Nancy Barrett voiceover, so we get to see Charity again.
And we pick up, not with the previous scene, but a continuation of it. We see Beth’s reaction, and meet our fuzzy (and short) friend for the first time.
(If you can be too short to be a stormtrooper, how come you can't be too short to be a Quentin?
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Good thing for Beth he went for her with his hands first, and apparently had his nails IN.
Hmm made me think he was going for strangling – wonder if that’s a remnant of Quentin coming through? Again, Beth seems to use her head, even when terrified. She couldn’t get out the door, and went for the most realistic next shot – standing in the Pentagram. Though collapsing into the chair afterwards WITHOUT shutting, much less locking, the door was NOT a bright thing to do. I’m thinking lock the door and pile furniture on it, then stay in the pentagram all night – but that’s just ME.
Now we cut to Jamison in the Dickensian hellhole which is Worthington Hall. And through Tim and Charity we learn that they also bury people as soon as it’s decent. Dorcas is already buried by the next night after she was murdered. It also seems, from their interaction, that Charity is really taken with Tim, but he’s not too eager to spend time with her.
Charity is truly her father’s puppet, believing everything he says and believing in everything he does. She doesn’t hesitate a moment in punishing Jamison and turning Tim in. Jamison, however, changes everyone’s plans completely. Luckily he makes it past the roaming werewolf, and finds Beth, who believes him.
Charity puts on quite a few airs for a modest and humble preacher’s daughter.
By sheer fluke I paused the disk at random to type up a thought.By chance it was a still of Beth, and the look of sheer disdain that she gives Charity is quite interesting. The antagonism between the two seems to come from nowhere, as I don't recall whether they had any interactions before, and if so what it was about. It makes me wonder if there’s some scene or scenes between them that were never shot -- or that we're to assume there were. Charity is very full of herself, giving orders to the help in someone else’s home. It’s not her house, Beth is apparently in charge until the family comes home (since the budget doesn’t cover the butler who would have been there), so Charity is being extremely nervy telling Beth what they will do and where they will wait. She'd probably have her own standign orders from whoever left her in charge, which probably didn't suit Charity's delusions of grandeur about being lady of the house.
Oops – Beth tells Charity she needs Edward’s permission to search. Shouldn’t that be Judith, or did she put Edward in charge while she’s out. (And isn’t this the 2nd night in a row that Edward is out dining with Barnabas at the Old House? That was what was said the first night Quentin wolfed out, too. Even aside from that, I just love the mental image of Edward sitting there with Magda and Sandor as waitstaff. If I was Edward, I’d invest in a food taster.
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Smart move on Tim’s part, to use Charity’s looking like a fool to get her to leave. He knows exactly what happened, judging by his thanking Beth. Rather creepy thought, though that WolfieQ is out there, and the French windows are wide open. One half expects the wolf to bounce through the window when Beth is looking out and calling for Jamison.
And right on cue, here’s WOOOLFIE, lurking around the house, as Beth goes out to find Jamison. Again, got to give her points for guts. She could stay inside and cower, but she’s willing to put herself at risk to keep Jamison safe. She’s smart enough to find and bring a pistol, but she has no way of knowing that it won’t help unless she has silver bullets. Nicely played when she sees the wolf on the rock, about to pounce. Her hand is shaking as she holds the gun and she looks horrified. She wants to shoot, but I’m betting it’s being Quentin is what’s stopping her.
But will being the screaming damsel in distress bring any help in time?
Jeannie