Picking up with Scene 213 and going through to the end of Scene 214:
213 HER POV
Inside the desk, a small, unframed PAINTING ... It's a sailboat on a tree-lined river, beautifully executed in the pointillist style.
214 BACK TO SCENE
As he smiles up at her.
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And that's when Saturday's first quote -
Page 95/Scene 214 - David: Scared you, didn't I?'
- comes up, followed by the script explaining:
But now she’s interested in the painting, she frowns, holds out her hand.
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And that's when Saturday's second quote -
Page 95/Scene 214 - Vicki: 'May I see it?'
- comes up, followed by the script explaining:
The boy reluctantly hands it to her.
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And that's when yesterday's first quote -
Page 95/Scene 214 - Vicki (CONT'D): 'Where did you get this? It's very pretty.'
- comes up, followed by yesterday's second quote -
Page 95/Scene 214 - David: 'There's a lot of 'em.'
- coming up, followed by the script continuing with:
VICKI Really? Where?
(CONTINUED)
_____________________________________________________________________
214 CONTINUED:
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And that's when today's first quote -
Page 96/Scene 214 - David: 'In a room. I... I'm not supposed to go there... (then, nervously) You're not gonna tell my father, are you?'
- comes up, followed in the script by:
She looks at him a long beat, then comes to a decision.
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And that's when today's second quote -
Page 96/Scene 214 - Vicki: 'No, David, I'm not going to tell your father. But I think we had better put this painting back.'
- comes up, followed by the script explaining:
The boy, nods, gets up. She follows him out of the room.
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End of scene, but nowhere near the end of the sequence, which will continue tomorrow...
And as for the dialogue, once again it's basically the same as written with only the slightest of differences here and there (like directly addressing David when the scripted dialogue doesn't, and vice versa...).
And so far as the direction and descriptions go, because his face is mostly turned away from the camera, which is shooting Vicki's reaction to seeing the painting, we don't see David smile when he asks if he'd scared her - Vicki doesn't frown of reach out her hand for the painting because she simply asks to see it - the expression on David's face clearly shows that he's quite miffed by her interest in the painting, which is very strong (not only because it looks exceptional, but likely because of remembering the painting she saw in the drawing room and was given a deliberately evasive explanation about back in Scene 39, which, as we'll recall, is only available on MPI's restored version of the pilot, so for viewers of the series, all of this plays in Ep #4 without any of that subtext).