The script continues Scene 117 with reference to Carlotta:
TRUCK IN ON HER as she finally makes her decision.
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And that's when today's quote -
Page 57/Scene 117 - Carlotta: 'Do you remember the little girl you saw at the window the other day?'
- comes up, followed in the script by:
CARLOTTA - QUENTIN
QUENTIN Yes, of course I do.
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And when it comes to the differences in the dialogue, what Carlotta actually asks is "Do you remember that little girl you thought you saw at the window the other day?", and the addition of "thought you" is indicated in both DC's and Grayson's scripts - and to Carlotta's question, Quentin actually responds with a simple "Yes."
And when it comes to any differences in the directions and the descriptions, and as can be seen in today's capture -
- the camera does indeed truck in on Carlotta as Quentin leans back up and out of frame. However, unlike what the script itself indicates and how DC's notes indicate that after Carlotta asks her question and before Quentin responds, the camera switches to a 2 shot of Carlotta and Quentin in profile, the shot actually continues to slowly truck in closer and closer on Carlotta (as we'll see in the two upcoming captures for tomorrow's and Sunday's quotes).
And when it comes to Grayson's notes for this section of the scene, she writes that before Carlotta asks her question she will again look to the painting and then to Quentin, but, again, that doesn't happen because Carlotta actually keeps her gaze completely on Quentin throughout. And it does seem odd that there are all these references in the script and in personal notes to looking at the portrait when the portrait is simply leaning on its side on the floor, so looking at it would be awkward at best. But perhaps at some point the intent was for the portrait to be hung on the wall again, even though no such indication appears in the script or in DC's or Grayson's notes...