i try not to get on a soap box here but the venomousness of "richard's" post is quite stunning and completely out of sync with the tone generally set here.
i'll assume richard since you're new you're somewhat unfamiliar with your surroundings but do you realize how many people you could have... and likely did...offend with your remarks?
i have a news bulletin: DS had and has a huge queer fanbase...present company very much included...and a large contingent at this board. so to throw someone's sexuality around in s sneering way or to use the words "gay" and "diseased" in the same sentence is totally out of line.
another bulletin. the new york based theater community had and has a large number of gays(try not to be too horrified!)many of whom made their way onto the series at some point or another so a significant gay subtext can be read into certain situations of one reads between the lines so to speak. i actually think an exploration of this topic would be fascinating(as a completely separate project from the burton/depp film)and i don't consider myself to be "stupid" or "diseased".
so please take that into consideration and be respectful with your remarks in the future.
My remarks are not disrespectful, and there was no venom in my mind when I posted it. You are projecting the venom.
I did not know about the queer fanbase on this forum, no, but I don't see how it matters one way or another unless you are denying heterosexuals the right to enjoy the program, too. Anyone who thinks their orientation "owns" the program is just kidding themselves and needs to grow up.
In view of the fact that I was born and raised in NYC and studied drama and film there and got my first job in TV there before getting married and moving to California, I can't say that you're telling me anything I don't already know. But to suggest that
Dark Shadows is a gay program for a gay audience is simple not true and not accurate. However, I would expect gay audiences to find as much to relate to and identify with in the program as heterosexual audiences did, and do. I do not think about it until someone makes an issue out of it. I don't like Phil Nobile's article, and I don't like his suggestion that the forthcoming film be turned into an expose of the gay members of the cast struggling over their orientations while doing the program.
Dark Shadows is a horror story of the imagination from literary influences, not a gay biopic. Audiences should be shown the characters within the context of a narrative story; not the actors in their orientations. If you expose the creative process behind any program -- any program at all -- you will undermine the suspension of disbelief required to sustain it, and then you will kill it, as a bankable property, forever.
I'm reminded of the old controversy over Sherlock Holmes and Dr. Watson. Sir Arthur Conan Doyle always insisted that Holmes and Watson were merely partners in the detection of crime. He became very irritated with people who insisted on finding a gay subtext where none was intended, inferred, implied, or stated consciously or unconsciously. Eventually he became offended by people who insisted he was lying, as if to tell him he does not know his own mind or his own orientation. As a rule, he did not write about sexuality. I think what Doyle failed to realize is that gay people are as free to relate to and identify with a literary work as heterosexuals are. A literary or dramatic work invites audience participation. That is the function drama -- whether it be on TV, film, live theater, or charades in the living room -- has in our lives.
Richard