These shows were shot for 1.33 and composed and released on TV in that format. This is way before our recent spate of HD widescreen shows. The only correct way to present them is 1.33. Any 'widescreen' release would butcher the framing, chopping off a significant chunk of the imagery from the top and bottom of the screen.
Well, I've never read anything about how Our Fathers did for Showtime, but I've read a few articles that said CBS was disappointed with the way Saving Milly performed for them. And in certain corners of the entertainment industry, you're often perceived only as well as your latest projects have performed. So, read into that what you might...
Even with the volume control at the highest level for: Volume, Wave, SWSynth, and CD Audio, the dialogue on about 40 percent of my movie DVDs is frequently inaudible. It's always the dialogue, too - other sounds, music, etc., are plenty loud.
I'm afraid all these ratios are making my head swim. I started a list a while back, and I have such numerical figures as:1.33:1 (This, I know, refers to the box shaped TV screen format)1.66:1 (Referred to as semi-letterbox - for the semi-illiterate?)4.3 letterbox16:9 anamorphic transfer1.78 anamorphic (Jimbo's post above)
Those were dark, dark days...