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Complete This Phrase / Fill In The Blank(s) - 1840/1841 / Re: Episode #1123
« on: February 03, 2017, 09:56:28 PM »And Flora could get away with saying it.
( She's about the only one who could!! )
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And Flora could get away with saying it.
53 INT. OLD HOUSE BEDROOM - NIGHT 53 Maggie is by the window with the candle. She hears the MUFFLED THUD OF A DOOR SLAMMING. She goes to the door. She hears a SECOND DOOR SLAM. NEARER NOW. MAGGIE All right, David! That's enough. Let me out of here. David! 54 INT. FOYER - COLLINWOOD - NIGHT 54 GROUP SHOT - JEFF, LIZ, CAROLYN, TODD and MRS. JOHNSON JEFF How could you let Maggie go out alone on a night like this!? The main door opens. DAVID stands there. DAVID I've come back! |
52 WIDE SHOT - MAGGIE SITTING ON BED 52 She hears the MUFFLED THUD OF A DOOR SLAMMING. She goes to the door. She hears a second DOOR SLAM. NEARER NOW. |
45 MAGGIE'S POV - OLD HOUSE GROUNDS There is nothing but the rain and darkness. 46 INT. BEDROOM - NIGHT Maggie turns back to the room, beginning to feel a little desperate. She sees a half burnt candle on a bureau. She finds matches in her pocket. She lights the candle, sits down to wait. 47 INT. DRAWING ROOM - COLLINWOOD - NIGHT TIGHT SHOT - DAPHNE'S NECK - THE WOUNDS enters the corridor, runs toward the camera. There is A HAND is gently washing the blood from around the wounds. The CAMERA PULLS BACK. JULIA HOFFMAN, an attractive, chic woman, finishes her chore. Jeff Clark watches her. JEFF Doctor, you must have some idea! JULIA None. Do you? He shakes his head that he doesn't. JULIA You saw nothing? No animal? JEFF Animal? What kind of animal could it be? JULIA (preparing a hypodermic) We'll have to find that out, won't we? 48 INT. FOYER - COLLINWOOD - NIGHT CLOSEUP - LIZ LIZ I wanted to send Daphne home in the car -- 49 CAMERA PULLS BACK to GROUP SHOT. CAROLYN STODDARD, Liz's beautiful, young daughter, with her handsome fiancee TODD have just come in, heard the news. Mrs. Johnson watches from the staircase. CAROLYN Now, mother, it's not your fault. LIZ With David out there...Oh thank God you're home. TODD I'll go out and look for David, Mrs. Stoddard. LIZ Do be careful, Todd. MRS. JOHNSON You won't find him. I know David Collins. He's hiding somewhere as safe as he can be. It's Maggie Evans I'm worried about. Jeff enters from the drawing room. JEFF What about Maggie? LIZ She went hunting for David. Roger told her not to -- JEFF (very worried) Where? Where did she go? 50 EXT. OLD HOUSE - NIGHT - LONG LENS The only light is from a candle in the upstairs bedroom window. SLOW ZOOM in on the light. |
49 INT. CARD ROOM - NIGHT (I'm not repeating what's exactly the same from the beginning but starting off where Mrs. Johnson's lines are handed over.) Roger enters the room. ROGER You won't find him. I know my son. He's hiding somewhere as safe as he can be. CAROLYN It's Maggie I'm worried about. Jeff enters from the drawing room and crosses to Carolyn anxiously. JEFF What about Maggie? CAROLYN She went hunting David. JEFF Where? Where did she go? ROGER We don't know. I consider it foolish of her to go out on such a wild goose chase. David can take care of him- self! JEFF (angrily) You should be grateful that she's so concerned for the boy. LIZ We're not doing Maggie any good standing here arguing. Someone should try to find her and bring her back. CAROLYN You're right. JEFF (to Roger) How could you let Maggie go out alone on a night like this? ROGER (annoyed) She went without consulting me! I'd thought I'd made that clear. JEFF I'll see if I can locate her. He starts out to the hall. All the others follow, with Liz ad libbing suggestions of where Maggie might be. 50 INT. FOYER - NIGHT Jeff and Liz enter the foyer. Carolyn, Todd and Roger follow. Jeff opens the front door. David is standing there framed by the wet darkness. DAVID I've come back. 51 EXT. OLD HOUSE - NIGHT - LONG LENS The only light is from a candle in the upstairs bedroom window. SLOW ZOOM in on the light. |
Were the upstairs scenes in this sequence filmed at Lockwood-Mathews? The architecture seems to fit with that house.
45 INT. CORRIDOR AT THE TOP OF THE STAIRS - NIGHT 45 The CAMERA is at the end of the corridor, next to a door. There is a MOAN from within the door. Maggie enters the corridor, runs toward the camera. There is another MOAN from within the room. Maggie stops at the door, open it, runs into the room. MAGGIE David! Are you all right? 46 INT. BEDROOM - NIGHT 46 The room is a bedroom. It is in shambles, but fur- nished. Maggie flashes her light around the room. The CAMERA PANS with it. MAGGIE David, I'm not going to punish you. Just let me take you home. There is no answer, just THUNDER and lightning. A LOOSE SHUTTER BANGS AGAINST THE WINDOW. Then she thinks she hears something in the hall. She whirls around, flashing her light at the door. Her back is to the window and the CAMERA. The drapery behind her moves. A FIGURE lunges from the drapery, hitting Maggie's arm. The flash- light drops, goes out. Maggie GASPS. It is David. 46 CONTD CONTD 46 MAGGIE David! He runs through the darkness to the door. Maggie runs after him. He runs out the door, slamming it. Maggie, in the room, begins to pound on the door. MAGGIE David! Let me out. David! She stops, as she hears the CLICK OF A KEY BEING TURNED IN THE DOOR LOCK. The CAMERA PANS down to the keyhole, then up to her as she begins pounding again. MAGGIE Open this door! She stops pounding, hears FOOTSTEPS WALKING down the steps. MAGGIE David! She hears a DOOR SLAM IN THE DISTANCE. She slumps against the door, What can she do now? She turns sees the flashlight on the floor, picks it up. It will not work. There is a flash of lightning. She suddenly thinks she might see David outside. She runs to the window, looks out. |