Hi everyone...
It's a little strange to find out people have been discussing and writing about something I worked on so long ago. This same sort of thing happened a few years ago when I learned an unproduced TV script I wrote had been the topic of much discussion and writing for nearly 20-years. And now, last year I was contacted by a writer about this old Dark Shadows proposal and I happen across this forum to learn things like Darren Gross was looking to contact me over 20-years ago, and this proposal has been the topic of much discussion. Don't get me wrong, I think it's great! And I appreciate the fact that something I had my hands in has sparked so much interest, especially since I thought it was a completely dead topic. So, I've gone through this thread and have answered some of your specific questions and comments.
Specific replies:
Mysterious Benefactor: Regarding Reply #4, Lisa Morton isn't mentioned in the DS Files articles because they predate her involvement. The whole project was actually TWO attempts to launch a new DS project, not just the one. With the first attempt (mentioned in the DS Files articles), we didn't have any sort of storyline attached to the proposal. It was simply an attempt to gain the proper permissions from Dan Curtis to proceed ahead with developing something new for TV. When that failed, we came back two years later with a full blown proposal to launch a brand new continuation series based on Dark Shadows. That's where this outline (known in TV lingo as “the bible”) came from. Lisa is one of my oldest friendships (50+ years now!) and during the 80s we collaborated on many TV pilots and episodic scripts. I went to her and we spent nearly two months writing the original first draft of the First Season Story Projection, which was no easy task. I was on the phone constantly with Jim Pierson picking his brain on original series story details. Plus there was Frid's reluctance to express any sort of interest, not to mention his aging 20+ years. I know there are continuity issues from where DS left off in 1971 and where we picked up in this storyline, but they were minor enough that we felt they wouldn't ruffle too many feathers with the fans. Jim acted as our sounding board. I would throw an idea at him and ask if he thought we could get away with it since it didn't fit 100% into the original series canon.
patrickm: Regarding Reply #5, The “new” characters, like Dr. Melissa Stokes or Susan Collins or Anton Rakosi, were never meant to be filled by DS alum actors. And you hit the nail on the head about the involvement of David Selby. We didn't even talk to him when we were developing this proposal because he was busy playing Richard Channing over on Falcon Crest. Since I worked at Lorimar at the time, I knew how much he was making per episode, and I knew if this series idea got off the ground the producers would never have been able to buy him out so he could return as Quentin. The unspoken plan was if the show got off the ground and stayed on the air long enough, and if Falcon Crest ended, we would approach Mr. Selby at that time to try to woo him back into the Quentin Collins character.
Mysterious Benefactor: Regarding Reply #6, indeed we never wanted to go back to Square One and rehash the Barnabas origin story yet again. Curtis did it in the original series, then again in House of Dark Shadows. We wanted to follow what revival TV series of the time were doing, a la Star Trek: The Next Generation or The Brady's or Return to Mayberry, all of which brought the original series forward into the modern day. So, yes, it's much the same idea that Mark B. Perry decided to follow with his Dark Shadows: Reincarnation proposal.
Penny Dreadful: Regarding Reply #7, thank you for posting these articles/interviews. I had completely forgotten that we attempted to approach Mr. Curtis twice about a revival or reunion show, and re-reading those pages helped me sort out the memories and timeline.
Uncle Roger: Regarding Reply #11, your casting ideas are interesting, but I should point out that we wouldn't have been able to go after William Devane at that time, as he was a regular on Knots Landing. I addressed the continuity errors in an earlier reply, so won't repeat myself here. And the only reason it took so long for this to surface in book form on Amazon is that it was tucked away in an archival file cabinet for decades, pretty much forgotten. When I came across it, Amazon's self-publishing unit made it so easy to format and release that I couldn't resist putting it out there. However, in the roughly 7-years it was available on Amazon, it sold a whopping 17 copies, which is why I retired it last year. As for Diana Millay's involvement, she was a good friend that I had known by that time for several years. On one of her visits to L.A. we got together and I filled her in on what we were doing. She insisted on being in the loop throughout the process, whether or not we were developing a character for her to play. In the early drafts of the bible she offered quite a lot of valuable input on the storytelling, but it was all verbal via phone calls or sitting and talking over lunch. I took copious notes when she had anything to say, but none of her input could be called “writing,” which is why I opted to mention her as a story consultant only, which wasn't an issue for her in the least. Ultimately, she was like a cheerleader for us, keeping us going when we knew the odds were stacked against us.
Naturally, if anyone has more questions, please feel free to ask me at any time. Thank you all for keeping this topic alive all these years. I still think it's a little strange, but I'm not going to argue with anyone about it.

I'm a terrible proofreader these days, so please forgive any typos you might stumble over. All best wishes from Scott Young.