a lightning flash reveals the figure of a man standing in the doorway between the foyer and the living room. The girls shriek, only to find out it's cousin Barnabas, who apparently has stopped knocking on doors, too, and just let himself in. He apologizes for startling the ladies and asks about the electricity.
Morgan has asked me to marry him and I've agreed, says Catherine. Look at me, commands Bramwell--LOOK AT ME! She does. You love me, tell me that you love me! he demands passionately. No, she says, her face showing how torn she is. You don't love Morgan, you love me, insists Bramwell, as I love you!--that's the way it should be--he pulls her into his arms--that's the way it always has been--you and I--Catherine and Bramwell--there's no other way. I'm sorry, she says, withdrawing from of his embrace. I won't listen to you say you're sorry, he growls, I will not let you destroy both our lives. There's no point in putting yourself into one of your vicious tempers! she retorts. I will show my temper when I see Morgan, he vows. There's no reason for you to see Morgan, she says. I have every reason to see Morgan, he says--I would like to kill him. Oh, you haven't changed, she says with a bitter smile--no one could ever talk to you when you were angry. How did you expect me to react to what you just said? he demands. I expected you to listen to me while I try to explain, she says. I'll listen, he agrees. When I made the decision to marry Morgan, it was a very difficult one, she says--you know how I've always felt about you--how I still do feel--but I also know the kind of life I want--and I know the two of us could never find it together. But you and Morgan will? he asks. Yes! she says. You are telling yourself lies! he says, we belong to each other! No, we're too much alike, she protests, we'd destroy one another--and we could never find the kind of stability I must have if I'm to be happy. In other words, a poor Collins won't do, he accuses--you must have a rich one. That isn't fair, she says. But it's TRUE! he shouts--look at me and tell me you love Morgan Collins. I do love him, she says. I don't believe that, says Bramwell, I don't believe you love him, nor do I believe he loves you--he only wants you because he doesn't want me to have you!
Collinwood - Joanna sits by the fire. Daphne enters, smiling, tea tray in hand--good morning, she says--what are you doing here so early? Actually, I never left, says Joanna, I went for a long walk and then when I found out what time it was, I decided to come back here and wait for you. You must be exhausted, remarks Daphne. No, says Joanna, I'm fine--you got some sleep yourself, didn't you? Yes, and I had a good night's sleep, I'm glad to say, says Daphne.
Quentin races to Hannah's side. What happened? he asks. "My throat!" she cries. "Light the lights, quick!" He does as she asks. Whatever is throttling Hannah lets go. She gasps out to Quentin, a hand was choking me!. Sounding as if he doesn't believe her, he insists, tell me what happened. She flatly informs him, I can't do anything to help you, because the spirit that roams these rooms won't be driven out--it wants to stay--and it's powerful--believe me, most powerful! There must be something that can be done, protests Quentin. Look! says Hannah, pointing to the desk drawer, which is opening by itself. What does it mean? asks Quentin. Look inside and see! blares Hannah. Quentin opens the drawer and takes out Bruno's sheet music, which has blood on it.There's a note, says Quentin--"It must be tonight." In whose hand? she asks. I can't make that out, he says--it's printed; it's all got to mean something--Bruno, the music, the message.
he told you nothing about the Leviathans? I never heard that name before, she says. You'll hear it often now, he promises, but you must not listen to the book--your loyalty will be to me--Barnabas likes to follow the book--"But I do not!"--that's why you were told to discourage Carolyn from seeing me--all I wanted to do was bring Carolyn the same peace I brought you
Karlen doesn't grab onto the cross in the re-do of the previous episode's ending.
Carl checks his pocket watch. It must be getting dark, he realizes, I have to get out! He bangs on the coffin with both fists, then seems terrified. Be logical, he encourages himself, somehow there's a way to open that door--"THERE'S GOT TO BE!" he screams--I must get Edward or the police. . .
In her coffin, Liz is still trying to figure out how to warn Carolyn of the terrible danger she's in.
this man, why did he come to the Old House?Julia has no idea, and Willie doesn't, either, but the sheriff doesn't believe them
why did Barnabas run from her?--even Ben denied seeing him--they must punish Ben for lying to her
David, who has dozed off, wakes up and murmurs, "Somebody's got to come!"
Old House - Have you ever been here before? David asks Sam. This is my first time, says Sam, and I hope the last. Would you like to see a very beautiful painting? offers David. Here? asks Sam in disbelief. Right here, says David, pointing above the mantle. You've got a sharp eye, praises Sam--it's a good portrait. It's Josette, says David. Is it? asks Sam--there's a dimensional quality about it--the artist caught a very expressive face--eyes alive, lips seem soft, wanting to speak. You know, that's exactly the way I feel when I look at it? says David. It's amazing, it's in very good condition, says Sam, considering how it's been exposed to the temperatures all these years--yes, it looks very fresh--artist must have used very good materials--no sign of cracking or drying.
Why did you lie to me the next day, asks the sheriff, why did you tell me you hadn't been near Lookout Point? For the same reason, says Roger. You didn't want to be involved, says Patterson. Yes, says Roger, and I didn't want to put my sister through the ordeal of an investigation--surely that's not a crime! Keeping information from the police, hiding evidence--yes, that is a crime, Patterson informs Roger. Well, what do you intend to do about it? asks Roger as though he's above it all. I don't know yet, says Patterson. I've told you the truth, insists Roger--I was on the beach, but I did not kill Malloy, I had no reason for killing him. No one has established a motive for murder, points out Garner. I haven't accused you of killing anybody, have I? Patterson asks Roger. Not yet, says Roger. If you will just be honest with me, you'll have nothing to worry about, says Patterson. I'm trying to be honest with you, says Roger. Do you have a complete set of keys at Collinwood? asks Patterson. That's an odd question, remarks Roger. Answer it, says Patterson. No, says Roger, I have the key to the front door and a few rooms, my sister has the rest. Do you have a key to Miss Winters' room? asks Patterson. Of course not! shouts Roger. Do you have access to your sister's keys? Asks Patterson. I see what you're getting at, says Roger, our little governess must have told you that someone was trying to break into her room--well it's ridiculous, she imagined the whole thing! Yes, but you're still not answering the question, are you? asks Patterson--do you have access to your sister's keys?
Charity reports to Daddy that the lost lamb has been found, the lamb so in need of saving--I saw Rachel, not just in Collinsport--but here--as the governess! Trask is stunned. We must pray, he says, give thanks that she has been delivered back to us. Father and daughter sink to their knees.
Carolyn leads Adam back to his room. She goes in with him and expresses relief that no one saw him. She tells him everything is all right, but they must be more careful. She still doesn't understand how Nicholas got in. Adam tells her he was sitting and studying, went to get a book, then heard Nicholas speak. He was just standing there.
Roger and Joe spot the caretaker, whom Rog dubs "senile," but when Joe questions the codger, he learns the old man heard voices. Yes, he knows of a David, David Brewster, says the caretaker, drowned at sea.Joe presses the ancient mariner, who reveals he heard voices at the Collins tomb. Roger sarcastically his ancestors are kicking up a fuss, but Joe, despite the caretaker's warnings of danger, persists, and they go to check out the mausoleum.
And considering the caretaker is only in 23 eps, it's quite interesting that he already has 7 quotes in this slideshow - and even more may be possible...