And sometimes when Jonathan Frid delivered his lines flawlessly, it was an incredible bit of acting. I particularly remember the classic scene where he returns to the Old House after being released by Willie and sorrowfully addresses the essence of Josette in the portrait.
I think that might be my favorite JF moment. Really shows Barnabas' insecurity and vulnerability, especially those final words, "whatever that may turn out to be." (Not sure if that's the exact quote.)
As we like to say on another list, that was most certainly a *defining moment*. Having watched the early Barnabas episodes again recently, especially the early B&J eps., all I can say is that whatever flaws there were, it never undermined the power, the energy of Frid's performance. Those complex characters had such chemistry...that's what strikes you the most. But of course I love the bloopers, and can really get a kick out of the absurdity of various situations...
I just look at it as a celebration of the whole entity that is DS...it's all good.
Stop rolling your eyes at me... LOL.
![Wink ;)](http://www.dsboards.com/SMF/Smileys/classic/wink.gif)
<LOL> There's an idea: Willie could have taught Barnabas how to be "mod" -- a hip, swingin' cat from London, decked out in the latest Carnaby Street fashions.
LMAO. Always got the gears turning, doncha Jean-Claude?
![Grin ;D](http://www.dsboards.com/SMF/Smileys/classic/grin.gif)
On that note, it is interesting to think about how "timeless" DS is. DC and Company managed to keep out any sort of then-contemporary references. Aside from hair, clothing, and make-up, there is really nothing about the series that links it to the 1960s or early 1970s.
Certain members of my family and I have talked about that...at length, believe it or not.
![Tongue :P](http://www.dsboards.com/SMF/Smileys/classic/tongue.gif)
Although, one thing my sister and I have caught is references to modern music...definitely heard a few Beatles melodies played in the Blue Whale at one time or another, etc...