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Messages - DarkLady

526
Current Talk '15 I / Re: Discuss - Ep #0863
« on: January 17, 2015, 08:19:35 PM »
ThayerQ must be standing on a box for those two-shots.

According to my old notes, Selbtofi is reading while Edward and Judith play cards. Actually, I doubt if the real Quentin had time for such things, what with all those women! But Edward has a fine time needling Judith about her husband. Judith departs in a huff (after wining the game, of course). Edward tries to enlist the man he thinks is his brother in somehow getting rid of Trask, but Selbtofi hasn't met Trask yet and doesn't know Quentin's peril.

The scene where Trask returns and lays it on thick to Edward about how ill Judith is--priceless, especially the moment where Judith steps out onto the balcony and says, Good evening, Gregory. My notes say that after the commercial, Trask practically goggles at the sight of her. Their reunion conversation in the drawing room, with Edward listening eagerly at the door, is hilarious, especially when Judith announces that she's gotten her power of attorney back.

Evan has dug a very neat grave, not knowing that he is to be the tenant. Maybe Selbtofi sent him to the cemetery because it would be easier to find him there than in the apparently vast and trackless woods around Collinwood.



527
Current Talk '15 I / Re: Discuss - Ep #0862
« on: January 16, 2015, 04:35:29 PM »
I suspect it was on Evan's bright yellow letterhead, which Selby-Petofi discovered on the little writing desk in the drawing room. But it's fun to imagine him hanging out at the Blue Whale.

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Current Talk '15 I / Re: Discuss - Ep #0862
« on: January 15, 2015, 04:17:07 PM »
Tim Gordon, who has played many ghosts and disembodied hands on the show, finally gets his only lines in all of his 31 appearances.

Evan Hanley (welcome back, HAA!) apparently favors yellow stationery. See a letter from him on Judith's desk prompts QPetofi to ask for his help. Waving the "hand" in Evan's face is enough to get his attention, and QPetofi tells him to test his (QP's) veracity by going to Collinwood--the real Petofi (living there as Quentin) has never met Evan. QPetofi hides on Evan's balcony while Judith very cleverly "persuades" Evan to get back the power of attorney she signed, presumably so she can tear it up.

Petofi has never met Judith either, and PQuentin nearly blows his cover when he meets her in the drawing room. She warns the man she thinks is her brother that there are going to be some changes made, then orders him to answer a knock at the door. The visitor is Evan, with Judith's power of attorney. While Judith gloats over the now-invalid document, Evan says quietly, I’ll see you at my house at nine, right? Nine? PQuentin asks, with no idea what Evan is talking about. Have you forgotten about the meeting? Evan whispers. It just slipped my mind for a second, PQuentin replies with a smile. Evan asks again, Are you still showing up? You haven’t made other plans, have you? I’ll be there, PQuentin assures him. You seem preoccupied, Evan observes. I will need to get used to Judith’s being back, PQuentin replies. Well, Evan replies as he prepares to leave, the meeting tonight should make you forget all about your problems. Yes, PQuentin agrees as he closes the front doors after him. Having gotten his proof of QPetofi’s story, Evan leaves PQuentin rattled and angry at meeting two strangers in quick succession.

At 8:57, QPetofi is at Evan’s house and glances at the clock on the mantel to check the time. Evan emerges from the bedroom and announces, Everything is ready--he should be here any minute. Will the ceremony work? QPetofi asks worriedly. There is always a chance of failure, Evan reminds him, and we both know it. Do you know what you must do? Yes, QPetofi replies. Don’t make your move until he is seated in that chair, Evan reminds him, pointing to a chair at the head of the ceremonial table. I understand, QPetofi replies. When PQuentin knocks, QPetofi conceals himself. [How does Petofi know where Evan lives? Perhaps he consulted his magical TV cabinet.] Evan opens the front door to admit PQuentin. This is a pleasant surprise, Evan observes. You’re right on time when you’re usually the last one here. Oh, PQuentin replies, will wonders never cease? They share a brief laugh. Suddenly uneasy, PQuentin asks, Who else is here? Just my valet, Evan answers. How many others will be here? PQuentin asks. Half a dozen, Evan replies, adding, and I have quite a surprise for you--we want _you_ to lead the meeting! How interesting, PQuentin remarks, not best pleased. You should be quite honored, Evan tells him. Oh, I am, PQuentin replies. Evan leads him to the head of the table, remarking, You’ll look quite impressive. PQuentin seats himself, and Evan starts lighting the black candles on the table. I hope I won’t be a disappointment, PQuentin says wryly. I haven’t had as much practice in the Black Arts as you have. While they continue their chitchat, QPetofi slips out of the back room with a chloroform-soaked cloth. As he steps noiselessly toward QPetofi, Evan reminds “Quentin,“ You have see me perform this ceremony countless times. Yes, PQuentin replies, but this is the first time in a very long time. QPetofi steps behind PQuentin and slams the cloth onto his face. As PQuentin begins to struggle, QPetofi shouts to Evan, Keep his hands down! Evan holds PQuentin’s hands away from his face. Eventually PQuentin slumps forward unto the table, unconscious. Evan leans PQuentin back into a sitting position in the chair. I have no idea when the chloroform will wear off, he warns QPetofi, so we’d better start the ceremony right away. He finishes lighting the black candles....

529
Current Talk '15 I / Re: Discuss - Ep #0861
« on: January 14, 2015, 05:42:58 PM »
Welcome back, Judith! Edward is more or less happy to see her, but Kitty and Pansity are less than delighted.

Judith stares at Charity/Pansy, shocked at the change in her stepdaughter, with her heavy makeup and strange costume. [Makeup has really slathered it on thick, too.] Pansity is indignant when Judith tries to treat her like Charity Trask.

Edward thinks that Trask brought Judith home and is off putting the carriage away, even though that's really the coachman's job. Edward is stunned when Judith reveals that her husband hasn't visited her, not even once. He tries to insist that Trask when to the sanitarium once a week, but Judith is furious. Perhaps you didn’t realize he was there, Edward suggests. Is it possible you didn’t recognize your husband? No, it is not! Judith snaps. Are you suggesting I wasn’t in my right mind while I was there? [LOL!] Not at all, Edward says, backpedalling, but you surely weren’t yourself those last few weeks--we both know that. At no time during my stay at Rushmore was I not in complete control of my faculties, Judith insists angrily. I recognized you when you came to see me! She explains, I didn’t mention not seeing my husband because I was ashamed and hurt, but I’m sure Gregory will have a satisfactory explanation for this. No, this is unforgivable! Edward exclaims, full of righteous anger on her behalf. Judith says, I refuse to pass judgment until I speak to Gregory. There’s nothing to be said, Edward insists--he’s obviously been lying all along! The subject is closed, Judith decrees. She starts to leave, but Edward stops her in her tracks by telling her, The family is no longer in danger from Barnabas--he’s dead. Judith’s eyes grow wide as she takes in this news.

Still anxious about his portrait, QPetofi tries to threaten Kitty with the Hand once again, but she isn't having any. But as we hear Quentin's voice inside his head, we realize he is getting a bit smarter.

Kitty finds the famous note--Be who you were meant to be--and also the beautiful off-white satin gown that Maggie Evans will wear to the costume party in HoDS, among other places. The music box spontaneously starts to play, ahd she's happily possessed again.

Meanwhile, Judith decides that she will succeed with Pansity and has Edward bring her in. Once again, Nancy Barrett does a wonderful job. C/P enters and says bluntly, What do you want with me? To talk, Judith replies--sit down. The two women seat themselves. C/P says resentfully, I wasn’t good enough to talk to when Carl first brought me here. I remember ’ow you treated me. Judith replies, I think I have the only understanding of what’s happened to you. Nothing’s happened to me, C/P insists. Listen, please, Judith says. Now that I’m back, I’m going to run the house differently, and be a good and proper wife to your father. C/P looks at her in surprise, My father! she laughs. That would be some trick--considering he’s been dead a long time. I’m speaking of your real father, the Reverend Trask, Judith says. That old crow that lives ’ere? C/P asks, pulling a face. I’d take my own Bertie anytime, she says. Whatever his faults, he could be tender--give a smile now and then. Unperturbed, Judith says, Mr. Trask is your father, and I’m his wife--and I cannot in good conscience allow you to go on living in town they way you have been. You can’t allow it? C/P asks sarcastically. _You’ve_ got nothing to say about it! I’ll have a servant collect your belongings, Judith says, as if C/P hadn’t spoken. Hold on a minute! Charity shouts. You have no right to decide what I’m going to do with my life--and I won’t let you do it! Judith retorts, What would your mother say if she could see the kind of life that you are living? This is enough to bring C/P up short. My mother? she asks very softly. Speaking of Minerva, Judith continues, Your mother was a God-fearing woman, who brought you up to be a lady. How would she react to the way that you are dressed, with all that frightful paint on your face? Seeing that C/P is really troubled, Judith presses further: What would your mother think if she saw her daughter in the Blue Whale, singing one of her cheap little songs? Mortified, C/P admits, What did you have to go and bring up me mum [that is, Pansy’s] for? I don’t like to think about it. You wouldn’t want your mother to see you now, Judith says gently. She always wanted me to be a respectable lady, C/P acknowledges, close to tears. And you could be in time, Judith agrees--if you return to Collinwood. [Perhaps she wants to make sure C/P doesn’t have any (more?) male “friends.“] Why do you want to do this for me? C/P asks, beginning to give way. I feel that I owe it to you, Judith answers. (Charity, at least, is her stepdaughter.) Is it because of the way you treated me when I first came? C/P wonders. You can believe that if you wish, Judith replies, but I think this is where you should be. C/P smiles sadly as she says, It’s a lovely ’ouse, and I remember saying so to Carl when he brought me here. He was so excited and proud, showing off the place to me. Then you’ll come and live here? Judith asks, seeming to really want her to. Yes, I will, Charity agrees.

QPetofi does a stellar job of introducing himself to Judith as Count Andreas Petofi. I thought the unfortunate governess's name was Angela Stone. But definitely not Stokes, although that would have been funny. Judith tells him to make himself at home any time he cares to visit.

Upstairs, Kitty steps out onto the landing, now wearing an enveloping red shawl (Julia’s, probably) over Josette’s gown. If possible, she looks even more beautiful. Josette’s music is still playing. Judith and QPetofi exit the drawing room. QPetofi greets her and asks, Have you met Edward’s sister? Totally oblivious, Kitty says, He is waiting for me. I must go to him. She walks right past him, ignores him as he calls her name and leaves the house before either he or Judith can stop her. Who was that woman? Judith asks. I saw her with Edward when I arrived. QPetofi explains succinctly, She is Lady Hampshire. Her late husband was a great friend of Edward’s, and she is taking her recent loss rather badly. Did she say she was meeting someone? Judith asks. Yes, QPetofi replies. I’d better go after her and make sure she’s all right.

Kitty arrives at Eagle Hill. Letting the shawl fall from her shoulders, she kneels by Jeremiah’s grave. We see lightning flash and hear thunder blend with Josette’s music as Kitty smiles and calls out, I have come for you. I could not stay away. I had to see you one more time--just one more time. I had to see you. Please, come to me. Let me see you. Suddenly the ghost of Jeremiah Collins (Tom Gorman yet again), his face still horribly bandaged, appears and steps toward her. She screams in terror, but he comes closer and raises his hand as if to touch her. Kitty gives a really bloodcurdling scream and tries to back away from him.....

MT: I could tell you what's causing all these things to happen to Kitty, but I wouldn't want to ruin the surprise.....  [snow_wink]


530
Current Talk '15 I / Re: Discuss - Ep #0860
« on: January 13, 2015, 04:25:58 PM »
I think Ed took part in the séance because Kitty was there, and he didn't want to antagonize the supposedly wealthy widow of his BFF. The back story was nicely done, I thought, just enough to intrigue us without piling on extraneous details.

When Pansity first came on the scene, I found her really irritating, but I ended up being totally won over by NB's ever deepening portrayal of what probably was meant to be a throwaway character. She really makes us care, and I even have some ideas about her eventual fate that I will reveal when we're at the end of this story line.

531
Current Talk '15 I / Re: Discuss - Ep #0859
« on: January 13, 2015, 04:19:53 PM »
Aha, thanks, MT!

The Mall of America--as it's actually called--is in Minneapolis and is fairly vast.

532
Current Talk '15 I / Re: Discuss - Ep #0859
« on: January 12, 2015, 08:13:41 PM »
MT, thanks for mentioning that Thayer adjusts his bow tie as QPetofi prepares to put the frighteners on Kitty. Nice!

I believe that in one of the 1840 episodes, someone else refers to Julia as "tall." So it must have been a thing with Grayson.

Denise N really holds her own with KLS. I'll bet they had fun doing that scene!

MT, is the Crossroads of America anywhere near the Mall of the Americas? I went to the mall on a business trip, years ago.

533
Current Talk '15 I / Re: Discuss - Ep #0858
« on: January 12, 2015, 08:04:02 PM »
Good point, MT. Maybe Diabolos put a spell on Sky that made him think that he and Angelique had been married a long time. Or maybe he put Angelique a few years back in the past.

534
Current Talk '15 I / Re: Discuss - Ep #0860
« on: January 11, 2015, 07:45:29 PM »
The hand turns out to be Edward's. Kitty saves herself the first way she can think of--by pretending to faint. Edward believes her when she insists she doesn't know what she was doing in Quentin's room. After Edward takes her away, PQuentin steps out from behind the drapes of a conveniently located window in the hallway. When he enters Quentin’s room, he finds that the visitors left the empty frame uncovered. Frantically he goes through Quentin’s belongings, starting by searching the armoire.

Dowstairs, Edward leaves Kitty in the drawing room. Entirely forgetting the bell pull, he goes to the kitchen to tell Cook to make tea. Once more Kitty is drawn to Barnabas's portrait. Angelique arrives, again carrying a small bundle. She is shocked when Kitty refers to the woman who _lived_ at the rectory. Angelique rushes out without another word.

In the drawing room, PQuentin grills Edward. I know you and Kitty were in my room, he says accusingly--why? Edward tries to get out of answering, but PQuentin insists. She had a seizure, Edward says finally. I saw it, too. And you believed it? PQuentin asks in pretended outrage. Yes, Edward replies, genuinely outraged. And I find your distrust of Kitty unforgivable. And I find your trust of her equally upsetting, PQuentin shoots back. Oh, you do? Edward asks, bristling. You know how close Gerald, Kitty and I were! [no, not THAT close!] Do you know _everything_ about them? PQuentin asks. Of course, Edward huffs. PQuentin plays his ace: With all of your information, do you know that shortly before Gerald Soames died, he was released from prison? You’re mad! Edward exclaims, deeply shocked. No, PQuentin replies, Blackmoor Prison. He was jailed for a common jewel robbery. I don’t believe it! Edward exclaims indignantly. PQuentin replies, Well, believe me, you will. He goes on, very softly and quite uncharacteristically for the real Quentin, I know all about Gerald Soames. I have made it my business to find out. Very uncomfortable indeed, Edward shouts, You’re a liar! PQuentin tells him, Check and see. I wouldn’t soil Gerald’s memory, Edward declares. Shall I tell you more? PQuenin asks. No, you shall not! Edward shouts. There was never a finer, more respected couple in England than Gerald and Kitty Soames. If I ever hear that you have told one person this insane and vicious story, I shall be forced to do everything I can to get you out of this house! He storms off, making for the servants’ door, but PQuentin only laughs. [And well he might. Petofi, of course, knows the facts, all too well, but what PQuentin reveals is supposedly the result of research, an activity completely out of character for the real Quentin. Indignantly refusing to believe "Quentin," Edward does not even stop to ask how his “brother” obtained his information.]

Kitty comes downstairs and announces to Edward that she wants to go for a drive--alone. PQuentin prevails on Edward to let her be.

Kitty has made a beeline for the Blue Whale. She asks Pansity about her warning that Kitty would find a music box that would cause her death. Kitty makes a bad mistake by putting a large diamond brooch on the table. Mesmerized, C/P asks, What do you want me to do? Take it now, Kitty says, and say you’ll help me. But C/P actually gets up and walks away from it. Whatever people say about me, I don't cheat, she says indignantly. If I can do something, and then you want to make me a little present, then that is up to you. But I don't get paid in advance for nothing. You’re very kind, Kitty says. C/P bursts out laughing. I’m a lot of things, she says, but that isn’t one of those I can boast about. Calming down, she adds, I can’t tell you why you’re acting the way you are, or even why I saw the music box. Kitty asks, Do you always tell the truth? Yes, C/P says. I don’t like to be lied to, so I don’t lie. Kitty makes another big error when she asks, Are you working for Count Petofi? If you do, it will mean he’s responsible for all of this. Did he make you do this to me? C/P bursts out laughing again. You think he told me to think of the music box? she asks. Having come to some kind of tacit agreement, the two sit down together at a table. You’ve got it all wrong, C/P tells Kitty. Who’s doing it if not Petofi? Kitty wonders. Sometimes things happen that no person can cause, C/P tells her gravely. Spirits can reach us--touch us--torment us. But why? Kitty asks. Why would a spirit do that to me. There is a way, C/P suggests, a way of telling if it’s the supernatural or Count Petofi. Whatever it is, I’ll do it, Kitty says eagerly. Tonight, at midnight, I’ll come to Collinwood, C/P tells her. I will wait for you, Kitty promises. You forgot something, C/P says pointedly--the brooch is on the table. Kitty picks it up and thanks her.

After their quarrel, Edward and his "brother" sit down for a brandy to celebrate the end of "Quentin"'s bachelor state. Angelique returns and asks to speak to "Quentin" alone--then announces that she isn't going to marry him, now or ever.

Promptly at midnight, C/P and Kitty are conferring in the foyer. C/P explains, We will have a séance--it’s the only way. Having just stepped onto the upstairs landing, Edward hears this. What’s the only way? he asks. A séance, C/P explains. Do you mind if we invite a few spirits into the house, guv’nor? she asks jokingly. I certainly do mind, Edward says crossly. I’m the one who wants to do this, Kitty explains. I must learn what’s happening, she pleads--please don’t stop this. I want to join the séance, Edward says at last. I’ve been through this much with you, and it’s affected me nearly as much as it has you. I will take part, Miss Trask. C/P bridles, but after a moment she decides not to make an issue of it and leads the way into the drawing room. There must be only one light in the room, C/P says as she closes the doors. Edward brings a candle and sets it on the little round table where the Collinses conduct their séances. As they all sit down, C/P instructs the others, Our hands must touch, unbroken, to form a circle of concentration. Once everyone is ready, C/P calls out, Are there any spirits in this room? We await a spirit who has a message for one of us. Kitty looks terrified as C/P continues, A spirit that is tormenting one of us. We wish that spirit to appear. Come to us now! Speak to us if you can! Come to us and tells us what it is you want--let us help you! The lights flicker, and Kitty calls out to Edward. C/P asks, Is someone here? Someone else? If so, give us a sign. They hear three slow knocks at the door. Someone is here! C/P says. Suddenly they hear a rushing wind, and the single candle on the table is blown out rather audibly (by Nancy Barrett, actually). Who blew the candle out? Edward asks. I feel the presence of someone, C/P intones, of one who is trying to communicate with us. Who is it? Kitty asks. The doors fly open, and Kitty gives a little scream. Edward starts up reflexively, but C/P reminds them, Don’t break contact! Stay seated! We must leave the way open for the spirit to appear to us! Kitty, who is facing the doorway, fearfully tells the others, Look in the doorway! They turn, and as lightning flashes, they see a caped and hooded figure. Who are you? Edward demands.....

535
Current Talk '15 I / Re: Discuss - Ep #0859
« on: January 11, 2015, 07:01:20 PM »
Kitty is wearing a pretty, deep purple frock with gorgeous beadwork at the neckline when she arrives at the old rectory. QPetofi tries to explain that he's really Quentin, but Kitty has apparently bitter memories of what the real Petofi did to her husband. So Quentin goes into full Petofi mode (nice job by Thayer David), waves the Hand at her, and orders her to steal the portrait from Quentin's room by nine o'clock tonight. She is rescued when the music box starts playing.

At Collinwood, Edward tells his "brother" that he's going to leave Barnabas's portrait in the foyer. He is merely an ancestor now. No better and no worse than some of the others, PQuentin opines. How can you say that? Edward asks. I’m just being a realist, PQuentin says. I believe in honesty. Edward says haughtily, Considering your life, you’ve managed to hide _that_ fact very well. I’ve changed, PQuentin replies. I hope so, for your sake, Edward answers gravely, since you’re starting a new life with Angelique, and in marriage the old rules are the proper ones, he finishes in elder-brother mode. [Considering that he married a Phoenix, he isn’t exactly a shining example himself!] PQuentin grins sarcastically at this idea. What time is the ceremony tomorrow? Edward asks. Two o’clock, I believe, PQuentin replies. But before Edward has time even to be aware of the strangeness of ”Quentin”’s not knowing the time of his own wedding, Kitty rushes into the house and straight to Edward’s arms, near hysterics. That house! she babbles. The rectory is haunted and that that woman is gone! What do you mean, gone, PQuentin asks, already making for the door. She disappeared! Kitty sobs. PQuentin runs out without another word, despite Edward’s calls to “Quentin.” What am I going to do, Edward? Kitty asks. That curse! He’s following me, she sobs. Help me! Edward naturally takes her in his arms and comforts her.

Kitty gabbles that the count has made Julia disappear. Edward does his best to comfort her, and just as they're embracing again, Nora arrives to complain that Jamison won't play checkers with her. Edward goes to the rectory to investigate, and Kitty tries to make friends with Nora over checkers. But Nora double-jumps her twice. Kitty loses the game and more. Are you going to marry my father? Nora finally asks, looking right at Kitty. Why? Kitty asks. Is that why you want to be friends? Nora asks. Your father and I are simply very fond of each other, Kitty answers. I see, Nora says, still looking Kitty in the eye. Surely you want your father to be happy, Kitty says. Yes, I do--I want that, Nora answers pointedly, and Kitty realizes that Nora is her adversary. She stares at the little girl in her turn.

Edward arrives at the rectory, only to find PQuentin there. Edward falls to quarreling with his "brother" and reports that back to Kitty. Kitty gushes about that "dear child," Nora, and Edward is sure they'll be happy together. Now that you’ve learned some of our secrets and scandals, has it turned you against us? he asks worriedly. Nothing could, Edward, absolutely nothing, Kitty tells him almost grimly.

QPetofi arrives at the rectory. PQuentin guesses that he's looking for Julia in the hope that she can help him. He taunts QPetofi once more, waves the real Hand at him, and frightens him off.

Back at Collinwood, Nora is putting away her checkers. Edward asks, Did you enjoy your game with Lady Hampshire? We never finished it, Nora replies. She is very nice, isn’t she? he asks. If you say so, Nora answers. Kitty returns and proposes finishing the game. Go to bed by nine, Edward tells Nora, but just then the foyer clock strikes 8:45. Edward gives Nora a good-night kiss and prompts her, Say goodnight to Lady Hampshire. Oh, Kitty, please, Kitty says. Quite deliberately, Nora says, Good night, Lady Hampshire. Edward invites Kitty to join him in a nightcap, but she pleads exhaustion, glancing at her watch one last time as she goes upstairs.

PQuentin is still searching the old rectory when he finds Julia’s empty medical bag--and her 1969 dress. He seems to get an idea and quickly leaves.

Kitty has made it up to Quentin’s rooms undetected. She knocks on the door and gets no response, so she enters. She finds the cloth-draped frame and uncovers it. To her dismay, the frame is empty still. She looks in the closet but finds nothing. Just then someone comes into the room behind her and lays a hand on her shoulder. She whirls around, horrified--she’s been caught!.....


536
Current Talk '15 I / Re: Discuss - Ep #0858
« on: January 09, 2015, 07:40:20 PM »
Somewhere in the woods, PQuentin watches impatiently as QPetofi, somewhat short of breath, tamps down the dirt covering Wanda Paisley’s unmarked, shallow grave. That is enough, he says. Stop, my boy. I would have buried her even if you hadn’t forced me to, QPetofi says defiantly. I felt sorry for the poor girl. She died for you and your mad scheme. PQuentin laughs. Of course, he comments with massive unconcern. You’re altered in form, but still embarrassingly sentimental. What would people think of “Petofi”? he wonders. QPetofi protests, You can’t go on killing people until you find the right hexagram! [One down, sixty-three more to go?] PQuentin says angrily, You try and stop me! Do you think I care how many people die along the way? Do you think I care how many leaves are on this tree? All I care about is reaching the future--and believe me, I will reach it!

After the opening credits, QPetofi and PQuentin are still arguing. You can go, PQuentin tells QPetofi. I’m not going anywhere, QPetofi insists. I’m going to stay with you, watch you. You aren’t going anywhere, either. PQuentin laughs. I am--to 1969, he says. Not in my body! QPetofi protests. It’s _my_ body now, PQuentin retorts with a particularly evil laugh. You should have had second thoughts before accepting my offer of help. Now it is too late--you can’t stop me. I won’t give up, QPetofi vows. PQuentin tells him, You should watch for my enemies--a full-time activity. Watch for the gypsies--a word I can say easily now, without fear even, he adds smugly. Watch for the gypsies, because they are still looking for Petofi. They will find him--and you will know what fear really is. You are Petofi--and they will know that, QPetofi retorts. PQuentin laughs again. I don’t think so, he replies. Cheer up--they might not be here for a little while. He adds cruelly, I will let you know when I need more graves dug--you could use the exercise. He laughs and walks away, leaving QPetofi standing alone. He picks up the shovel. We get one last look at Wanda’s lonely grave.

Just for this episode, Julia wears a beautiful gray satin brocade gown with leg-o’-mutton sleeves. QPetofi visits her at the rectory and proves that he's really Quentin, trapped in Petofi's body. Although Barn and Julia chose to have their headquarters at the old rectory because no one had lived there for a long time, somehow, there is a working telephone line.

QPetofi visits Beth and tries to convince her that he's actually Quentin. He pleads with her to ask PQuentin about things that only Quentin would know. [I suppose QPetofi could have told her to ask “Quentin” about something he did with her in bed that she liked--but then again, this was a daytime show.]

PQuentin stumbles very badly in talking with Beth. But she doesn't have the faintest suspicion of what has happened to the man she has loved so faithfully.

I suppose GH needed some time off. Too bad for us!

MT, here are my notes regarding Petofi's journey to the future:

When the real Quentin hears the wind and voices from the present, Julia believes his story. She heard the sounds, and she lives in the present, therefore if Quentin hears the sound he too must live in the present, and he truly is Quentin despite his incredible story. Earlier in the episode, Angelique cannot hear the sounds, presumably because she does not live in the present. Or does she?

[spoiler]Before 1897, Angelique was last seen in the present (1969), pleading with Diabolos to return her to the real world. After 1897 she is first seen happily married to Sky Rumson, having given up her powers. Therefore Diabolos must have released her so that she can live in the present, meet Sky and marry him. If Angelique is alive in the present, she would have heard the wind and voices that Julia heard. But this fact must be ignored or forgotten so that Julia can believe Quentin's story.[/spoiler]

537
Current Talk '15 I / Re: Discuss - Ep #0857
« on: January 09, 2015, 07:20:51 PM »
Yes, I remember poor Wanda Paisley--from Champagne girl to dead one in probably no more than a couple of hours. And yes, good perf. by Karen Lynn. This scene is a nice reminder that what we imagine can be much, much scarier that what the directors might have shown us--too bad nobody seems to remember that now. Great, blood-curdling scream. What happened to Wanda must have been truly awful--even PQuentin and Aristede look shocked. Luckily, nothing remotely similar happened when my friends and I threw the Ching.

But before all that, Aristede evicts QPetofi from the cottage, formerly the scene of Quentin's many conquests. QPetofi voices his only hope of defeating PQuentin: Sooner or later, he will say something, make a mistake, and someone will know he isn’t really me! Aristede laughs at this idea. He won’t make a mistake! he boasts. It may be your body, but remember, it’s his mind, and he’s a lot smarter than you are. To prove Aristede’s point, the director takes a few moments to show us a split screen of Petofi and Quentin.

Back at Collinwood, Trask complains to Edward that having Lady Hampshire stay there is costing a lot of money. Edward naturally gets huffy and defensive. When QPetofi shows up, Trask accuses him of not caring about Amanda. This throws QPetofi for a moment, and Trask pounces, declaring crushingly (or so he thinks) that Quentin is and always will be nothing but a heartless womanizer. PQuentin is telling Edward, Something was bothering me, and after listening to you and Trask, Edward, I realized what it was. Trask is insufferable! He’s like some medieval torture machine, some grim punishment pressing down on all of us, squeezing the life from this family! I didn’t know you had such a way with words, Edward comments. Trask inspired me, PQuentin says, backtracking a bit, and I won’t take what Trask says. It’s not just the life he’s squeezing out of us, Edward agrees, it’s [even worse] money. He plans to remedy the problem by marrying the charming (and, he thinks, rich) Kitty. She is a very charming lady. She also has other assets as well. She’s very wealthy. The Hampshire holdings take up half the county. Seeing PQuentin’s shock, Edward asks, What’s wrong? Don’t you approve of my plan? PQuentin points out, The recent death of her husband just might stand in your way. [And really, who would know better than the count about Kitty’s actual financial standing?] I worried about that at first, Edward admits, but now I feel she’s drawn to me, and things are going well. Kitty is very interested in you, PQuentin agrees. It takes money to be the master of this place, Edward says, and I think Trask’s days of being master are coming to an end. So do I, PQuentin says, looking pleased at the prospect.

Later, QPetofi tries to convince Edward that he's really Quentin, but Edward tells the "old man" to go home and stop these aberrations.

Strangely, today's hexagram is the hexagram of vigor. QPetofi tries to stop the proceedings, but Aristede bundles him into the next room and locks the door.

Meanwhile, Wanda is still in the trance. She moans, apparently in distress. I see it! she cries. I see it! In her mind’s eye, she sees the door with the hexagram. It’s opening! she cries. Go into it, PQuentin orders her. No, she protests, I don’t want to! It’s dark! Do it, PQuentin orders her harshly, and tell me everything you see. Reluctantly she moves through and into the dark. At first she sees nothing--because in the land of the dead, there is nothing to see. Then she screams at the sight of a pair of skeleton arms. We hear a man’s mocking laughter, and she turns around to see a hideously grinning skull with bulging eyeballs. She screams even louder when the skeleton moves closer, its bony arms reaching for her.

Good god, what happened to her? Aristede asks in horror. Seated at the table is not a young woman but Wanda’s skeleton, with her hair and clothing. The little feather ornament is still absurdly perched atop her head. I don’t know, Aristede, I don’t know, PQuentin whispers, equally horrified. It couldn’t have happened, not like this, Aristede protests. As the camera swings back to poor Wanda’s skeleton, PQuentin says, Anything is possible beyond the I Ching door--anything.....

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Current Talk '14 II / Re: Discuss - Ep #0837
« on: January 07, 2015, 04:00:35 PM »
Yet another gorgeous frame grab! Thanks as always, MB!

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Current Talk '15 I / Re: Discuss - Ep #0856
« on: January 07, 2015, 03:57:01 PM »
The portrait doesn't change--but how interesting if it had! It would have shown Petofi looking like a million miles of bad road.

During the reshot teaser, as Beth rushes into Collinwood, a giant among insects flies off at the left.

I don't remember about TD not changing his voice along with his character. Maybe he improved as he went along. DS is especially good when Quentin, who is used to apparently perfect eyesight, realizes that in Petofi's body he can't see without Petofi's bottle-bottom glasses. The two villains torment him pitilessly before PQuentin gives them back.

And now, of course, QPetofi is homeless, too.

This is our last sight of Magda--too bad!--although we will hear her voice one last time in ep. 887. Unfortunately, she doesn't realize that the switch is now complete.

QPetofi quite naturally goes to the only home he has, but stops short when he realizes it is home no longer. As the old man thinks to himself, we hear Quentin’s voice: I can't go into there now. I could never explain what has happened. No one would believe me! No one would believe me! He was right. They will all think that I am insane. I’ve got to go somewhere else. I must think this thing out.

Beth arrives at the cottage and turns on a light. She hears a sound, and QPetofi steps out, but when she sees only Petofi, she turns to run. I must speak to you, he insists. I don’t want any more to do with you, she says. I must tell you something, he pleads. You’ll find it hard to understand, but you must believe me--because it’s true. Nearly hysterical with fright, Beth cries, You came here to kill me! You found out I went to Quentin! I don’t want to harm you, QPetofi pleads. Just let me talk to you. I need you! Something terrible has happened! At that moment, PQuentin opens the door and Beth runs to his arms. I’m so glad you’re here! she sobs. When I came in, Petofi was waiting for me! Stay away from him, Beth! QPetofi warns. Take me away from here now, Beth begs PQuentin. He’s not Quentin, _I’m_ Quentin! PQuentin shouts desperately as Beth shrinks against PQuentin. He did something tonight! QPetofi cries. I don’t know what it was, but I know he did it because I know that I am Quentin! The mind in this body is the mind of Quentin Collins, just as the mind in that body is the mid of Petofi! I see and feel and think as Quentin Collins! You must believe me, Beth! _He_ is the one you should be afraid of, not me! You’re in danger with him! I don’t understand, Beth says, absolutely incredulous. I don’t either, PQuentin says, but I’m beginning to understand that the might Petofi has finally fallen victim to his own evil. He’s gone mad--he’s completely me deranged. Believe me, Beth, QPetofi pleads, I know what I’m saying! Do you believe him, Beth? PQuentin asks. It’s too fantastic, Bethe says. Of course, PQuentin says. He’s lost all of his powers. Now he is nothing but a harmless old man. With a cruel grin, he finishes, The Count Petofi we knew is gone as we once knew him. The “harmless old man” watches helplessly as PQuentin takes the woman he loves (at the moment, at least) away with what lascivious intent--and after a 150-year drought--poor QPetofi can imagine only too well. Don’t go with him, QPetofi pleads one last, desperate time. He is Petofi! I am Quentin! I am Quentin! he shouts, then groans softly, I am Quentin! Finally he bows his head in despair....

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Thanks, MB. Looking forward to it!