All excellent points, msc.  It is certainly interesting that the sidelining of what had been a major pivot of the plotline takes place fairly well in advance of Barn's arrival.

For me, the episode that cinches it that we're now in a very different world is when Liz wants to invite a married Vicki and Burke to occupy the West Wing of Collinwood.  Roger, of course, is appalled, but the scene where this plays out is very much just a sidebar to whatever is happening with Barnabas, Julia, and Woodard ...

G.

How extraordinary.  Judging from episode one of the first season, the only thing in common these two series have is that both feature characters who are vampires.

What's the DS section like?  I can imagine it mostly consists of people slagging how cheesy and lo-fi our beloved show is compared to the slick shiny new-fangled (sorry, couldn't resist) toy...

G.

Wow, Ralph Waite is still acting?  That's a name out of the past.

I would guess it was an intentional reference--EVeryone out in H'wood seems to watch DS these days...

G.

Very cool.  Too bad there was no actual footage posted with darling Joel!

G.

In retrospect, I can see how upsetting this episode must have been to the old guard of DS fans back in the day.  The way Frid plays LeviaBarn is so subtle, cold, calculating, and insidious--a very different kind of villain from the 1967 Barnabas (who was sort of a debonair Mr. Hyde, or at least that's one way I would describe him).  Frid's physicality and body language are so different from his previous work.  Really excellent work from him in this show.  Just how unnerving the fans found it can be viewed as kind of a tribute to how deftly he conveyed the character's new ruthlessness and froideur.

From a theatrical point of view, the Barnabas/Julia dynamic seems more lively when they're at odds rather than when they're in sync.  Both actors had wonderful chemistry in their scenes together.  I find the scene where Barnabas tries to throw Julia out of the house and berates her for her "curious belief that you have the right to know everything about me" one of the most disturbing moments in the entire series.  It's like one of those moments when a pit seems to open beneath one's feet and you wonder whether you really know a person who has been in your life for years when they suddenly behave in a turn-on-a-dime about-face from established patterns.

G.

Just happened to log on here while waiting for a bus and was rewarded by an exceptionally handsome snap of Don Briscoe.  You really capture his beauty here.  Thanks for this.

Best,

G.

MB, that capture from that Frid/Hall scene is the stuff of Grand Opera!  Excellent work!

Nancy, if I'm not mistaken, the source of the story about "they cast the wrong guy" came from the original edition of KLS's Scrapbook Memories.    And we know how reliable (not) KLS's memory of things tends to be.  I wonder whether there are any references to this story in any of the DS interviews from the original broadcast period or immediately thereafter?

Some of the most frank and revealing comments about the inner workings of the series were in interviews with Joel Crothers and Nancy Barrett after the show had ended, if I recall correctly.

G.

I think this may be one of my all time favorite episodes of DS.  The cryptic exchanges at the beginning between the transfigured Barnabas and the two weird Leviathan Priests--the evocative gnomic utterances of the dialogue, and the intimations of powers that pre-dated the Earth's own Primal Age--were elements we had never seen before on DS.  While some felt the show had gone right round the twist, as a viewer in 1969 I was very excited by the unveiling of these new elements.  I'm presuming that I must have already been reading some Lovecraft because I recall not finding the concepts as baffling as they must have been to those who had never read the Eldritch Squire of Providence.  It was a surprise to me a month or two later to learn that many fans bitterly disliked the new storyline.

Grayson and Nancy are two of my all time favorites on the series and the chance to see them sharing so many scenes together is a rarety.  I love how they play these dialogue-heavy scenes--so naturalistically, and with Julia treating Carolyn as a confidante, which is a change from how the two interacted when last we saw them together.  Although, come to think of it, Julia was seen offering Carolyn a lot of emotional support during that dreadful period when Carolyn thought her Mother was dead--this may have been when their friendship really began.

I also love the scene where Grayson is reacting to the overheard conversation between Magda and Pansity.  Just fabulous stuff.  And then there's the way Julia says the word "DIVINE."  Gotta love it!

G.