE'S FEET - TRUCKING SHOT as she walks faster and faster, CAMERA SLOWLY ALLOWS her to get in front of it, PANNING up her back and as she looks around she is framed in CLOSE UP. Hearing the SOUND OF THE FOOTSTEPS in the underbrush, she starts running as fast as she can. STABLE 31 EXT: COLLINWOOD LONG LENS THROUGH THE speed toward camera. CAMERA STARTS SLOW ZOOM until it holds her in as tight a closeup as it can. Picture is suddenly blacked out by something stepping between the camera and Daphne. In actuality it is the back of her PURSUER. SHE SCREAMS. CUT TO: 31A CLOSE UP OF DAPHNE'S HEAD AND SHOULDERS 31A A MAN'S HAND with a large black ring on the forefinger has her by the throat. She is SCREAMING in terror. CUT TO: DRIVE 32 EXT: LONG LENS up the road as headlights of an approaching car enters the shot. 33 INT: MOVING CAR - NIGHT 33 JEFF CLARK, a handsome young man, is behind the wheel. STABLE 34 (THROUGH THE WINDSHIELD) The headlights illuminate the gate approaches 35 EXT: CAR - HOOD MOUNT SHOT 35 as Jeff's face suddenly registers alarm. 36 INSERT SHOT 36 His foot hitting the brake. |
And that's it for now. But coming up we'll get into what in the film is different in all that...