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150 INT - TOWER ROOM - NIGHT 150 Quentin stands leaning with his back against the door. PAN WITH HIM as he crosses to Charles' un- finished painting which is now on his easel. It is obvious that he has progressed the painting himself in the original style. He picks up his brush, does something, then looks O.S.; he smiles. SLOWLY PAN in the direction of his gaze to reveal the strangely opalescent Angelique, who lies on the cot, holding out her arms to him. QUENTIN - MEDIUM ANGLE PAN WITH HIM as he crosses to her. |
CUT TO: 151 INT - CARD ROOM - NIGHT 151 Through the door of the Card Room, Tracy can be seen coming down the stairs. Large in the F.G. of the SHOT is the telephone. When she reaches the bottom of the stairs, she tries to decide what to do. Looking in the direction of the telephone, she crosses to it, picks it up and starts to dial a number. HOLD ON HER as she listens to a ring. 152 INT - COTTAGE - NIGHT 152 The room is in darkness as the SOUND OF THE TELEPHONE can be HEARD ringing...ringing...ringing. |
It sounds like it might be Casting Shadows. Nancy makes that statement about Carolyn in that documentary, though she may well have stated it elsewhere too.