Thanks, MB. I accessed the article without having to set up a subscription to the site.

I thought that picture showed Collinwood in Parallel Time?  (my little joke)

I once visited the mansion with a strongly psychic friend, and he's convinced that there are Presences in that house.

G.

My absolute favorite scenes in LP's work for the show come from the Cassandra storyline.  Some of her work there was actually fairly subtle, hinting at ways the character had changed from what we had seen in the preceding story.

I think the early weeks of 1795 would come in second.  For one thing, the character is given fairly straightforward motives.  She's actually given dialogue that shows that it's not just Barnabas, it's Josette's position and privileges that she covets.  Those scenes make me think that the man could have been almost anybody--it was the fact that he was Josette's man that made him something she could not live without.  Later, of course, they change that; but that's the original lay of the land, as I see it, and it makes sense.

In terms of LP as an actress, I love her work on PT 1970 because it's no holds barred, over the top scenery-chewing and she gives it everything she's got.  My least favorite work from her would have to be Catherine in 1841 PT--that character was so one-note and full of herself.  Really not very interesting to me personally.

I don't myself regard Angelique as being coldly calculating; she too often got distracted by her love of and involvement with her own emotions.  In this respect, I do think Nicholas pegged her accurately when he read her beads as an "incompetent" Witch.  The Dream Curse started out as a cool idea but the flaws in her technique became more and more apparent as it went on, particularly once Stokes got wise to her.  The one really cold thing she did, and made an impressive if bloodcurdling job of, was her hex on Sarah and how she manoeuvred Barn into agreeing to marry her when she "cured" the little girl.  Those scenes had me wondering whether Ang spent her free time capturing flies and moths so she could watch their death agonies after pulling their wings off.  It was very disturbing television, particularly for the Sixties.

G.

Adrian, your Cassandra collage is a real treat!  Many thanks!  You really captured those unique qualities that made Cassandra... quite a lady.

As for the other, words fail me.  But if I really struggle, "uncanny" comes to mind.  brrrr.

G.

David (talking to John Karlen o/s):  "Johnny, I TOLD you, THREE's a CROWD!!"

Dear Fans,

I checked around and nobody seems to have posted this recent update to Craig Hamrick's site:

http://www.darkshadowsonline.com/photo-featured.html

There are some must-see photos here--GREAT images of Grayson in One Life to Live, along with two other projects; great photos of Louis Edmonds on "Family Feud" (with a wonderful memoir of Louis from the late great Ruth Warrick), a *priceless* publicity photo of Louis with Actress Jan Miner ("Madge" of the old "you're soaking in it" Palmolive commercials) in a 1961 show; candid photos of Sam Hall, Diana Millay, and Matthew Hall from 2001; some gorgeous snapshots of Nancy Barrett as a very young woman; and more I haven't even mentioned!

Many thanks to Craig for sharing these.  That snap of Grayson with that TELEPHONE (said in a tone of voice that suggests it is an obscure and detestable form of venereal disease) made my week!

Best, G.

I think the thread on violence against women on the show is highlighting just one of the *many* real life, nitty-gritty reasons for the gestation of the feminist movement in the US at that time (the 1960s).  The next time you hear somebody in the mass media bashing feminism (it seems to be quite the regular thing these days), you might stop and think about this.  And a lot of this sort of thing still goes on today.

Arashi, I thought that the episode you are thinking of wasn't the Dorcas Trilling killing, but that of Mr Wells, which featured one of DS' most Grand Guignol shots as the climax.  It is true that a lot of ABC affiliates began to drop the show from the fall of 1970 down to the end.  I remember during the very final weeks of the show, ch. 7 in Washington D. C. (I think) was airing it in the evenings.  I could pick up that broadcast and I was in heaven because I got to see some of the last episodes twice!

G.

Sarah in the diner is definitely up there with the moments that define why I keep coming back to Dark Shadows.  I agree with you regarding KLS--she is just so good here.  I think she was also excellent in the upcoming arc with Maggie and Joe's courtship.  My guess is that KLS felt more relaxed with Clarice, and I know Crothers was a friend in RL, and that helped her be ON in such an excellent way in these shows.

You're very perceptive about Sarah's hatred for Liz.  If only for that scene, I really want to see this show again now.  The thinly veiled subtext of course is that Bill cared for Liz in a way that he never did for Sarah.  A resentment I could see the latter carrying with her to the grave, but of course the character was severely watered down in the later years.

G.

Hey Satan, don't forget Julia.  Not only was she constantly getting strangled, grabbed and roughhoused by Barn in 1967 (hmmm she must have *liked* it rough), she got her own back in the 1968 storyline in which she slapped Mrs Johnson, Cassandra and Joe.  In 1970 she had to slap Sabrina out of a hysterical episode.

Welcome to our board, and hope you continue to enjoy watching Dark Shadows (assuming you do enjoy watching it).

Gothick