As usual, I'm posting this comment a bit late, but I just wanted to comment on what I felt were a couple of very high quality dramatic episodes late last week -- Thursday, Friday I think. These were the eps when Will Loomis fell (or did he leap?) to his death from the tower, which came as a shock and I truly felt sadness. Then Carolyn's emotional reaction to it all, particularly Nancy Barrett's scenes with Frid, were superbly written* and acted. Heavy hitting drama that was a notch above melodrama. Carolyn's ambivalence toward Barnabas was realistic; her character in this storyline is well developed.
I'd forgotten much of this storyline from my first viewing, and am finding more to praise than I remembered. While Leviathan was good "horror," like a Lovecraft story, 1970 PT is better with character development and human drama, plus the air of mystery that surrounds much of it. Not to mention the incredibly macabre business with Roxanne that makes my skin crawl ...
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*The were no final credits for a couple of these episodes, and I was compelled to check my Pomegranate program guide. I wasn't surprised to see that the writer was Joe Caldwell.
Also, I earlier expressed my dismay that Caldwell, one of DS's finest writers IMO, didn't write for what I consider DS's greatest storyline, 1840. However, as I was consulting my program guide the other day, I realized I was wrong -- Caldwell did have a hand in writing several eps of the 1840 storyline.