Liz enters the room and says she thought Carolyn would be dressed by now. Vicki and I were just talking about life and death. Vicki tells Liz she's very sorry. Liz thanks her and says they all are--darling, she tells Carolyn--get dressed, go into town and see if you can find Uncle Roger. (Cell phone/beeper, where art thou?) Do I have to? asks Carolyn, I'd so much rather stay here with you. I think he ought to know about Bill, says Liz. But he must know by now, objects Carolyn--it's probably all over town! Do if for me, begs Liz, please? Carolyn nods and gives her mother a hug before she goes--did I ever tell you that I love you? she asks her mother.
She tries to run away from him, so he snatches hold of her, twists her arms and demands that she never leave him, never. "You must stay with me always, Josette" he entreats over and over. He's going to have to punish her for her attempt to leave him! She insists she wants to stay with him
Andre covers Jeremiah's dead face. Josette bursts in--she saw Jeremiah! She cries. The clock was striking two when he appeared in her room! That's impossible, insists Andre-- Jeremiah died, and just as the clock was striking 2 AM!Josette gazes somberly at her dead husband.
Frustrated, Adam tries to break the metal bonds, but is unable to. Barnabas enters with his tray of food and greets him, "Good evening." Adam grabs for his meal, but Barnabas orders him to sit and tells him when he does so, he'll get his supper. Adam touches his mouth, sits, and points to his tray. "Good," says Barnabas.
Charity insists Barnabas must be mistaken about Laura. He assures her that Laura is much more than she seems--and exactly what she is is what they will find out.
Barnabas asks Carolyn, is this the man you met today?(IT LOOKS LIKE QUENTIN!) Yes, she says, terribly distressed. It was an accident, he assures her. I understand, she says
1000
Quentin and Cyrus have opened Angelique's tomb and are moving the casket to open it when Alexis interrupts them. "Quentin, please!" she begs, if you ever loved my sister at all..." What are you doing here? demands Quentin, a sick look on his face--how did you know to come here unless you're... Unless I'm Angelique? Alexis finishes--you believe it now, too, don't you?--well I'm here because I heard the two of you talking and I will not have my sister's grave defiled--Quentin, if you'll stop now, I'll go away, and all the torment you're going through will be over--I'll leave Collinwood tonight, I promise. Will that stop what's happening in this house? Quentin asks--no, I've got to do it, and no one's going to stop me.
As if in a dream, Hallie walks toward David. Even her hair is done in period style, complex ringlets galore. She wanders past David, up onto the gazebo. Who are you? he asks. The wind blows strongly, messing their hair. Hallie? asks David. She suddenly seems to come withdraw from her trance and asks, David, what am I doing in this dress?-and doing here? He stares at her--you wrote me a note to meet you here, he explains-and hands it to her to examine. I didn't write it, she says. What kind of game is this? he asks.I didn't write it, repeats Hallie. I know your handwriting, he says. It's different, she says. It is sort of different, he agrees, looking at the note again, a little old-fashioned looking. She turns to him and asks, tears in her voice, who wrote it? You didn't, he says-then how did you know to come? I don't know, she says, I don't. I was going to bed when I saw this dress-it's the dress from your dream, isn't it? Yes, he nods, where did you get it? It was lying on my bed, she says. No, says David, after I described it to you, you must have gone and got it someplace. No, she says, it was lying on my bed before you ever had that dream. Hallie! he objects in disbelief. It's true! she says. How can I have a dream about a dress I've never seen, he asks, a dress that's real? She shakes her head--I don't know. It's crazy, he says. Everything is, she responds-my coming here-David, I didn't know where I was going when I left the house, but when I came to the gazebo, I knew-this is where I was meant to come-I wasn't even surprised to see you-oh, David! Somebody else wanted you here, guesses David. WHO? she asks. I don't know, he replies, but I'm going to stick around and find out.
He didn't die of no heart attack! she rails, he died of fear, he did--fear of that awful thing!--why did you ever bring it here, it can kill you, too, you know that, don't you? Nothing is going to happen to me, he assures her, but he seems miles away from the fun-loving guy we met. You're wrong! she says--it's already begun to happen--you're afraid of it just like Green was--there's something it wants you to do, and you're afraid not to do it. You just stop talking like that! he says, pointing a finger at her. Let me help you, she begs--I don't want no harm to come to you. Maybe you can help me, says Desmond--this man, before he died, told me something, but I don't know what it means--it concerns something very important that I must find. What is it? she asks. I can't tell you, he says, it's a secret. Her voice rises; she points accusingly at the head and says, you can't tell me because that THING wants you to find it! That's not true! he cries, turning away.
Sandor tells Barnabas, I found it, in the crypt. Barnabas orders him to open it--I'll be with you at midnight, then takes down the portrait and looks at it. "But first, I must pay a visit to an old friend," says Barn.
It's a terrible day, says Sam, when a good friend dies, you sit around and wonder what the world was like. I didn't know Malloy was a good friend of yours, remarks Joe. That he was, says Sam, one of the best--he was a very great man, of course you only knew him as your boss, but he was one of the finest men that ever walked the face of this earth--shall we drink to his memory? They do. You haven't been up to Collinwood since they took Bill's body out of the water, have you? Sam asks. No, says Joe. Surely you've spoken to them, Caroline (that's how he pronounced it) is your lady love. Not yet, says Joe. Then you have no idea how they're taking it, says Sam. All I know, says Joe, is that they ordered the plant closed for the rest of the day; that's how I happened to be in here.
She wants Joshua's approval, but he coldly refuses to give her that. Naomi is appalled. He offers Angelique $10,000 in gold--she can return to Martinique in style with that kind of money. (whew, nice bribing, Josh!) It's a small enough ransom for Barnabas' future. Angelique wants him to like her, and if he doesn't bend to this, his life will be very lonely. Naomi agrees. Joshua asks her to wait a suitable mourning period, to be decided by him, but Angelique says he only wants to buy time to fight her. Then we understand each other, says Joshua stiffly. Then the wedding will take place immediately, spits back Ang. Naomi begs Angelique to wait the mourning period, and promises her friendship to her for the rest of her married life. (drunkard or not, Naomi makes the most sense.) Angelique, smiling triumphantly, agrees to this.Angelique realizes, however, that she still must contend with Josette, who could very well take Barnabas from her. She must fix that--tonight!
Willie might not have to suffer the dream, just follow simple instructions--go to Collinwood and steal the portrait after dark. Barn will assure the window is unlatched. Bring it back to the Old House, and he will give Willie a note instructing Cassandra to come to the Old House at 10 that evening. Even if his plan fails, says Barnabas, he has very little to lose, if he succeeds, Cassandra will leave Collinwood and be returned to the 18th century where she belongs.
741
Somehow, Laura hears the sound of Sandor's work. When Magda comes out, Laura questions her about the noise, which the gypsy doesn't hear. It sounds like chipping stone, says Laura, and is getting louder. Rest, encourages Magda. Laura cries out, "Oh, God!" and races from the cottage.
Rose Cottage - Gerard sits before the crystal ball, agitating over why Leticia couldn't see which man Samantha was going to choose. Flora interrupts--are you trying to read your own future? she asks. He smiles--I see nothing but happiness, he says. I hope that's true, she says. He takes her hand--who could deny me anything? he asks. A woman with a husband and a child, answers Flora. Depressed, he rises from the chair. Dear Gerard--you love her so much? inquires Flora sympathetically. He nods, rubbing his hands together--Samantha must remain with Quentin, he says. Yes, agrees Flora