Darren, I'm sure that you're right; they're using a period advertising image for the cover design on that box. Although I can't recall having seen that specific image, the format matches others I have seen for the movie.

I just watched it last month and James Ward got much better billing than did Grayson in the film's actual title sequence.  He got bigger type and a separate screen with, I think, Cyril Delavanti? (but don't quote me on that)

I've never, ever seen any promotional designs for the film that featured Grayson's image.  In the trailer that was on the old laserdisc, the funny thing is that her name was never mentioned but three of her scenes were shown in excerpt.  I found myself asking "who's selling this movie, anyway??"

Best, Steve

Mozart was also Count Petofi's favorite composer (and probably a personal friend, too).  There's a slightly hysterical scene during the Quentofi sequence of "Quentin" avidly listening to a Mozart recording....  I sometimes wonder whether this wasn't a tip of the hat to Mr. Norris' passion for the perky little Viennese and his compositions in the Christopher Isherwood novel "Mr. Norris Changes Trains."

Cheers, Gothick

Golly, what an OUTASITE list of songs!  thanks, Sandor!

Among my personal fave raves on that list are "There's a kind of Hush" by Herman/Hermits, California Nights by fab Lesley Gore (she performed it on a Catwoman episode of Batman that year!), "Jimmy Mack" by Martha & the Vandellas, and "I'll try anything" by The Divine Dusty!

Would love to hear "Sunday for Tea" by Peter & Gordon, & that Hollies song... I've been thinking of buying a Hollies CD, basically, forever!  I am very curious about Brenda & the Tabulations, too!

Thanks again!

G.

Re Grayson's work as Julia on DS--

A friend of mine suggested some years ago (she had watched DS faithfully as a youngster and was watching it again on Sci Fi) that the style of Grayson's characterization as Julia was something Grayson may have taken from observing a friend (or possibly a once-upon-a-time mentor) who may have been a professional woman of some sort.  My friend thought Julia's odd way of speaking, occasional twitchiness, abrupt mannerisms. throat-clutching etc. could well have come from a real-life professional woman of, say, the 1950s, who was to some degree not quite at ease with her own sense of self.  The odd way of speaking is something I have observed myself in academics who seem to imagine an invisible podium propped up whereever they happen to be sitting or standing.

I mention this because so many of what people think of as Grayson's mannerisms or over-acting in the part of Julia seem to me a self-conscious effort on her part to create a character who was much more "straight-assed" than the actress was in real life (to severely understate things).  I think this is particularly obvious if you watch the shows where RT Julia is confronting one of her PT counterparts.

The one mannerism I've seen in several other Grayson performances is that thing she does with clutching onto the phone with both hands.

G.

Julia's chin appears to have a Kirk Douglas dent in it, too.  Oy.

G.

Petofi, thanks for those memories, and for that hilarious panel!  My God, that fellow was a dreadful artist!  Quentin looks as if he swiped one of Diana Ross' hairpieces from her Supreme days!

G.

Just saw a pre-release page on amazon for the WB's short-lived Grosse Pointe series DVD release.  For fans of the WB, the series producers got away with an amazingly barbed, witty skewering of the network and its zany practices.

Not being an industry insider, I have no idea how accurate all these goings-on were in terms of life on the set of the typical WB series, but what makes this so watchable is the funny writing and the great ensemble cast (including adorable Kyle Howard).  Darren Star was the series creator and wrote a few of the scripts, I think, and it helps that the opening credits feature the terrific Tom Jones song, "Sex Bomb."

G.

Happy Birthday, dear!  Hope you enjoy your special day.

Best, Steve