When Maggie Evans had her delightful tryst with a certain Black Altar back in 1968, I thought that that little veil she wore after the experience was meant to be one of these chapel veils.  I thought it was one of those twisted little jokes someone in production decided to pull.

In the screen capture, little Aristede is not wearing a veil, though I must admit I find the idea amusing. It would go beautifully with his eyeliner.  He is lying back in a chair in Charles Delaware Tate's studio (but CDT is NOT working on his skill set for his new calling, lol).  The big smudge on his face and his dazed look are explained in the episode from which this snapshot was taken.

Have fun!

Gothick

Thanks for all these pictures.

I know it is completely off topic, but I just love the dress Julia wears to that ball in hoDS.  She looks diVoon in it!

Steve

Well, Cassandra Blair, I haven't seen most of the Kolchak shows since their initial airing, back in the Seventies.  I do have this one on tape and I'm actually rather fond of it.

Lara has some great moments, and it's fun to see her onscreen with the great Nina Foch, who some might describe as the 1940's answer to Lara Parker.

Foch's performance always seems to me to echo that of Susan Hayward in Valley of the Dolls, another personal favorite.

I actually find the effect with the mannequins to be rather eerie.  YMMV.

Gothick

Just blame that bizarre archduchess's jewellery-chest known as my mind, Cassandra darling.  One of my favorite pieces of writing is "The Perfect Filmic Apotheosis of Maria Montez," by the late Jack Smith.  He regarded a bit of dialogue from Cobra Woman, "Give me that cobra jewel" (which comes out sound more like "GEEF me that copa-rah chewel") as the most perfect line in American cinema, perhaps even world cinema.  I think that Jack Smith's ideas about movies and culture were the source for the opinions Myra expressed in her classes in Gore Vidal's "classic" Sixties novel, Myra Breckinridge (I'm sure Liz and Julia were reading it behind closed doors at Collinwood in 1968).

I still think it's mega-weird that it looks as if Josette's dress is torn.  And, those colors!  bizarro.  The red chosen for the artist's sig is particularly excruciating.  Mary, turn off those sirens!

Gothick having a difficult Friday

Darling Mysterioso, thanks for these great photos!  Love Grayson's smiles.  Mikey don't look bad, I must say.  A graduate from the Roger Davis school of squinting thespianism (tm).

IIRC, Dana Elcar has this great scene where he's talking about the movie, the Graduate, and complains that it just doesn't add up to a hill of beans.

I would love to hear Mikey's stories about working with Grayson.

Steve

Have been meaning to note that Grayson got a one month vacation during this period of DS (I gather that she told them that if Jonathan was getting one, she needed one as well!)  Part of the time was spent working on a little known feature film, Adam at 6 A. M.  Below I've pasted in the review of the movie I wrote for IMDB. Even though Grayson's scenes are few and far between, it's worth seeing her in action here.

Gothick

The hard life of Mikey Douglas--an early chapter

This is a very early Michael (or as he was popularly known then, Mikey) Douglas vehicle. He plays a disillusioned college professor of the late Sixties (there seem to have been so many of them scurrying about in those days!) who drops out of his successful, stressful life in the big city to go in a search for his roots in a not-so-idyllic midwestern small town. The story plods along, showing his courtship of a rather status-proud Junior Miss type whose Mom (wonderfully etched by Louise Latham) is the town hairdresser, and his adventures in serious male bonding with Joe Don Baker and other flannel clad logger types. Grayson Hall has an excellent cameo role as his aunt, and gets to administer a deft put-down of Douglas' masculine vanity towards the end. In some ways the last 30 seconds is the best part of the movie. Overall not at all a bad effort. To quote Maggie Smith in a movie that is much more suitable to this writer's temperament, "For those who like that sort of thing, that is the sort of thing that they like." I did make liberal use of the fast forward button in viewing "Adam at Six A. M."

Well, he and Nancy do have wonderful chemistry together as Desmond and Leticia, and, to some degree, in the 1841 PT segment as Kendrick and Melanie.

It's just that in my twisted mind, that pales before the scenario I've concocted that takes place in between the acts with Desmond and Quentin!

Happy Ostara to you and yours, btw.  I pray that a few daffodils will grow, somehow, somewhere, in a quiet green field where no bombs ever fall.

Steve

So, Jennifer, don't you wish Tim would take his shirt off some time???

I just mourn that we don't get to see more of Don Briscoe's hot body during the remainder of his time on DS!  There used to be some gorgeous snaps of him from the house of DS film on Michael Miozza's lovely website devoted to the films.

Gothick