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« on: May 23, 2015, 12:42:26 AM »
Aw, Amanda and Tate meet at his deathbed, but it's more awkward than poignant. Maybe more could not be expected, considering their non-relationship. It's entirely in character for Tate not to say where the portrait of Q is. He lied about it before. Julia presses Amanda/Olivia for information right after Tate's death. She gets nowhere, until later at Corey's apartment, where we get the flashback to how Mr. Best saved her... all unnecessary of course, since all those Tate portraits should have made her immortal. Didn't anyone think of this?
Did the bridge image make any sense? It gets across that there's a bridge there, but would you see that white bridge framework from that angle, standing on the bridge?
On the bridge (what a place to break up with someone), Q seems to be saying (sheathed in noble self-sacrificing language) that he wouldn't like watching his wife age, while he stayed young and was still a viable chick magnet. He seems to think he'll leave her at some point, why lead her on, so he'll do the "noble" thing and jilt her now. From his speech though, you'd think he was doing her some wonderful favor, as if this made things easier for her. Why would Amanda object to his staying young?
Julia now accepts any crazy-ass phenomenon that's thrown at her, including a "Mr. Death" in a bowler...