what I've been reading about is more in the nature of a fantasy some MTW fans might have coming true.
I'm guessing that the big question is whether Michael T. Weiss takes off his shirt. Yes, it appears he does.
Going by the photographs, Cecile appears to be well cast. (It could be that she takes off her shirt, too.)
I hadn't noticed the video clips before. I'm hoping that the clips are from an early stage in rehearsals (I'm talking about the scene between Valmont and Mertuel), because the scene seems lifeless and forced. Why are they standing so far apart? I get no sense of connection - sparks, attraction, wit - between the two, only empty space. Of course this is only a minute from the entire production so I wouldn't presume to judge beyond that.
Gothick, regarding your speculation, I hadn't heard that about Valmont, although I hasten to admit that I haven't read the book yet. I've had a copy of it for years and started it - thought it a great, breezy read for an 18th century novel, but got sidetracked before getting very far. It would be interesting to follow up on your thought, because in the French TV production with Deneuve and Everett, a character says, "Valmont doesn't like women, he only uses them," or words to that effect. I'd be interested to find out if the idea is developed further in the extended 270-minute version which did not air on TV.