I tolerate a lot of nonsense in the 1968 era for the sake of such delicious moments as:

Cassandra's showdown with Liz: "Do you know what your problem is?"  I still can't believe that that line was scripted AND delivered.

Any scene involving Nicholas and Julia.

Barnabas taunting Cassandra as "Angelique" and her inevitable response:  "Don't call me that!"

Mrs. Johnson telling Nicholas she fears the Collins family is under a curse... and Mrs. Johnson reading Harry the riot act. LOL!

Tom and Julia.

Vampilique and her various schemes.  (I really felt for her when Nicholas stopped her from goin' down on that hunky cop... CHOMP!)

I could go on, but these are just some of the gems that always make me look forward to visiting the 1968 period.

I also find the scene where Maggie tries to talk Joe into leaving town to be a surprisingly poignant moment... it definitely looks back to the period when Collinsport was just a troubled small town... not a Hellmouth-in-training.

G.

I was able to play that clip you posted just now.  I think I missed the point, but then, I always get distracted by how much like Nancy Barrett Eva Green looks as "Angie."  I always wonder if that was intentional.  Probably not, since I have never seen anyone else comment upon the resemblance, so, like so much else these days, it must all be in my own mind.

I also don't remember the tea with the tuna line.

Fun stuff!

G.

No matter how well (and how long!) the Burton-Depp Shadows redaction performed at the box office, I would bet you dollars to doughnuts that there are a lot of individuals walking around Tinseltown who, if the topic even ever comes up, angle their noses into the air and sniff, "Oh yeah, Dark shadows--another flop for Tim and Johnny."  As I've commented in a number of posts before (and I apologize for the repetition), there is a cabal in H'wood that wants Burton to fail.  I don't know what people think about Depp at this point (I saw a tabloid in the grocery store two days ago with a screaming headline about Depp "marrying" a very young looking woman who I presume is somebody other than his current wife--but I haven't been keeping up).  The Disney Lone Ranger thing looks as if it is already damaging Depp's credibility in certain circles even though the studio and Depp have done what they could to forestall such things.

I think a Shadows project focused around Quentin would be fabulous, particularly one set in the 1890s with a potential steampunk styling.  Meryl Streep would make a fabou Magda (see post in another board about Streep's Graysonesque appearance in August: Osage County). My personal choice would be Tom Hiddleston for Quentin--he's playing a vampire in the new Jarmusch film...

cheers, G.

Well, I for one still love Vicki's original 1966 train ride the best, particularly her conversation with the gossipy old biddy.  I wish I could remember the actress's name.  What a hoot.

I thought having Nights in White Satin play over the 1972 "Victoria"'s journey was a stroke of genius, particularly in retrospect upon learning her backstory--though sadly I doubt there were any accoutrements of white satin in the place she was journeying from, but as a trope for a certain mental state... genius.

I only wish the remainder of the movie had lived up to that moment.  For me it did not.  The Liz/Julia deleted scene was a painful reminder of what this movie *could have been*--I'll stop here because it's all been said before.

I am glad there are fans out there like Gerard who worship every moment of the Depp/Burton movie.  It's always nice to see folks taking joy in things.

G.

Impressive and intriguing.  Thanks, Midnite & MB!

Presumably after viewing the cut Depp delivered, the suits mandated cuts to remove material that did not impact directly on the Barnabas/Angelique narrative, because once Barnabas arrives at Collinwood, in the regular release print that's what we get.

Thanks for including these deleted scenes.  You already know my thoughts, so I won't repeat them.

G.

I am quite curious about this scene, but I just checked Youtube, and there's no sign of it on there.  Pity.

G.

Lydia, I'm dying here!

Thanks for the laugh.

G.