Hey, DStoDA, yeah, Nancy looked old when they were in 1995 because she was supposed to be old and "half-mad" (an expression I adore--I could swear I've been at least HALF-mad most of my life).

In 1840 when she played Letitia, they went back to the very theatrical make-up they had used on her in 1897 when she played Charity, possessed by the ghost of Pansy Faye.  I don't know whether you ever got to see 1897.  It's really great!

I recently watched the one episode long 1680 flashback and I thought Nancy's look in that was really stunning.  Very glamorous.

Good luck finding a new home for your site.  I did get to view the BAJ magazine cover this a.m.--great job!

G.

Nice photo!  I just had one of those taken for my new Passport photo.  I've gotten a fair bit of sun this summer, so I'm a bit more brown than you!  I'd guess that with your complexion, you need to avoid the sun as much as possible.

cheers, Gothick

Joey, I don't know why Barnabas' name was not given in those old summaries.  My guess is that they had not seen the actual episodes of the storyline prior to the episode before Barn's release because that was where the old syndication package *started*.  I well remember tuning in in 1976 at the start of syndication with tremendous excitement to see an episode that started with Willie staring at Barnabas' portrait.

IIRC, Liz names Barnabas and gives Willie, or somebody, a sentence or two of family lore about him being buried with his jewels, approximately one week before his release.

btw, I also remember that 16 Magazine back in the late Sixties ran a feature called "The Whole True Story of DS" that was based on somebody reading through old scripts, or outlines, and writing up some of the stories.  Seems as if in some cases the info on which these articles was based was a bit shakey, to say the least.  I remember reading in the very first installment about the beginning of the show that David played in the ruins of the Old House and met the ghosts of Josette and Barnabas there.  Although David and Vicki visited the Old House in episode 70 and he showed Vicki Josette's portrait, and her ghost did come and dance after they left the house, so far as I know, Barnabas was never mentioned before late March or early April of 1967.

I cite this because it goes to show that you can't always rely upon old fan produced (or even commercially published) materials in researching the history of DS.

cheers, G.

Jean-Claude, mon cher, YOU are a Divine One in your own handsome right!

Many thanks for sharing these *gorgeous* images!  I can't wait to get hold of this.

Worshipping at the Shrine,

Go-thick

Gawd.

Don, when I come to your pad, I'll definitely bring my jar of Crisco with me...
for culinary purposes, *of course.*  Why, whatever else did you think it was for?

*batting eyelashes innocently,"

Go-thick

Hey Heather, do you worship at the shrine of Mrs Peel?  I also have a thing for Honor Blackman.  Her very first episode, done live on film in 1962, "Mr. Teddy Bear,"  has to be one of the best things The Avengers ever produced.

I'm curious as to how many fans of DS are also fans of The Avengers.  Both shows really broke the mold of what television was supposed to do back then, and both featured very strong, even aggressive women characters.

G.

If I lived in LA, I would be SO there.  DoD is a gorgeous film.  Karlen never looked better, and Delphine Seyrig turns in a glamorous, iconic performance as the Bloody Countess, dripping with sequins.

I hope they were able to get hold of the print from which the DVD release was prepared.  It's really quite stunning.  Forget Dario Argento--THIS is how to use color in a terror film!

G.

Merci, Jean-Claude, for the original announcement, and my usual grovelling thanks to the Mysterious God for that fascinating link (I had no idea this website existed).

It's so funny that this came up, because I have been doing my own little Grayson Hall film festival, and was wondering whether a quality release of Night Gallery would ever be issued.

Unfortunately, it would seem from this site that this is not to be the case.

G.