Penny darling, Miss Steele was contracted for exactly one day's work on She Beast. It was the first feature film to be directed by "angry young man" of the late 1960s British genre directors, Michael Reeves. He saw to it that Miss Steele worked an exhaustingly long shift on her "one day" of work--I forget just how long, but it was around a 20 hour day for her, I believe. Ian Ogilvy, who was a close buddy of Mr. Reeves,' worked I believe through the entire shoot.
I do recall the scenes between Steele and Ogilvy in the film's beginning as by far the best in the movie--definitely worth viewing if you're a fan of either or both. There's a definite chem between the two. I am really looking forward to hearing them swap stories about working in the genre during the Sixties, and beyond.
Unfortunately, the She Beast itself is a singularly unfrightening, embarrassing bit of goods--definitely bargain basement horror!
G.