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TRAILER | FILM |
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TRAILER | FILM |
(Click here for a 620X465 version) | (Click here for a 620X465 version) |
(Click here for a 620X465 version) | (Click here for a 620X465 version) |
(Click here for a 620X465 version) | (Click here for a 620X465 version) |
(Click here for a 620X465 version) | (Click here for a 620X465 version) |
(Click here for a 620X465 version) | (Click here for a 620X465 version) |
At the turn of the century, says Julia, you did a portrait of a man named Quentin Collins--you knew he was suffering from a curse that when the moon was full, he turned into an animal--that portrait ended his curse, and you can't tell me you don't remember that.Legend, insists Tate, no truth to it. Julia says, it's completely true and you know it; I believe the portrait has to do with why Quentin still looks young, because he is alive and living in Collinsport now. You are wasting my time, insists Tate. I will bring him here, prove it to you, says Julia. Bring no one here, orders Tate, and remove yourself! Julia rises from the chair, intending to continue to plead her case. Sit down! Tate commands--you will not come near me! Julia sits. There must be more to your secret than meets the eye, she says. Yes, agrees Tate bitterly, I spent too much time being touched and put-upon by others!--so, I have let Tate die, and now my burden is gone--that was over 10 years ago, and as Harrison Monroe, I've found solitude and no one will ever be close to me again!--good night! Where is Quentin's portrait? Asks Julia. It was destroyed in the fire 100 years ago, says Tate. I know that isn't true, says Julia. Then you know more than I do, retorts Tate, and again bids her a curt good night.
When it comes to Scene 179:QuoteThe following is a list of scenes that are still lost and which are not present in the 129 min version recovered in 1999.
...
INT.RUINED SWIMMING POOL. Quentin & Angelique make love.(Around ten seconds of this scene exists on the theatrical trailer, but the rest of the shots in the sequence are lost.)
I'm not so sure if Scene 180 is still lost or not. Scene 180 does not appear on the lost list - but that's the case with a few scenes that still may be lost. And the thing is when it comes to the Blu-ray it does seem as if there might be a cut in the background music at the point where the existing sequence in the 94 minute version of the film switches from Tracy tossing in bed (Scene 178) to her approaching the pool house (Scene 182). But that seeming cut can also be heard when it comes to the VHS, and as we've seen, most of the time that sort of thing was rescored to correct any jumpiness in the background music, but it's not when it comes to the VHS. So, maybe the way the background music plays at that transition was intentional and not due to cut footage. And once again, I don't recall if Darren ever showed a version of the sequence that included Scene 180. So who knows?
...
The other day while I was looking up something completely different, I was reminded by this -...
- which leads me to mention that in DC's script he's added:
178A SHOTS OF A IN THE TOWER LOOKING DOWN
SUPER EYE SHOTS
...
- which prompted me to want to make an entirely new video because how would it have been possible for the audience to definitely know that Angelique was looking down on the Master Bedroom from the Tower Room if there was no establishing shot to indicate that? Plus, as I'd said, I'd wanted to length the time the stills were on view, so making a new video killed two birds with one stone, as it were. And I added two other stills to the mix to establish the dream.