Kate is by far the best thing about this particular relic. The script has moments but is awkwardly paced and at times the writing is strictly paint by numbers, though the author strategically suggests towards the end that this is intentional.

Susan Brown is actually pretty good in a limited role. Pernell Roberts is reliable in work that doesn't require anything beyond the obvious. Whoever played Richard (the terminally annoying son's friend) seemed almost too attractive for such a minor role.

As I wrote to another friend, this episode of the strangely obscure Wide World of Mystery series illustrates the limitations of the material. But thanks to Mullgrew's performance and the oddity of it all, I watched it in one sitting which is somewhat rare for me these days.

Those of you who remember the Wide World of Mystery shows might find this project interesting:

https://letterboxd.com/campnightmare/list/abcs-wide-world-of-mystery-complete-episode/

G.

Interesting. But I would guess that despite what is said in the article, the song was written from seeing the movie HOUSE OF DARK SHADOWS either in the theater or on television. Our show, as we all know, never ran in the UK until the 1990s, on a "satellite" version of Sci-Fi, if I recall correctly. (The article references the artist being taken to England as a five year old--his mother was a horror fan.)

I tried to listen to this song once years ago but was unable to get through it. I am obviously not the intended audience.

G.

A documentary about DC... because we ALL KNOW that DC was what made DS great. LOL

I keep thinking of how long Barnabas would have lasted if Bert Convy had been cast, as was DC's intention. I doubt the storyline would have run the full 13 weeks.

I thought that a "50th anniversary" documentary had been shot, or was going to be shot--presumably whatever I read about that was really in reference to the DC show. He was a significant force in the industry--Trilogy of Terror and Winds of War will no doubt be given lots of airtime, along of course with DS fan fave Night Stalker.

cheers, G.

Fans, I was playing this video of the credits for Horror of Dracula (1958), one of my favorite films, today:

https://www.youtube.com/watch?v=QZ0KW6IqjxI

I somehow never noticed that it looks as if the cellar door in the Old House, the door to the stairs that lead down to where Barnabas's coffin is kept, seems to have been copied from the crypt door seen towards the end of this little sequence. Plus, the music is AWESOME.

cheers, G.

The could have also been fans of the Omar Sharif/Julie Christie film, Dr Zhivago, from the Pasternak novel. Remember what a big top 40/junkbox hit "Lara's Theme" was?  The theme was introduced in that movie. That may have been where our Lara herself came up with the name.

G.

Gosh, they show new episodes of things during August now?

In the late Bronze Age, when I was a child, the only new material that was aired during the summer were variety specials and "summer replacement" shows--sometimes the latter were various pilots that hadn't gone to series, and they were often very interesting to see.

G.

I thought we'd discussed 1970 PT as a "version of" REBECCA a few times. There are a number of elements that were incorporated into that storyline from the du Maurier novel and the Hitch film.

My personal favorite version of Rebecca is the one done on the BBC in the late 70s with Jeremy Brett and Anna Massey. It ran over here on MYSTERY! I watched it again a year or two ago on youtube. Wonderful stuff. Vivian Pickles who I always love has a great role as a rather fruity county dowager type.

G.