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Caption This! - Vicki's Arrival-Burke's Revenge-Matthew Morgan-Introducing Josette / Re: Episode #0059
« on: January 11, 2024, 06:07:36 PM »
THAT is Too Funny on so many levels!!
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Before we move on from graphics made using the still that I shared in Reply #330, I want to mention that after I posted it I noticed that the wound on the right side of Gerard's mouth is different from the way it looks in the still I'd posted in Reply #327:
For the color still the top of the wound -
- sticks straight up and away from the corner of Gerard's lip, whereas in the B&W still the top of wound -
- curves down onto the top of the corner of Gerard's lip. Perhaps this is because the stills weren't taken on the same day, or perhaps the makeup had to be reapplied for some reason and it wasn't done exactly the same. Sadly, we'll never know which way, if even either, it looked in the film...
And something I've never really thought about before is just how many days are supposed to pass between the time Quentin attacks Gerard and we see him again in Scene 190. Quite obviously a wound like that would not heal completely in just a few days. Though as the film currently stands, the passage of time for the wound to heal isn't even a consideration because the audience never sees the wound in the 94 minute version of the film, nor did we see it in the 97 minute version. And actually, it's not on view in the 129 minute version either because this sequence doesn't appear in any version of the film...
when I went to the hospital to get Grant, he said he didn't want me to treat him anymore, refused to come with me. Why, asks Chris, if he has amnesia, would he turn you down? He left with Olivia, reveals Julia. i don't get it, says Chris--why is she so interested in him? She either knows or suspects he's really Quentin, says Julia--let me see the x-ray. She holds it up to the lamp and says, now I know why she's so interested in the painting--there's another painting under it--a portrait!
Barnabas finds Edward in the drawing room, examining a rifle. Barnabas joins him and tells him Beth doesn't want them to send for a doctor. Disbelieving, Edward recounts how the animal--if that's what it was--was wearing clothing and walked like a man. Your bullets won't kill this creature, warns Barnabas. Nonsense, insists Edward, desperate to go searching for his son. Jamison might have gone to Laura, suggests Barnabas. This makes sense to Edward, who passes his rifle onto Barnabas--"I don't put much trust in your cane." Edward leaves. Barnabas wishes he had silver bullets, realizing that, for the first time since I arrived in this century, I understand why I'm here. He knows THIS werewolf is connected to Chris, and hopes to solve at least one of his riddles soon--he'll stash the creature in the mausoleum.