What do you think of this Dr. Guthrie? she asks angrily. Not very much, he says, What do you think he is--why do you suppose he's here? she asks. He's some sort of psychologist who's trying to find the cause of Liz' illness, says Roger. And does that make any sense to you? she asks. Frankly, no, says Roger, but it's what Carolyn wants and I can't question it--Liz is her mother. He's not just a psychologist, she says, he's a parapsychologist. One of those ghost chasers? asks Roger. Must you reduce everything to its lowest commons denominator? she asks sourly--an investigator of psychic phenomena. Why didn't Carolyn tells me this? demands Roger, angry now. Because she doesn't trust you, says Laura. Who else knows about this? asks Roger. I don't know, says Laura--Vicki, Frank Garner, everyone, I suppose. Except me, says Roger, isn't that just fine!--why is he here? If you want to know the answer to that, you'd better ask Carolyn, she says. Of course, says Roger, it all fits in now--a seance--whoever heard of a real psychologist trying to commune with the spirit world?--but why?--what's he up to? I have no idea, says Laura. It's all so confusing, says Roger--he turns to Laura--but then, everything that's happened since your return is confusing. You're not going to start that business up again, are you? she asks. What business? he asks. Everyone's favorite game around here--guilt by innuendo, she says--this is New England and obviously witch hunting is still your favorite sport. Why did Vicki scream out during the seance? asks Roger. Ask Vicki, not me! says Laura. And that body in Phoenix, continues Roger, why did it disappear? She rises to her feet. Surely it is apparent by now I am here, not there, she says, so how would I know? She lights a cigarette. And Liz, says Roger, you were the last person to see her. I didn't hit her over the head, says Laura--I wanted to often enough, but I never did it. (LOL, delicious!) Why didn't you mention it immediately? he asks. It was a very confusing day, she says, there was no reason for me to assume I was the last person to see her. Are you telling me everything? he asks--there's nothing you're hiding?--you'd better tell me because I'll find out anyway--whatever it is, you'd better tell me, Laura. She turns to face him. There is nothing, she says, nothing! She walks away from him and sits by the fire, cigarette in hand. (their head to head here was marvelous--guilt by innuendo indeed!--and she is the closest thing to a witch we have until Angelique makes her entrance)
Wonderful glimpses of 1967 Laura yesterday
And Liz, says Roger, you were the last person to see her. I didn't hit her over the head, says Laura--I wanted to often enough, but I never did it. (LOL, delicious!)
He assured her that, for Carolyn's sake (the bastard), he would bury the body in a trunk in the basement, and she would have to stand guard from then on to make sure no one found out (explaining her 18 year self-imprisonment; as the keeper of the key to the crime, she had to stick around and protect it).
Wonderful glimpses of ... and 1949 Liz today!
Millicent badgers Nathan about why he's in jail. You haven't been listening, he says--you haven't heard one word I've said. She assures him she has, but it makes no sense. Take my word and trust me, please, begs Nathan. I did that before, she says, and I'm sorry. Forget the past, he says, we'll make a new start. I'd like that, she says. Something must first be done about Barnabas, insists Nathan. That's the part I don't understand, says Millicent--I was so sure Barnabas was dead. Impatiently, he reminds her--you saw him taking me out of the house tonight, didn't you? Yes, she agrees. Then he can't be dead, right?, asks Nathan. No, he can't, says Millicent, but why did we all think he was? Nathan paces the cell and says "because of what he's become." I'm confused, Millicent says. I can't say why, Nathan explains, but Barnabas is trying to kill me, and you must help me--I will tell you how Barnabas can be destroyed, but you must promise to do something about it. (Isn't she one of Barnabas' victims herself by this time?--Naomi committed suicide because she caught her son feasting on his cousin's throat.) I promise to try, says Millicent. Find a wooden stake and hammer, orders Nathan, and go to the tower room during the day, where he sleeps in a coffin--you must take that stake and drive it through his heart. Millicent stares at him, horrified. She says she thinks she understands and again promises to try. Barnabas must be destroyed before it's too late, says Nathan. She complains about the chill and says she'll return to Collinwood, but come to see him tomorrow. He stares after her, shaking his head, knowing his wife is whacked out..
because January 13th was when the local ABC affiliates finally returned DS to 4pm.
In the woods, Barnabas meets Cassangelique. In an icy voice, he asks why and how she came back.This is my home, of course, she says, feigning ignorance. Angelique, he says, I had hoped you had decided to leave me alone. She replies that, as always, she doesn't know what he is talking about-and he's insane! Barnabas goes on to tell her that he doesn't care what she does to him, but Vicki has never harmed you--she should be left alone. Cassangelique suggests that they should avoid each other since he can't seem to get along with her. He tells her that would be a good idea, then exits. After he leaves, Cassangelique tells herself that a spark of her old feelings for Barnabas may be stirring, but she must fight them and concentrate on vengeance.
Rachel's eyes in closeup. She's in her room, sitting on her bed. Jamison, holding a locomotive in his arms, comes in and asks if she's seen his other trains. She sits him down, bad news evident in her face. Jamison first asks if it's Nora, then his father, then Quentin--something's happened to Quentin--he's been hurt. Much worse, says Rachel. Jamison stands. "He's dead." I know how close you were, says Rachel, but you must be brave--help Nora, stay together. He walks away from her. She asks where he's going, but he doesn't respond.
Best checks his watch and tells Amanda, I'm truly sorry--but you've asked me to break the rules too often, I'm afraid--come. Not yet, she pleads, not yet. It won't be unpleasant, he assures her. I'll never see him again, she wails. Perhaps you will, he comforts her. She looks at him--you're only saying that so I will come with him, she accuses. Don't try to understand everything I say, he says, my mind is much more complex than yours, or anyone's--I pride myself on that. Just one moment with him, please, she cries, one moment.
Barnabas leads Hamilton down into the basement, but Roxanne is gone. Barnabas looks around for her, to no avail. Well, says Hamilton, where is this strange young woman you were telling me about? He must have taken her away from here, laments Barnabas. If she ever existed, sniffs Hamilton. But she DID exist, insists Barn, why should I lie to you about this?--look around you--why do you think this equipment is here?--Julia got it so she could revive that girl. I'm a simple police inspector, says Hamilton, and must of necessity deal with things that are real--things that are unreal, I leave to the writers of fiction--as far as I'm concerned, the reality of this case is the increasing guilt of Quentin Collins. He leaves the basement; Barnabas follows.
Lovely to see Colin Hamilton featured today. It was like DS suddenly becoming an Agatha Christie play when Inspector Hamilton showed up.
I wish he'd been brought back in another role.