She hears a knock at the door and finds Jeff waiting there. He hugs her and she's thrilled to see him. He's not in a good mood. He went to Portsmouth and found a big dead end there. Three weeks of day and night investigation, he still doesn't know who he is. She holds him, trying to comfort him. He visited hospitals, spoke with doctors, cops, nurses, and got nothing. He was found there, Vicki reminds him, wandering the docks, without ID.He doesn't even know how he got the name Jeff Clark, unless Lang gave it to him in the sanitarium. Jeff is angry that he knows nothing about himself, or if he had a life before Portsmouth, or an existence.
Melanie said you had a vision, he says, you saw a woman, and said she was her mother. Yes, says Carrie, but the vision wasn't clear--I couldn't see the woman's face. But just before you were interrupted by Julia, says Kendrick, you told her the image WAS clear! No, says Carrie, not clear enough for me to see. What are you frightened of? demands Kendrick of the trembling girl. Nothing, she says. Is it Julia Collins? he asks. Why should I be afraid of her? asks Carrie. Because she threatened you the other evening if you said anything at all to Melanie, he says. No, that isn't true! says Carrie, face shaking. Then you didn't see her, says Kendrick. No, she didn't come here, says Carrie. But your father said she did! says Kendrick. That's impossible, says Carrie, Father wasn't here when she... She sees the smile on his face and knows she's been tricked. Then she was here, Carrie, he says. Please go, Mr. Young, she begs. Not until you tell me the truth! he says. Please, I don't want to get into trouble, pleads Carrie. What possible trouble could you get into? He asks. I don't know, says Carrie, but I'm afraid if I get Julia angry, she'll make my life miserable! I guarantee you that nothing will happen to you, he says--trust me, trust Melanie!--tell me--why did Julia come to visit you? She made me promise to lie to Melanie, confesses Carrie. Then Melanie was right, says Kendrick, excited, the vision WAS clear enough to see the woman's face. Yes, says Carrie. And you know who Melanie's real mother is, says Kendrick. Yes, I know, says Carrie. Look at me, he says, you must tell me who this woman is, now. What are you going to do? she asks. Never mind, he says, just know that if you tell me this, you will be doing Melanie the biggest favor of her life--for Melanie's sake, please, tell me!Carrie looks at him, unsure, miserable at having to make this decision.
Quentin didn't kill him, I know that! wails Carrie, shaking her head. Miss Stokes! warns Dawson. Quentin isn't guilty of anything! Carrie says, he wouldn't hurt anyone--you must believe that. As Quentin gazes fondly at Carrie, Dawson orders her remarks stricken from the record. The judge agrees. Dawson turns to Carrie--no further questions, he says. The defense has no questions, says Barn. The judge dismisses the sobbing Carrie, who grabs Quentin's hands for reassurance, then leaves the courtroom.
Willie, we can't do it, not without his knowing. Julia, let's make it easy for him, for once, says Willie, I mean we gotta do it for Maggie. Please, begs Julia. Maggie will die, Willie reminds her--you said so yourself. I know, says Julia, I know! If we have to wait until dusk for Barnabas, this Roxanne--he points to the vampire--she won't be here tonight, she'll be with Maggie--he won't blame us. She's what he always wanted, says Julia sadly, someone with whom he could share eternity. (Oh, the sorrow on her face is heartrending!) This one ain't like him, says Willie, she's vicious, that's what he said, I heard him--Julia, I'll take the blame. You didn't even want to come here, she says. But I am here, he says, because Barnabas told me--Julia, you just walk out of here, I'll do it for Barnabas. He holds out his hands for the tools. She reluctantly starts to hand them over, then stops--I can't, she says--there has got to be another way--close the coffin--close it. He does. Now go and find Quentin, she says. I don't understand you, says Willie--you know what must be done, that she must be destroyed--and we'll never get this chance again--I know it, and so do you.
We see Angelique's portrait, then Angelique herself, who asks Julia, where is Barnabas right now? Somewhere in the house, replies Julia. Are you sure you've been following him everywhere he goes, as I told you to? asks Ang. Of course, every opportunity I get, says Julia. Why haven't we been able to discover his secret? demands Ang impatiently. I don't dare follow him too closely, says Julia--he has powers and I'm in terrible danger as it is. I don't know, says Ang, you really don't seem yourself these days--you were always famous for your efficiency. I do what I can, says Julia--I've been under a tremendous strain. Was it the strain you were under, asks Angelique, that caused you to completely forget, in your conversation with Inspector Hamilton, that his wife had been dead for three years, even though you yourself attended her funeral? Her hypnotic eyes bore into Julia, who responds, in a guarded tone--of course it was, what else could it be? I don't know, says Ang. I promise to continue doing all I can for you, says Julia--as a matter of fact, I think I should be looking for Barnabas right now. Angelique agrees.
Collinwood drawing room - Angelique sits with Liz, sipping coffee--I meant to call you, Mrs. Stoddard, she says, and I'm glad we ran into each other in town--it's hard to call when all the news is bad. I'm so sorry to hear about you and Sky, says Liz--I thought you were so... "Perfect for each other," finishes Angelique, "so happy."--yes, we were. Jeb enters to report to Liz, I took care of the matter at the police station. Angelique stares at Jeb. I took care of the marriage license, says Liz, so you and Carolyn can pick it up whenever you want. She introduces Mrs. Rumson to Mr. Hawkes. Mrs. Rumson? repeats Jeb. Mrs. Sky Rumson, grins Angelique. We stayed with them at Little Windward Island, explains Liz. Mr. Hawkes has been there, reveals Ang. I don't think I have, says Jeb. Really, says Ang, I could have sworn we had, Jeb and Sky were such good friends. Liz expresses surprise at this connection. I met him a few times when I was taking pictures for his magazines, says Jeb, but I'm not a friend of your husband's. I must be confusing you with some other photographer, suggests Ang. Of course, says Jeb, I'll go get Carolyn. Ang puts down her cup, stands and walks over to Jeb. Are you and Carolyn planning to get married? she asks. Yes, answers Jeb--today, here. Well, says Ang, there's an old Irish saying--"may ye have all the luck ye need." Thank you, he says, not quite knowing how to take the fury in her eyes mixed with her pleasant tone.
Tate grins and says, the former Charles Delaware Tate is waiting for you. You're drunk, Petofi observes. Yes, says Tate--drunk and an artist who can't even hold a brush to paint--I've suffered enough--please, please give me back my talent, begs Tate. You aren't the only victim of Petofi, says QIPB--he took away your ability to paint, but far more from me--he took my body and trapped me in his! What? asks Tate. I'm not Petofi, I'm Quentin, says the man. Tate doesn't believe it--come on, he shouts, you didn't take away my mind, or my eyes (I think he poked himself in the eye on this one), or my ears! I know what you did to me, please, please give me back my talent! I can't, says Petofi. All right, says Tate, slamming his hand against the wall, breaking the bottle. Get hold of yourself, advises Petofi, go home and...Tate, now pointing a gun at him, says, hear me out--I know it's suicide to kill you, but I don't care anymore--and don't call me Charles, I am not Charles Delaware Tate and only care about one thing--I'm going to see you die! And he aims the gun at Petofi's face.
Stokes asks Julia and Liz if Maggie and Mrs. Johnson are both convinced the kids are aware of these apparitions. Liz says all of us are convinced, although the kids have admitted nothing--they keep saying the adults are imagining things. Stokes explains it's not the kids' stubbornness they need to contend with; the disturbances are not imaginary. He senses a supernatural presence in the house, which he sensed at the first seance--it was stronger at the second, and now it's like the music they heard last night--one cannot pinpoint the source of it because it is everywhere.Liz asks what can be done. Stokes isn't sure, but the overall behavior of the kids is the most disturbing aspect--it exhibits all the signs of true possession. He agrees with Maggie--each child has been possessed by a spirit, probably someone who lived in the house in the past. Stokes asks if the kids sometimes revert to their normal behavior. Yes, says Liz, but they can't get anything out of them then, either. Stokes says this indicates the possession is not yet complete. Could that really happen? asks Liz. Eventually, yes, says Stokes--complete loss of identity and free will. Liz rises--I want to get the kids out of the house right away! Stokes says this will only solve part of the problem--removing the kids won't remove the spirits, nor their machinations. Liz is afraid to leave them here. Stokes says the amount of danger depends on how imminent the danger is. Liz feels it's very imminent. Stokes, however, says the spirits have motivations--they want something and are using the children to get it--naturally, it's to their advantage to possess them only when it suits their needs--it may be to our advantage to keep the children here, because at the moment they represent the only exiting link between the two worlds. Liz doesn't want the children used. I want to speak to the kids, Maggie and Mrs. Johnson, says Stokes--I prefer to question them separately, in their rooms. Liz gives him permission. Stokes heads upstairs.
Barnabas returns to the Old House, calling Julia. He finds her on the floor, unconscious and revives her. Adam's in the basement, doing something, she doesn't know what. Barnabas tells her Adam has Vicki down there, he kidnapped her--we must get to her before Adam kills her! They both hurry to the basement door, wondering what Adam is doing down there.
He doesn't know how to tell her, but he says she isn't losing her mind--there's still hope, because he's not dead. She was with him when she died, saw him put in that coffin. He's been alive the whole time, he says, under a terrible curse, like a sleeping sickness--he doesn't wake up. Why didn't anyone tell her? Pleads Naomi. We didn't want to break your heart--he was cursed by a witch, he says, not Miss Winters, but Angelique. You told the truth in court? She asks. Yes, he says. If Barnabas is still alive, why is he in the coffin?He has to stay there until the curse is lifted, says Ben. He doesn't know more, but that's why Joshua went to Boston, to find help to lift the curse. Barnabas hasn't left the coffin since the night he died? she asks. Yes, lies Ben. Forbes lied to her, then. Does he know about Mr. Barnabas? asks Ben, gulping. Yes, says Naomi, he knows he's up in the tower room--he sent her there--Barnabas is the strangler, according to Forbes.
Tony calls Carolyn from Deer Point to tell her he won't be calling her at 11--but he would like to see her for dinner the following night. She accepts, but Julia interrupts the call and even grabs the phone from Carolyn and hangs up the receiver. Julia shows the blonde the items she found in her room and accuses her of putting them there. Why do they upset you? Carolyn asks (I don't think she really knows, does she)? Leave me alone, Julia demands, verging in hysteria. It's bad enough that I remember. "Control yourself, Julia!" Carolyn taunts.
Before Roger can kick her out, Laura says she's decided to leave - without David. She'll take the bus to Boston tomorrow and won't say good-bye to David.Roger is surprised she's not bitter.
(ADMIN NOTE: Robin accidentally posted Eps #186/187 again instead of Eps #188/189 - so for the time being here are summaries for Eps #188/189 that were originally posted on AOL in 1995)
There's a knock at the door. Liz tells Sarah she isn't expecting someone. The housekeeper answers the door. It's Joe. Liz looks at him, puzzled. My landlady told me you called, says Joe, she said it was urgent. Isn't Carolyn with you? she asks. No, he says, why? I thought she had a date with you, says Liz. I haven't seen or talked to Carolyn in over a week, he says. Then I guess Vicki and Carolyn must be together, concludes Liz--both girls seem to have disappeared.I'm sorry I can't help, says Joe--I'm probably the last person in the world who'd know where Carolyn could be.