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Messages - Gothick

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2161
Current Talk '13 I / Re: BARNABAS Is in the top 10
« on: March 27, 2013, 07:15:25 PM »
I started watching in June 1968 and at that point, Barnabas wasn't the villain, he was the hero.  Angelique (or Nicholas, or Quentin, or ...) was the villain.

H.

2162
Current Talk '13 I / Re: Any Truth to the Joan Crawford Rumor?
« on: March 26, 2013, 11:23:36 PM »
And here's the audio recording of Joan Crawford on Secret Storm mentioned earlier, for those who are curious:

http://www.youtube.com/watch?v=MG-DkuB1V28

Interesting to hear, particularly for those who wonder why DS was such a phenomenon in the Sixties.  This is probably a good sample of typical daytime drama fare in 1968.  Even the dullest episodes of the Adam storyline sound like Ibsen compared to this claptrap.

G.

2163
Current Talk '13 I / Re: Any Truth to the Joan Crawford Rumor?
« on: March 26, 2013, 08:54:59 PM »
Joan Crawford would have been a disaster in the role of Liz.  Joan Bennett had a strong background in theatre, which was why she was so perfect in the role.  Granted, Joan Bennett occasionally forgot her lines, but she maintained her regal composure to the end onscreen. 

This is just personal, but I always felt that our Joan exuded a certain warmth, even when she was laying down the law in what appeared to be an unreasonable fashion to Miss Winters (in the early weeks).  I've never felt warmth from Joan C (although I admit I enjoy her film performances enormously).

I wonder if the "other actress" who "talked to" Joan C on the set of the Lucy show was Viv Vance.  I could see Viv doing that in a sensible, yet sensitive way, that would have gotten the message home without making Joan get her dander up.

G.

2164
David, from what I recall--[spoiler]Crystal Cabot was a Collinsport doxie, killed by Barnabas.  Angelique caused Crystal's corpse to appear in Rev. Trask's bed in his room at the Inn.  Later at Collinwood, Crystal shows up again alive and well and then turns into a cackling Angelique.  I may have some of this wrong, but that is what I recall--from ONE viewing of that episode over ten years ago.[/spoiler]

I agree that Buzz would be a great reason to go to that event.  I just wish I could drive.  Not being able to drive makes the logistics of T'town hellish, IMO...

cheers, Gothique

2165
According to IMDB, Audrey Larkins played Crystal Cabot.  I barely remember the character, much less the name, and the only thing I remember about the character involves a big spoiler for her episode so I won't write it here.

Audrey died, I think the entry said, in 1994, while she was still in her early 60s. 

Some of you guys just make me feel as if I barely know the show at all.   I'm sure I would never have recognized Miss Larkins if she had appeared at an event I attended.

G.

2166
Wow, I'd love to hear that tape of Joel talking about his time on the show.  I wonder whether he discussed the episodes he wrote (but never got credited for).  I'd never heard discussion of Joel's attendance at a Manhattan Shadows event.  I was living in Taiwan at the time.  I agree that a book about the history of the various fannish convocations would be fascinating reading.

G.

2167
Wow, Michael Hadge.  I remember many years ago he was going to attend a Festival, but couldn't make it due to scheduling conflicts.

I do hope somebody plays the clip where he utters his immortal line, "if ya feel it... SIT IT!"  Grand stuff.

I was really puzzled last Summer which I expected to be the biggest Festival in fan history due to the Burton/Depp redaction... instead what was done sounded fairly small and intimate.

The fandom started out in the early 1980s with small get-togethers here and there... for instance in the Magique discotheque, if I'm remembering correctly, around 1982--I was not involved with fandom then, but I've seen great photos from that party.  It seems to be ending (or that is what I surmise is happening) with small regionally focused get togethers.

Given this was a daytime drama of the 1960s which has broken every conceivable record (including managing to stay in print on home video for over 20 years... do you know how many entertainment products can match that record? not many at all)--I think the fandom has had a great run. 

I did love Alexandra's suggestion that at some point those of us who are left have a reunion around the ouija board. lol.

G.

2168
Millicent had a maid?  Golly.  I missed that one completely.

Thanks to Kosmo for providing the link and the information, and my admiration for his discernment when it comes to really obscure, briefly appearing actors just went up several notches....

G.

2169
Current Talk '24 I / Re: Another New Slideshow
« on: March 18, 2013, 03:43:42 PM »
Dracula's Daughter is a beautifully excecuted, classic horror film. There are some touches of humor, particularly when the stalwart hero informs his valet he's off to "run down a vampire" and the gentleman's gentleman responds, "but sir, don't you usually do that with your checkbook?" Around the 1890s/1900s, a "vampire" was a common name for an "adventuress" or "gold-digger" or woman who entertained men (sometimes but not always involving sexual favors) but was really after their cash.

House of Dracula IMO isn't as good as the preceding film, House of Frankenstein, but the scenes with John Carradine are fun to see and effective.  Despite the title, Dracula is only in the movie for the first half or so.

G.

2170
Current Talk '24 I / Re: Another New Slideshow
« on: March 18, 2013, 03:26:38 AM »
In Dracula's Daughter (1936), a female vampire approaches a male psychotherapist in hopes that he can provide a cure for her "evil."

In House of Dracula (1944?), there is a very similar scenario to Julia's original analysis of Barnabas's blood and her strategy for curing him.

I think there's another one from the 1950s but I can't recall the details at the moment.

G.

2171
Current Talk '24 I / Re: Depp/Burton DARK SHADOWS Is In Release!!
« on: March 16, 2013, 10:18:19 PM »
Isn't that shot of that wrecked boat meant to be what is left of the boat the Collins sailed in on?

Forgive me if I am belaboring the obvious.

I seem to recall a derelict 1950s boat having been bought for the movie during the pre-production period.

G.

2172
Things have really changed in Hollywood (and its outliers--I guess this series is being filmed in New Zealand?).  In this clip, Antony Starr talks about getting multiple stitches from various mishaps doing stuff you would expect a stunt double to handle in this day and age.

Some of the stitches were on his lip--I wonder just how that was written into the script?

The header mentions sex scenes but very little is mentioned or shown:

http://www.youtube.com/watch?v=MA7Y0dr5fPA

G.

2173
Antony is luscious.  unfortunately from the trailers and clips it all looks much too violent for my personal taste.

Nice to hear that Antony is getting such good... exposure.

G.

2174
Calendar Events / Announcements '13 I / OT: Joan and George
« on: March 15, 2013, 07:47:29 PM »
I finally purchased the current (January-March?) issue of Video Watchdog--if you have a Barnes and Noble store in your area, you may be able to see the mag there.  There's a big feature with Quentin Tarantino (noted DS fan) discussing his list of his 50 favorite sequels.  One of the more obscure titles is "Son of Monte Cristo" co-starring George Sanders and our very own Joan Bennett.  There's a great still in the article showing Joan and George playing a tense scene together.  It was a cool thing to see.

There has been correspondence in the past couple of issues concerning last Summer's roundtable feature on DS, and editor Tim Lucas has made known his interest in doing a follow-up roundtable at some point on aspects of the series not covered in the original feature.

The mag also includes a long review essay on the upgraded Universal "Blu Ray" releases of their classic horror films (including The Mummy, The Invisible Man, and The Bride of Frankenstein), and reviews of releases of two of my favorite horror films, Horror Express (1972) and The Torture Chamber of Dr. Sadism (1967).  Unfortunately the latter review is for a Germany-only DVD release.

cheers, G.

2175
One of the original reviewers in 1964 wrote that the film only really came alive for him when Grayson was onscreen.

It really was her big Hollywood moment.  Thankfully for DS fans, she was less than thrilled with Hollywood (she had lived there back in the 1940s and I think the whole scene left a bad taste in her mouth--read R. J. Jamison's fascinating book, "Grayson Hall:  a hard act to follow" for MORE).

Had Grayson really embraced a Hollywood career, she wouldn't have been available for work on DS and so...

G.

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