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Current Talk '24 I / Re: And Now The Return of Another New Slideshow (Sort of)
« on: January 26, 2016, 08:00:53 PM »
And more of Scene 33:
And that's when yesterday's quote -
- comes up, followed by today's quote -
- coming up, followed by the script continuing with:
And it's still the case that there aren't any differences between the way DC's and Grayson Hall's scripts are written up to this point. However, both DC's and Grayson's scripts have some notations that we'll get into below.
And as for any differences in the dialogue, the first notation in DC's script has the word "this" crossed out in Quentin's dialogue and replaces it with "that", but neither word is used in the film because what Quentin actually asks is "Is she one of the family?" - and another dialogue notation in DC's as well as in Grayson's script is adding "Yes, it is" to Carlotta's dialogue, though what Carlotta actually says is "Yes, she is. She's Angelique Collins", and I love how she spells the year out completely by saying "She died in Eighteen Hundred and Ten" - and what Tracy actually says is "Well, she's beautiful, isn't she?"
And so far as any differences in the directions and descriptions go, Quentin isn't actually at the portrait of Angelique before he asks if she's one of the family because he smiles, nods toward it, and begins walking toward it just before he asks - and DC's script has a notation that Quentin is next to it when he asks, but in the film we don't actually see Quentin when he asks because he's off screen with, as can be seen in yesterday's capture -
- a shot of only the portrait on screen - and similarly, even though DC has a notation that Carlotta will be shot in close-up while she explains about the portrait, as can be seen in today's capture -
- what's on screen is a tight shot of Angelique's face in the portrait - and DC's script also has a notation that after Carlotta indicates the woman in the portrait is a member of the family, Carlotta will hold the rest of her lines until Quentin gets to the portrait - but while there is a slight pause in the way Carlotta delivers her lines, given that it's only the portrait that's seen on screen, we obviously have no idea if Quentin is at the portrait or not - and Grayson's script has a notation about the locket Carlotta is wearing, and as can be seen in the following capture (which is cropped and enlarged from the actual moment on screen) -
- Carlotta is indeed toying with it (though no one has yet to know the significance of that act) - and Grayson's script also has a notation that Carlotta is "enjoying" Quentin and Tracy's reactions to the portrait, and as can also be seen in the above capture, that's certainly the case (but again, with no one yet knowing the significance of that (nor the significance of the vase of yellow daffodils under the portrait)) - and DC's last notation on this bit of the script says that Tracy crosses to the portrait, however, she doesn't actually because, as can also be seen in the above capture, she's simply turned to look at it while standing in the same spot in the room that she's been in since Scene 33 started.
He is at the portrait of Angelique. |
And that's when yesterday's quote -
Page 11/Scene 33 - Quentin: 'Is this one of the family?'
- comes up, followed by today's quote -
Page 11/Scene 33 - Carlotta: 'That's Angelique Collins. She died in 1810.'
- coming up, followed by the script continuing with:
TRACY She's beautiful. Quentin stares at it. ... |
And it's still the case that there aren't any differences between the way DC's and Grayson Hall's scripts are written up to this point. However, both DC's and Grayson's scripts have some notations that we'll get into below.
And as for any differences in the dialogue, the first notation in DC's script has the word "this" crossed out in Quentin's dialogue and replaces it with "that", but neither word is used in the film because what Quentin actually asks is "Is she one of the family?" - and another dialogue notation in DC's as well as in Grayson's script is adding "Yes, it is" to Carlotta's dialogue, though what Carlotta actually says is "Yes, she is. She's Angelique Collins", and I love how she spells the year out completely by saying "She died in Eighteen Hundred and Ten" - and what Tracy actually says is "Well, she's beautiful, isn't she?"
And so far as any differences in the directions and descriptions go, Quentin isn't actually at the portrait of Angelique before he asks if she's one of the family because he smiles, nods toward it, and begins walking toward it just before he asks - and DC's script has a notation that Quentin is next to it when he asks, but in the film we don't actually see Quentin when he asks because he's off screen with, as can be seen in yesterday's capture -
- a shot of only the portrait on screen - and similarly, even though DC has a notation that Carlotta will be shot in close-up while she explains about the portrait, as can be seen in today's capture -
- what's on screen is a tight shot of Angelique's face in the portrait - and DC's script also has a notation that after Carlotta indicates the woman in the portrait is a member of the family, Carlotta will hold the rest of her lines until Quentin gets to the portrait - but while there is a slight pause in the way Carlotta delivers her lines, given that it's only the portrait that's seen on screen, we obviously have no idea if Quentin is at the portrait or not - and Grayson's script has a notation about the locket Carlotta is wearing, and as can be seen in the following capture (which is cropped and enlarged from the actual moment on screen) -
- Carlotta is indeed toying with it (though no one has yet to know the significance of that act) - and Grayson's script also has a notation that Carlotta is "enjoying" Quentin and Tracy's reactions to the portrait, and as can also be seen in the above capture, that's certainly the case (but again, with no one yet knowing the significance of that (nor the significance of the vase of yellow daffodils under the portrait)) - and DC's last notation on this bit of the script says that Tracy crosses to the portrait, however, she doesn't actually because, as can also be seen in the above capture, she's simply turned to look at it while standing in the same spot in the room that she's been in since Scene 33 started.