Lang works on his creation, distracted. He can't forget the nightmare. He answers a knock at the door, it's Julia. She asks him what's wrong, and he says, "The dream! This is exactly like the dream!" Upset, he asks her what's happening to him.Julia can't tell him what's happening to him. He says he can't work because of the dream. She asks what he's done about an assistant, and he can't even respond. She asks if something's happened to stop the experiment, and he says he must return to work. He only has a limited amount of time or the body will deteriorate, after 48 hours at the most.
7:30 PM - Trask comes in from the servants' entrance, gun in hand. He opens the double doors and enters, then sits before the desk and puts the gun down. He takes the inkwell and pen, and writes, "Tonight, there will be another full moon. I can no longer bear the thought of changing into the animal and spilling more blood. I must take my own life, it is the only escape for me." The front door opens. Trask takes the gun and puts it into the desk. He rises. Petofi enters carrying something large and bewrapped. He cordially greets Trask, who is standing there like an automaton. I'm looking for Quentin, says Petofi. I haven't seen him, says Trask. Curious, says Petofi, I was sure you'd know where he was. No, says Trask, slowly and carefully. Charles Tate finished Quentin's portrait, says Petofi--I consider it an extraordinary likeness. Petofi notices Trask is ignoring him, and says, "Someone has decided to prevent you from pursuing your duties--I won't have that, Mr. Trask, you must come within reach of your triumph, but only within reach." (Ah, so he set all this up! Probably gave Charity the visions.) The ultimate triumph for tonight will be Petofi's, but I shall have it! Petofi puts the portrait in the foyer, leaning it against the table.
In the drawing room, Burke tells Vicki about David's nightmare (way to keep a secret--and a promise, Burke!) She's puzzled by it. Perhaps David's judgment is stronger than ours, says Burke. Barnabas isn't capable of harming anyone, insists Vicki
Jenny's hair looks much better. She ties it back with a ribbon. Barnabas enters and tells her, I must go now, but you must stay until Quentin comes for you--some people will be here to look after you, he explains. Do you like the way I look? asks Jenny. I do, says Barn. She teases him--you shouldn't flirt with me--Quentin is very jealous.
The cards don't lie, says Leticia--the first time I read them for him, I saw his future as he would be as himself--tonight I read the fortune of another man--I saw the future of Judah Zachary--I know it--Gerard has been possessed by Judah. There's only one way to end this, says Desmond, sounding crazed--if I could get out of this jail I would kill him myself! No! she cries. You still feel for him, accuses Desmond. Gerard? she says--oh, Desmond, you are so kind, when I was possessed by Judah, doing what he was telling me to do, you wouldn't have killed me--you'd have tried to help me, wouldn't you? Yes, says Desmond, you know I would have. Then you must try to do the same for Gerard, she says, there must be a way of saving Gerard from Judah.
Carolyn, who killed Angelique?...you must tell me insists Julia!--it wasn't Quentin, was it?--why won't you say? Carolyn, hand on her heart, shakes her head and, voice shaking, says don't ask me. We must find out who murdered Angelique, asserts Julia. Quentin will be caught and hanged unless we do something.
The outer door opens. It's Jeb. He takes the paper shadow from his pocket, holds it up, then returns it to his pocket and knocks at the inner door. He enters and says, "Thought we'd never meet again, huh?" I had hoped that would be so, answers Blair. But we must, oh, yes, too much has been left undone, says Jeb--we must talk, perhaps for the last time. Nicholas eyes him with evil intent.
thank you for getting the portrait. Oh, it was worth it just seeing Trask's face, says Charity. Judith walks over to the portrait--what she was like? she asks. Sort of fetching, like her picture, says Charity--he went around telling everyone he was trying to save her soul. I'm sure it was her "soul" he was interested in, comments Judith--he must have spent hours trying to find it. They were a bit "chummy," reveals Charity. That's a quaint way to put it, says Judith. What are you planning to do with the picture? asks Charity. "I'm thinking of hanging it in the master bedroom," says Judith. (on the ceiling, perhaps?) In with you and Mr. Trask? asks Charity, surprised. Why not? asks Judith, Mr. Trask has always taken pride in the souls he's saved--it's only appropriate that the portrait of his latest "achievement" should hang on their wall--"You see what a devoted wife I am?" I see what a smart one you are, says Charity, and am getting to like you more every day.
Barnabas returns to Collinwood. Julia meets him in the foyer and tells him she has been reading THE LYCANTHROPE OF ANGIERS--I figure I should do some werewolf research, she explains, before I begin working on Chris--I have learned there are two schools of thought on werewolves--that a man becomes a wolf, or that it's a mental disease, and he only behaves like a wolf. We know it's not the latter with Chris, says Barnabas--we've seen the animal he becomes. Julia has found two ways someone becomes a werewolf--if bitten by another werewolf and survives, or if part of a curse. It must be a curse, says Barn--Chris would surely have known if he was bitten. Julia takes the book to continue studying before bed, and bids Barnabas good night.
"You're angry," she says, and he says, "You--you made me come here." He doesn't understand her power, but she says there's no need for him to. It's wrong meeting her, she's married to Roger, but she says they aren't doing anything wrong. She demands he look at her, and reluctantly, he finally does. "You will do anything I ask," she demands, "anything, but you will not remember what I have told you or what you must do."He agrees.