Collinwood, drawing room - Barnabas has just read the note Yaeger forced Maggie to write. Are you convinced now she left of her own free will? asks Quentin, taking back the note. No, insists Barnabas. Here's the letter, insists Quentin--she wrote it herself. Isn't it possible, poses Barnabas, that someone could have forced her to write it? Why do you keep insisting, asks Quentin, irritated, despite there being no evidence, that Maggie was kidnapped? Because, says Barnabas, I don't believe she wanted to leave you! And who's the better judge of that, you or I? demands Quentin. Patiently, Barnabas says, I firmly believe something's happened to Maggie, and she might be in great danger. You keep saying that, but you don't have a reason for it, says Quentin. How did Maggie leave? asks Barn--is one of the cars missing? This letter, says Quentin, was mailed from Collinsport, so she must have got there, which means she did get there somehow, and she didn't walk, so she must have some way of getting there.It's possible someone was taking her, but not to the place she wanted to go, says Barnabas. Why do you keep insisting that? demands Quentin--who would have done a thing like that to Maggie.
Valerie, sitting by the fire in the Old House, holds up a clay doll--Julia, she says, you will not go now--I know what Barnabas wants you to do--but you mustn't go now, because you're tired, so very tired--you'll sleep--sleep, Julia--she rubs one of Julia's handkerchiefs (conspicuously marked with a J) over the doll's body.
What's happened? asks Morgan. It's Melanie, explains Julia--Kendrick and I had to lock her in the tower room. She's had another attack? asks Flora. Yes, only this one may be permanent, says Julia--she tried to kill Kendrick with a knife, we got it away from her. Why do you say this might be permanent? asks Flora. After we took her up to the tower room, we went back downstairs--we thought it just another attack--then Kendrick and I saw the ghost of Brutus Collins--he was laughing at us, then he spoke, and he said Melanie would never be sane until another Collins goes into the locked room. All of them express dismay. We have no choice, we must do it! cries Julia. We must do this, for Melanie's sake, agrees Morgan. Poor Melanie, laments Flora, she was married only last night--it's almost as if the ghost of Brutus waited for that moment of happiness, then deliberately struck her down--what a cruel and evil man he must have been.
Vicki gazes around the damp brick room into which Matthew has brought her. What is this? she asks. A secret room, he says, nobody knows about it but me--not even Mz. Stoddard--they'll never find me here, nor you either. How long have you been here? asks Vicki. Since the night I ran away, he says, the night you came to my cottage. Vicki gulps--the night you tried to kill me, she says. That night, says Matthew. Then you never left Collinwood, she says. I left, he says, I took my car and drove, I musta drove over a hundred miles. Why did you come back? she asks. I couldn't think of anyplace else to go, he says, besides, this is the last place in the world they'll come lookin' for me.
Liz has heard about the fight between Burke and Willie at the Blue Whale, and orders Jason to get him out of not just Collinwood, but Collinsport. Aha, but you can't send the boy away without funds, so Jason puts the screws to Liz once again and, after verbally sparring with him in their usual Blackmail Threat of the Day, gets her to agree to give Willie $500 to get him out of Collinsport.
After Liz asks for the pin and receives it, she asks if he heard what she said about the money? Jason indicates he did but insists. "Insist all you like, the answer is no!" Jason questions why she says that because she knows she's going to give him the money but Liz declares she's not and that's final.
Barnabas notices that Peter and Vicki's gravestones are gone, so he realizes he has been successful in returning to the past. Ben comes over to him--I thought you had gone into town to find Forbes, he says. Barnabas remarks, "I have returned on the right night," a statement which Ben finds confusing. Barnabas knows--now I must go to the village to finish what I started. Ben asks Barnabas if he feels all right. I'm going to do something no one else ever has, says Barnabas--change the course of history!Ben is further puzzled at this statement--I don't understand a word you're saying.
She hears Adam's chain outside. He moves the rock, opens the door and looks around. Carolyn, hiding behind a wall, tries to crawl quietly out, but he sees and grabs her, toppling her to the ground. He grabs her hair, and she cries that he's hurting her. She begs him to let her go--he's hurting her! "Hurting" repeats Adam, "No hurting, no!" He lets go of her hair. She cries that she wants to go home and begs him. He repeats home, and she screams that he has to stop repeating what she says. He covers her mouth and drags her back into the root cellar, closing the door. He tries to calm her down. She tells him he can't keep her here. The police are looking for her. Doesn't he understand? They'll find them here, arrest him, take him to jail. You don't want to go there, do you? she asks, then realizes he doesn't understand her.
Angelique asks if he always enters rooms without knocking, and he tells her it's part of his job.He's overseer of the estate. He saw a light, and the cottage isn't supposed to be occupied. Does the family know she's there? Not all the family, she says, and he wants to know who does know--it's part of his job to keep strangers off the estate. She gets into his face and assures him she isn't a stranger. He says she is until he finds out who brought her there. She tells him Quentin asked her to meet him here. "I might have known," says Dirk, annoyance in his voice. No other member of the family would arrange a "meeting" here. He knows Quentin too well, and she asks about him. She's better off not knowing, he insists, by her or any other woman. He ruins everything he touches. She asks Dirk if he isn't taking a chance talking this way in front of her. How does he know she won't tell. Dirk says she can tell him anything he'd like--nothing would please him more. Oh, I see, says Ang. Dirk doesn't think she'll tell. She says he doesn't know her or her life, but he thinks she's very nice, and he advises her to leave this place and never come back. She's flattered and appreciates his concern, but she's going to stay--she must. She's a big girl, he says, and knows what she's doing.
It's Vicki, who explains that there's a curfew in town now, due to the attacks and Maggie's disappearance. He asks about poor Miss Evans in the past tense, which upsets Vicki. She might not be dead, Vicki says--but then again, she might, says Barnabas. "Unless she's being held by a madman," counters Vicki (zing, Barnabas!)
Carolyn calms down and tells Liz Willie broke into her room; she doesn't know why. Liz locks the window, assuring her he wouldn't get another chance--she's telling Barnabas to send Willie back to Windcliff. He told me he didn't mean any harm, explains Carolyn, he wanted to talk to me--he must be crazy, he kept jabbering about a dream he had and had to tell me about it. He's having hallucinations, says Liz, he told her about some dream, too, at the Old House. Carolyn thinks what scared her the most was the way he spoke of the dream-it must be the most terrifying thing that's ever happened to him--he acted like he had no peace of mind until he talked about the dream. He said Carolyn was the one he had to tell the dream to, which puzzles both women. He took a huge risk, breaking into my room, says Carolyn, yet he did it anyway-why? Willie's mental state, guesses Liz, but Carolyn said he didn't act deranged, just terribly frightened. Carolyn thinks Willie really did have this dream and for some reason, she is the only person he could tell about it.Liz doesn't believe this, and tells Carolyn to go to sleep. No, says Carolyn, she's afraid. No one can get in, Liz assures her. But it's the dream that is scaring Carolyn-if she goes to sleep now, she'll have the dream Willie was telling her, and if she does, she's afraid she'll die!
Quentin suggests they imagined Angelique. I didn't imagine being helpless and speechless, says Evan. If she sees something, says Quentin--how did she know about my women? "Perhaps just by looking at you," says Evan sarcastically--or perhaps she knows more about all of them than she's telling. Yet we know nothing about her, says Quentin. Evan suggests they fight Barnabas without her--send her back to the dark hell she came from!--we must try, before things get worse. Quentin says there's no way to send her back, and they know it, not for them, not against her--whatever reason she's come here, wherever she is right now, our Angelique, our ally, our beautiful black-hearted child of the angels, is planning to stay. Angelique's laughter fills the cottage and both men stand, staring around them, scared as hell.
At the Old House, Carolyn tells Barn she can't stay long, and he's annoyed--she promised to help him. Now he needs her. . .it never worked with Vicki, he says, and he doesn't know why. Maybe he does know--the picture told him. There's a spell working on him, using Vicki to fight him. Carolyn is confused. Barnabas can't explain, he knows she's anxious to go on her date. She assures him she'll do anything for him--she came here, didn't she? Yes, says Barnabas, pleased, grateful. They must do something for Vicki immediately--the witch must be burned, says Barn. What witch? asks Carolyn, and he tells her the woman in the picture is the witch. She giggles, and he isn't happy. A picture can't fight you, chuckles Carolyn--a witch can't be bought in an antique shop. He'll deal with that himself, tonight, he says.
Judith figures the mysterious woman might have returned to her home, so she walks the corridor outside the tower room and goes in. "You are in this room, aren't you?" she asks. The door slams shut.