Janet, I am curious, do you know someone who is in contact with John Karlen?? I hope that is true he is okay with not coming this year, but as you say you know Jonathan would loved to have seen JK again.
I must have missed those posts because what I'm seeing is people being upset that apparently some stars were told they weren't invited. Don't know if this is true or not, but if it is that's just rude of Jim. Yes, it's true that they can say "Screw Jim" and come anyway on their own dime, but if one doesn't feel welcome, why would they want to come? Again, I don't know if what MB said was true about them not being invited, or told 'their services weren't required', or whatever it was, I'm not 'in the loop' w/Jim and company, but most ppl would decide not to attend based on that. Me persoanally, I'd say 'screw Jim' and go anyway, but that's just the VA rebel in me I guess!
I think most fans are very aware of this. Seems to me, if Jim had truly had his way back in 2003, these Fests would have ended w/the first Brooklyn Festival. No matter what Marcy Robin claims, it WAS billed as the final Festival, but perhaps ONLY on the aforementioned website, maybe she didn't see that posted on there. Guess she gave up on it being regularly updated too! I think only the fact that the stars, KLS in particular (big surprise right? ), pulled Jim onstage during the cast reunion and called him on the carpet about it that caused him to back pedal and continue them for a few more years. But my friends and I all say, IF there's another Fest....
Actors can certainly fly in on their own (well, yes, they need to use an airplane) and several west coast actors have been flying to the fests on their own dime for awhile.
If the Fests are losing money, why not up the price of admission? Why not have more dealers other than MPI? Don't the dealers have to pay a fee to the Fest to have tables there? Plus, I have at least one friend who stopped attending when they got rid of most of the dealers, so I know there are people who come to cons mainly for the dealers. Did Pierson really decide to continue with the Fests after 2003 because of pressure from the stars? Or was it because that Fan Fair group wanted to start their own DS cons? If Pierson doesn't want to do them, why not let someone else do them?
This year, though, because of the scaled down event, I"m sure there won't be as many dealers. And if events in subsequent years are to match or mimic this year's gathering, I suspect dealers won't come in droves like they did before.
Thanks for your observations, adamsgirl. I certainly have seen some goodnatured bantering between JF and Lara on earlier Fest tapes, so I would like to think Lara was making a joke when she made that comment after Jonathan's call at last year's Fest, and since you were there you would have had a much better idea of what transpired then, so thanks.
Well, I'm sure they've talked about upping the admission price before, but more than likely if they did that, they'd lose a certain percentage of attendance. One of the draws, for me anyway, it how cheap the FEST costs, minus hotel fees and traveling expenses. If I had to pay, let's say $500 for traveling expenses and hotel costs, and then turn around and pay like $250 or so for a total fest admission (including all days involved, and the banquet) I'd seriously rethink me going.
As for why they don't let other people run the fest--me thinks that it's because once people saw how much work goes into it, any volunteers would surely run the other way. Not to mention that if they royally screwed it up it would be Jim's, DCP's, and the Fest's name on the line. If I were Jim, I certainly wouldn't want that type of stress--worrying about someone else doing it and me not being able to go all control-freak. I am a control-freak, mind you
At the Brooklyn Fest last year, there was a....well, not a LARGE dealer room, but I was surprised at how many dealers were there. MPI, of course, and then there were a number of fan dealers that had a bunch of different fanzines for sale, and there were LOTS of table with DS pics for sale and fest vids for sale. Out in the main hall there were more DS picture tables, some DS Marilyn Ross tables with other little DS collectibles--watches, paper clipping, the like--and then a LARGE table that had tons of old TV Guides and 16, Tiger Beat, and related magazines, many with DS articles or mentions, and some that were just REALLY REALLY old and collectible to people who collect things like that.This year, though, because of the scaled down event, I"m sure there won't be as many dealers. And if events in subsequent years are to match or mimic this year's gathering, I suspect dealers won't come in droves like they did before.
If the Fests are losing money, why not up the price of admission? Why not have more dealers other than MPI?
Dan Curtis Productions has made millions upon millions of dollars on the original and 1991 series including but not limited to the income from ABC and NBC, the respective vhs and dvd sales, the two DS movies, licensing revenues etc..... In addition, it makes millions more off its investments from said income. I just don't understand why DCP would not set aside some money each year to help with the annual DS Festivals.? I understand that DCP and the Festival are different entities. My point is that DCP is ABLE to and SHOULD assist in helping the fans celebrate Dark Shadows. You would think that DCP would want to help the fans celebrate its own franchise where the fans made DCP earn all that money. Perhaps its because DCP sees this idea as not a good business tactic since there is no return on an investment in assisting the Festival and that is truly sad . If DCP donated money to the Festival then the Festival would not have to severly limit its guests, dealers etc.... I just get the feeling that DCP is turning its back on the fans.
Bottom line: raising the admission would stand to hurt the fans who do already regualrly attend. If you have middle-aged people still sleeping on the floor and needing to room with three others to make ends meet on the trip, raising rates in any form isn't a positive thing.
None of us really know about the business model or finances of DCP. The fact that fest attendance has dropped off (since the show left the air on SciFi) and the 40th Anniversary saw something llike only 2000 it doesn't make sense to finance something that appeals to a limited audience and stands to lose money. My hope is that the show finds another home on cable. Back when the series was on SciFi, festival attendance was as high as 4-6,000 people over the course of a weekend.