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Messages - DarkLady

2566
Current Talk '11 I / Re: Remembering Dark Shadows
« on: May 09, 2011, 09:58:37 PM »
Thanks from me too. This is a lovely tribute that takes the show and its influences seriously--for a change.

2567
Current Talk '11 I / Re: Discuss - Ep #1210
« on: May 07, 2011, 02:00:29 PM »
Quentin suggests that a "seafaring man from the Orient" brought the plague with him to Collinsport. Ah, the mysterious East, that hotbed of pestilence and disembodied heads!

Given what Quentin said about telling the truth in the previous episode, it's too bad we don't get to see the police grilling him and his mother about Stella's death.

Meanwhile, this is still Morgan and Catherine's wedding night. And Catherine, why oh why are you so desperate to start making babies right away?  [ghost_wink] But seriously, if I had gotten a letter like Bramwell's last before his voyage, I would have just melted. Morgan was cruel in burning Bramwell's letters, but Catherine should never have left that one on the mantelpiece. It's understandable why he doesn't want children, but Catherine's passionate nature has already gotten the better of her.

2568
Current Talk '11 I / Re: Discuss - Ep #1209
« on: May 06, 2011, 07:58:30 PM »
Yes, MB! I'm sure it's true of the Collinses in all time bands!  [ghost_grin]

2569
Current Talk '11 I / Re: Discuss - Ep #1209
« on: May 06, 2011, 02:32:55 PM »
Yes, it's too bad James Storm left the show just when his role was starting to get interesting. He was smiling such an evil smile too! The writers might have ended up making him Brutus's agent, and wow, think of the complicatons that would have caused!

Quentin may be behaving sensibly for the moment, but he shows he's a true Collins when he's talking with Flora about Melanie and the police. He tells his mother, We will have to tell the truth--as long as we can do it without anyone knowing what really happened.

And of course, kudos to NB!

2570
Current Talk '11 I / Re: Discuss - Ep #1207_1208
« on: May 05, 2011, 02:41:40 PM »
Kendrick Young seemed to be a complete stranger to everything Collins

And wouldn't Julia like to keep him that way too!

Nice little bit by JF: As Bramwell turns away from Daphne and toward us, we can see the desolation in his eyes at the news she has brought him.

PT Gerard seems just as unsavory as his RT counterpart. I'll bet he got fired from Collinwood, and I'm sure it was for something far more sinister than trying to make off with the family's silver.

2571
Current Talk '11 I / Re: Discuss - Ep #1207_1208
« on: May 04, 2011, 09:22:35 PM »
Poor Bramwell! Even taking a bullet didn't get him the woman he loves. Morgan says that Bramwell is the best shot in the family. I've always wondered if it wasn't one squirrel stew too many that sent him off to seek his fortune.

Poor Daphne! So honest, so naive.

2572
Current Talk '11 I / Re: Discuss - Ep #1206
« on: May 03, 2011, 02:40:57 PM »
I've always liked parallel Josette. I especially love this scene with her and Melanie, and the one with the two women and Barnabas. I've always thought that the Locked Room, time and an apparently long widowhood have left their mark on her--not to mention being a single mother bringing up a son like Bramwell.

Great fun with a fistfight opener and a duel as the finale! But this time around (unlike with "our" Barnabas and Jeremiah), Barnabas, as the challenged party, should have chosen the weapons. I also enjoyed seeing Josette stand up to the formidable Julia.

True, Julia was born a Collins but if she looked anything like the young Grayson Hall she surely must have had at least one or two offers of marriage, and then she would have left Collinwood. Apparently preserving the family honor was more important to her.

2573
Current Talk '11 I / Re: Discuss - Ep #1205
« on: April 30, 2011, 06:30:24 PM »
Almost forgot to mention the teeny cameo by Emory Bass (last seen as Mr. Best) as the minister.

2574
Current Talk '11 I / Re: Discuss - Ep #1205
« on: April 30, 2011, 06:21:25 PM »
We start off with another great voice over by JF.

Wonderful scene with Bramwell and Catherine! He hardly has to do anything to seduce her, does he. Too bad he doesn't get her into the bedroom, since Morgan is busy burying poor Stella. Best quote from Catherine to Bramwell: You know me so well, better than I know myself! You are a demon, and the demons in me are in league with you!

Very sweet scene with Kendrick and Melanie. It's almost certainly her first kiss ever, let alone probably only her second conversation with a man who is not a relative. Awww.... Too bad she may have murdered Kendrick's sister. Then she runs back to Collinwood to have a good cry in that most private of places, the drawing room. Luckily the only person who finds her is Bramwell, who treats her with a gentleness he shows to no one else, not even Catherine.

Morgan is so mean, first to poor little Melanie, then to Bramwell. He makes a very, very bad winner.

Great cliffhanger ending!

2575
Current Talk '11 I / Re: Discuss - Ep #1204
« on: April 29, 2011, 02:02:31 PM »
Yah, scary ending! I always thought it was real Melanie remembering the time she got into the Locked Room and found Justin.

So now Quentin was in jail for seven years--wasn't it five before??

Poor Flora and Julia--they thought they were solving a problem by locking Stella up, but it seems they've only made things worse. It was sort of strange to hear Stella refer to "Mr. Justin Collins" as her attacker, but with three other Mister Collinses in the house and another one living in the Old House down the hill, I guess she had to make it clear. Always nice to see Flora in full Mistress of Collinwood mode!

Quentin continues in detached mode as he tries to analyze the whole lottery-Locked Room problem. At least he's finally explained Melanie's attacks to her--apparently the first person to do so.

Morgan and Quentin may not want women in the lottery, but the ghost certainly does.

2576
Current Talk '11 I / Re: Discuss - Ep #1203
« on: April 28, 2011, 02:46:38 PM »
I've often wondered about that myself, Lydia. I suppose that for the Collinses, the laws of inheritance and the preservation of the family's wealth trump the curse of the Locked Room. After all, only one person in every generation has to spend the night there. And yes, it's a cruel predicament, but actually the more children the Collinses have, the less likely it is that any one individual will be chosen.

That is indeed some robe Morgan is wearing! I suppose that even in parallel time, the real curse may be that men have to wear long and cumbersome dressing gowns. But he does a nice job all the same with his story of how Melanie dared the Locked Room for her father's sake.

Julia offers the crazed Melanie some hot cocoa. I'm surprised that Julia doesn't have a stash of laudanum somewhere. Poor Melanie is the most innocent creature in the whole house and yet she has this terrible burden. I feel much sorrier for her than for Catherine, who is headstrong enough to declare, I’m going to come to this house, marry Morgan, live here, and do everything in my power to make this a happy, _sane_ place to live!

Meanwhile, Quentin covers up--what?--with an attitude of detached irony and even ruthlessness when he suggests putting Melanie away somewhere, a rather unsympathetic attitude, considering that he was locked up for far worse cause himself. Apparently they can't just lock Melanie up in the Tower Room, since it is already occupied....

2577
Current Talk '11 I / Re: Discuss - Ep #1203
« on: April 28, 2011, 12:44:36 AM »
Note for the musically curious: Melanie plays Chopin's Ballade no. 4 in F Minor, op. 52. Melanie is musically prescient: Chopin composed this ballade in 1842, AFTER the events in our story! But then again, we are in parallel time.

Why does Melanie, who so loved her adopted father, never wear black for him?


2578
Current Talk '11 I / Re: Discuss - Ep #1202
« on: April 27, 2011, 02:38:36 PM »
Right, Lydia--who could resist being called the "fairest"?

There's a nice detail in the final scene, when we first see Catherine sleeping.  She has her arm stretched out, and her hand is in the same half-clenched position that we saw as Bramwell was getting dressed.

Oooooooooooohhhh!!! And what is she dreaming about, we wondersss, yesss, we wondersss?

And thanks for the tip about the Complete This Phrase/Fill in the Blanks thread.


2579
Current Talk '11 I / Re: Discuss - Ep #1202
« on: April 27, 2011, 01:28:21 AM »
I agree, MT. Bramwell's narrative is one of my favorite soliloquies from the show. The very lack of detail (except for the church) invites us to fill it in with our own imaginations. And Catherine falls for it, hook, line and sinker--and I'll bet not for the first time either. This may possibly be the only time we actually see Bramwell smiling a genuine smile.

Bramwell must have been devastated, though. After he used every means of persuasion at his disposal--again, very wisely left to our imaginations!--Catherine still didn't change her mind.

I think PT1841Q and Bramwell pretty much got one another's measure long before the scene at the Old House. Although they have different back stories, they seem to understand one another very well.

I have to say I also like the Kendrick-Melanie "meet cute" scene--even if it's quickly followed by Melanie's "stabby stabby" scene.

And then there's the great mystery of how Catherine got fully dressed before Bramwell.

2580
Current Talk '11 I / Re: The Robservations Slideshow
« on: April 27, 2011, 01:19:13 AM »
*falls down laughing*