On the terrace, Cassandra summons Willie, who, doing some dusting at the Old House, is puzzled. "Come to me," chants Cassandra. Willie protests that he doesn't want to go there, but she orders him to hear her voice and obey her-he has no choice. She realizes he has gotten the message, and he appears before her as ordered. He's surprised to see who summoned him, and she tells him to look at her.He refuses, but she is insistent, and he has no choice. Hypnotized, he listens raptly to her. "Tell me everything you know about Barnabas Collins," she demands. What happened after the dream? Willie tells her Julia and he found Barnabas after he'd been attacked by the bat, and there were two gashes in his neck and he was bleeding. Julia found no heartbeat. They buried him. Cassandra is shocked to hear this. Willie says Barnabas told Julia he wanted to be buried where nobody could find him, if it happened (this wasn't true; he wanted to be staked). Willie goes on-he dug the grave in the woods, put the coffin in the ground and covered it with dirt. Then he returned to the Old House with Julia, who was going to give him a job at Windcliff. Willie returned to the Old House and there he was, alive. How? asks Cassandra, but Willie has no idea. He escaped the curse was all he told Willie. Cassandra is terribly upset that Willie isn't more forthcoming. He says such things scare him, and he'd rather not know. He's telling the truth, he can't lie to her. She sends him back to Collinwood-he'll forget that she summoned him. He walks off, slowly, and she is in despair. She was so certain he knew something!
Barnabas comments how calm Quentin is behaving over Jamison's disappearance.Just the Collins manner, quips Q--we don't panic. Easy when you know where the boy is, says Barn. You said it, I didn't, says Q. Barnabas admits, I would have hidden the boy myself if he'd come to me. Are you expecting a confession? asks Quentin--I don't trust you enough to give you one, and if you keep on, I shall be forced to search the woods, and in my delicate condition, that wouldn't be wise. Barnabas agrees, and is comforted to know Jamison isn't lost and will show up at the appropriate time--I can't believe Cousin Edward would allow his boy to go to that man, and I will learn everything I can about the school. No need, says Q--bread and gruel and a switching for every unlearned lesson. Again we agree, says Barn. We must not make a habit of that, jokes Quentin. Barnabas leaves to go upstairs.
Stunned, Vicki spies a woman she is sure is Maggie Evans, but Burke assures her it's her imagination--she's under a strain, after all. They leave.
Sam begins to describe his dream to Vicki, but Stokes barges in and orders Vicki to leave the room at once. (He must be the Dream Police.) Sam protests, but Stokes insists. He physically escorts Vicki out of the room, over Maggie's protests, and tells her to wait outside. He must speak to Sam first, says Stokes, it's for the best. Maggie asked Stokes to help them, and he says he will, she must be patient and trust him. Stokes tells Sam he had to take Vicki out, and he plans to send Vicki home. Sam complains, as does Maggie, but Stokes says if the dream goes one step further, to Vicki, it might prove fatal to the next person who has it. Do your best to refrain from telling the dream, begs Stokes
Aristede tells Petofi that Barnabas is bringing the hand--you must stay alive until he comes.
Vicki joins Roger in the drawing room where Roger still searches for his keys. Vicki asks if he could do something for her--actually, for his son--I know you don't approve of my being here, but I really think I can help David. Do you? asks Roger. I think he's beginning to trust me, she says, to believe I want to be his friend. I see, says Roger sarcastically--do you think you can trust him? If you'll give me a chance, she says. Oh, you're referring to the little discussion we had several hours ago, he says. You said you wanted me to leave, she reminds him, because of Burke Devlin. If Devlin creates troubles, it's going to affect everyone in this house, says Roger--you, me, David, my sister--all of us--and I just wanted to spare you the pain--that's the only reason I suggested you leave. But I want to stay, very much, she says. But you're a bright, attractive girl, says Roger, there must be dozens of ways for you to earn a living beside being buried in this house--I suppose the decision is up to you--and my sister, he says, since she hired you.
Julia and Barn return to the lab. They listen at the door and hear only silence. Barnabas decides to go in, despite Julia's objections, but all they find is the lab, completely wrecked in a short time. Julia says Adam must be strong. Barnabas brandishes a gun and insists Julia stay by the door, just in case. "Do as I say," he demands. Barnabas walks around the lab, searching for Adam, stepping on broken glass. He finds his "son" under a sheet. Julia pulls it back while Barnabas covers her with the gun. Adam, curled in a fetal position, is alive--and sound asleep.He really is like a child, muses Julia"he had a tantrum and fell asleep. Barn says he's made it easy for them--they can put him out of his misery now. Julia pushes the gun away. Barnabas compares Adam to an animal, but Julia says he's more like a small child who came into the world, fully grown--we must find a way to communicate with him, she insists, although Barnabas argues against this--Adam is capable of destruction. Julia reminds Barnabas he's a living human being and they are responsible for him. Counters Barnabas, if he murders someone, they will be to blame. Treat him properly and he won't do anything like that, says Julia. Barn fears another rampage, but Julia says Adam is acting out of fear--fear they caused. They must gain his trust. They gave him life, she says, and now that they've done it, they don't have the right to take his life away. (you're right, Julia. Barnabas is so cavalier about life, which is odd, considering what's happened to him)
Charity dreams: Angelique appears at her bedside and says, it's a very special day. Charity rises from bed--it's her wedding day! I'm here to help you get dressed, ready for HIM, says Angelique, showing her a black wedding veil. Charity protests--a wedding veil is supposed to be white! Yes, says Ang, giggling, it must--when you're marrying death.
Daphne gasps as she sees her double join Catherine. I thought you were going to wait downstairs, says Catherine. I cannot tell a lie, confesses Daphne--I followed you up here and waited in the corridor. And listened? demands Catherine. Daphne nods. That's unforgivable, teases Catherine. I know, says Daphne, but you'll forgive me because you would have done the same thing yourself. If I couldn't control my curiosity, perhaps I would have, admits Catherine, smiling. I want to know why you didn't give Morgan an answer just now, says Daphne. You heard what I said, Catherine reminds her. I know, says Daphne, but I didn't believe your reason--Catherine, you're my sister and I love you, and I have to be honest with you, especially when you aren't being honest with yourself--you asked for more time because you're not sure of your love for Morgan. But you heard me tell him...begins Catherine. I know what I heard, says Daphne--and I also know your entire life, you've only loved one man. Catherine turns away--he's been gone five years, she says. I know, says Daphne, but there are rumors he's coming back! I don't want to talk about it, says Catherine. It's something you can't avoid, says Daphne--even when you were children, everyone knew how you felt about each other. When he left Collinwood, he left my life, insists Catherine. No, says Daphne, he'll never leave your life--and you'll never leave his. He belongs to the past, says Catherine, and I must lead my life by what is to be--not by what has been. He would be the last person in the world to accept that, says Daphne. We're discussing my life, not his, Catherine reminds her sister, and I will decide what is to be, not anyone else.
All right, Miss Winters, says Roger, there he is--he says nothing you said is true. It's pointless to lie, Vicki tells David. We've already been through this, says Roger, now tell me--did you find that valve in his room? Of course I did, says Vicki. Exactly where was it? asks Roger. I've already told you--in his dresser drawer under some clothes, says Vicki--I would never have found it if I hadn't been looking for a letter that was taken from me. That's why you're making it up, says David--because I tool your stupid letter! I'm not making up a thing and you know it, says Vicki. It's a lie, he says, everything you said about me is a lie--you just want to get me in trouble--well I don't care what you say, I never had that valve, I never took it--now leave me alone! It's useless to pretend, Vicki tells him, putting her hands on his shoulders--are you trying to tell me I lied? You did, didn't you? says David. How many times did you tell me that you hated your father--that he wanted to send you away and you were going to get even with him? I never meant it, says David. You meant to go to that garage, he says take the valve from the car--maybe you didn't know how serious it could be, but just the same... I didn't take that valve--if you don't believe me, look over here--this is all the stuff that was in my pockets. Then you must have thrown it away, insists Vicki. I DIDN'T! cries David. Excuse me, says Burke, joining them in the room. I thought I asked you to leave, says Roger. I know, says Burke, but I thought I might be able to help--is this what you've been looking for--and he holds up the valve for them to see. David looks guilty--and frightened.
Edward follows Judith to Dirk's coffin. "I have come, as you commanded me to," says Judith, her hands on the closed coffin. Edward orders Judith, stand away from the coffin! Calmly, she says, you have no right to be here. "Is he here? asks Edward. "Is this where he hides during the day?" He only summoned me! says Judith Get out my way, orders Edward. Don't hurt him! says Judith. I'll do more than hurt him! vows Edward angrily. I won't let you, says Judith. I'm trying to save you, and all of us! cries Edward. Judith bangs on the top of the coffin, calling, "Dirk, Dirk! He's going to destroy you--you mustn't let him!"--wake up and kill him before he destroys you! Judith passes out and Edward puts her limp body off to the side. He opens the coffin and sees the vampire slumbering inside. It's Dirk! he realizes (wasn't that the name Judith was yelling?)
It's Dirk! he realizes (wasn't that the name Judith was yelling?), and hastily closes the coffin. It's almost night, mutters Edward, there isn't much time. He finds a large rock on the floor, then searches for something to serve as a stake, heading upstairs. It's dusk. He returns with a stake (did he make it or find it?) and re-opens Dirk's coffin.
Julia is sure Barnabas managed to change history and save Vicki and Peter--they're alive somewhere back in time; Barnabas did as he said he would--but did he trap himself there forever in the process? laments Julia. . .it's time, Willie, say nothing to break my concentration. The clock is chiming 8 PM as Julia calls, "Hear me, Barnabas! Hear me! Come back to us! Try! You must try as we are, Barnabas! Reach out to me as I am reaching to you!"