This episode left me with all sorts of questions, the simplest of which was: Why did Barnabas go to bed with his coat on? Related question: Why was his coffin open while he was day-deading?
My next puzzlement doesn't come out in the form of a question. I've accepted Julia's hypothesis, that Sarah was called forth by [spoiler]Barnabas's conscience.[/spoiler] But Sarah states clearly that he didn't know of the secret door in the cell. So, this development is completely unplanned and unexpected and un-anything.
The timing, however, is a terrifically coincidental. So (ha! I found a question) what gives?
Likewise with the visit to Sam Evans, which I very much enjoyed. (And good for David Ford, making Sharon Smyth's slip-up seem like nothing.) If in fact [spoiler]Sarah is acting as Barnabas's conscience, then Barnabas is suffering from a truly serious case of split personality. The gap between his conscious acts and his unconcious acts via Sarah is as wide as...um...[/spoiler]the distance between Collinwood and Seaview Terrace.
Next question: why could Sarah say the rhyme only once? That's a mystical sort of thing, which doesn't fit Sarah's personality.
Also: why didn't Maggie take the time to shut the secret door behind her?
And now for a simple statement: if any of you ever comes to tell me the secret way out of a dungeon, don't be so mysterious about it. I remember the first time I saw this episode, and I know that I would never, ever have deciphered the riddle to find the latch.
I loved the chase in the underground passageways, but of course that raises another question: who in colonial Maine was taking the time to build those passageways? There were stone walls and brick walls. And arches, too, if I remember correctly. This was not makeshift construction. What were those early Collinses up to?