Diana Millay certainly looks the archetypal mid-60s soap opera star!
Sandor joins Magda at Jenny's grave. He helps her to her feet, telling her they will go back to the house now. Magda wants to stay longer. We must leave tonight, insists Sandor, because when the curse begins to work, our lives will be in danger. Patting her husband's hand, Magda assures him, I know of protection for us, but the Collinses will be in danger--each of them could be a victim of Quentin's curse--I don't want to leave, but stay and watch them be destroyed, one by one
Love today's shot of Magda and Sandor!
This was right after Magda had put the big curse on Quentin, if I recall aright.
Then she found out she'd cursed her own family. One of the best DS storylines
Paul insists, I never loved any other woman. You never loved anyone, says Liz--what do you want from me now? Nothing, he says. Good, she responds, because that's exactly what you're going to get, from me or any Collins. If you still call yourself a Collins; why did you keep my name? He asks. For Carolyn, she says. I'm glad you admit that, he says, because if Carolyn has MY name, she is partly mine. Did you think of that when she was a child? demands Liz--when she was growing up? No, and it was a terrible mistake, he says. You're always willing to admit to your mistakes, she says, then make them all over again--I have made a new life for myself! You've simply returned to being a Collins! Shouts Paul--a lifetime occupation for you. There was a time you weren't ashamed of the Collins,' she cries, or did you want to be connected with them so you could steal? What did you expect? He asks--I never got love from any of you. You must give love to get it, says Liz. Carolyn loves me, I know that, he says--so I can love! Carolyn made a mistake, says Liz--get out of town, Paul, I mean it. Where shall I go? he asks, where can I find anything--answer me, where can I find anything? Go back to that successful life you were boasting about, she suggests.It's true, he says, but lately, things haven't been going so well--it could happen in any man's life and will straighten itself out. I don't care if it does or not, says Liz, but if you stay in Collinsport, I will make sure it's a visit you won't forget.
Another great photo today--the lighting on Joan's face and the drab curtain backdrop carries a hint of film noir.
The return of Paul Stoddard was another great storyline that was run abruptly into the ground, most likely due to Dan Curtis's interference with the plot.
And from what I've read, that had to do with all the hate mail fans sent in complaining about a storyline in which Barnabas was evil and duplicitous--just as he had originally been in 1967.
Caught in Yaeger's strangling grip, Buffie battles for her life, begging, let me go! Why should I let go? demands Yaeger, you're like all the others--you have to be trained. She frees herself, pushing his arms away. Like a dog, you have to be hit to learn, he insists. He pulls her arms behind her back. Let me go! she cries. You haven't learned your lesson yet, he says. You're hurting me! she protests. Just a little, says Yaeger, just so you'll learn to do what I say--you will, won't you? He wrenches her arms painfully behind her back. Yes, she says, falling into a chair, crying. He lifts up her head, gazes into her face and observes, how pretty your tears are. You're insane! she cries. I'm not, he says, I know how to live, how to get things from people, how to make anyone do as I say--an invaluable thing to know, something you must learn unless you want to live the rest of your life like this--you don't, do you? What do you mean? she asks, facing him. I want to give you the finest things, he says--money, furs, and riches--I'll give you anything, I want to make sure that you have everything. She pushes him away and stands. You don't want me to know how much you want them, do you? he asks breathlessly, laughing--I know you better than you know yourself, and you'll know that soon. You don't know me at all! cries Buffie angrily.
Great shot of Yeagar and Buffie.
It's at least a quarter of a century since I last watched these episodes. It looks somewhat early on because Chris seems to have the nose prothesis on. They had to abandon that, if I recall correctly, when it started coming off during one scene.
Those studio lights were hot. I always feel for Thayer in those scenes where Petofi had that big fur coat on. And he was already wearing that huge Petofi wig...
Old House - Laszlo enters very slowly, trying not to make a sound. He whispers, "Angelique." Gypsy, says Barnabas, what are you doing here?--did you come to tell fortunes again--or to steal? Laszlo stutters that he came to deliver a message. So you simply walked in the deliver it? asks Barnabas. No, I was looking for someone, the gypsy says, nervously pacing--I was looking for someone, a servant--a house like this must have servants. Who is the message for? asks Barnabas. Are you Barnabas Collins? asks Laszlo. You know I am, we've met before, says Barnabas. Laszlo says it's for him--from a man in the village--he gave him a gold dollar to tell him it would be worth Barnabas' while if he met with him tonight at the Eagle Inn at midnight. What man? asks Barnabas--how will I know him? He'll know you, says Laszlo. Your answers come too easily, decides Barnabas--describe him. The gypsy says he's tall, well-dressed, with the air of a gentleman about him. Heavy-set--with gray hair? Asks Barnabas. Yes, agrees Laszlo--you know I'll be leaving now. Barnabas grabs hold of him, saying, "There is no such man--now what do you want?--why are you telling me some absurd lie?" Let go of me! demands Laszlo. Barnabas says not until he tells him the truth. They struggle, and Barnabas catches sight of--"Julia's ring!" No, says Laszlo, it's mine, it's mine! Where is she? says Barnabas, his face more animal than human--you're Angelique's servant, aren't you?--you came to see her--tell me where Julia is!--and he begins strangling the gypsy.
Nice to see Michael Stroka in the role of Laslo today.
Very atmospheric shot.
I've never understood why Stroka was written out so abruptly. I presume that he had found another work opportunity, most likely on another soap, and I'm sure he worked on DS without a contract--so many did.
The front door bursts open. Mrs. Collins! calls Harris, carrying Melanie in his arms--I found her lying in the woods. Ben Stokes is with them, too. They all run into the foyer, Kendrick calling, Melanie! He takes her from Harris. Put her on the sofa, orders Julia. Everyone gathers around in consternation. She must have been attacked by something, suggests Stokes--some kind of wild animal. Look! cries Julia, pointing to two bite marks on Melanie's neck. Harris, get a doctor, says Flora. Kendrick, horrified at the sight of the bite wounds, asks Melanie, "What caused them?--tell me!" Bramwell stares down at the marks. What could have happened? wonders Flora. What kind of animal would attack her like that? asks Julia. Says Ben Stokes, "If I didn't know better..."Yes, Stokes? asks Kendrick. "If I didn't know it wasn't possible," says Stokes, "I'd swear there was a vampire at Collinwood."