The next two scenes in DC's script:
149 EXT: COLLINWOOD GROUNDS - NIGHT 149
LONG LENS SHOT up desolate portion of Collinwood drive. The only SOUND heard is the LOW MOANING OF THE WIND. Slowly the SOUND of an APPROACHING AUTO- MOBILE filters in. From around a bend in the drive we see headlights approaching. A POLICE CAR ENTERS SHOT.
150 INT: MOVING POLICE CAR - NIGHT 150
There are two officers in the car. The driver is talking into a two-way radio.
POLICEMAN Just finished checking the north section. Nothing to report, we're coming in.
SHERIFF'S VOICE (on filter) Okay, Alex, check with me when you --
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And when it comes to the dialogue, the descriptions, and the directions, things are close to the script:
Scene 149 is definitely a long lens shot. However, there is no sound of the low moaning of the wind and almost instantly we hear the sound of the police car and see its headlights though the trees before it turns the bend in the drive to become completely visible.
And with Scene 150, of the twp officers in the car, it isn't the driver who's on the radio but the passenger. And all that we actually hear/see him say from inside the car is -
- "Finished checking the north section" before things switch to what we could call Scene 150A, which is the sheriff listening to the policeman say "Nothing to report, we're coming in" while -
- Stokes looks over - then the sheriff starts to actually reply with -
- "Right, Alex." before things switch back to inside the car, in perhaps a Scene 150B, where we hear the sheriff continue with "Check with me when you get here" while we see the second policeman driving and -
- then turn to look in the other officer's direction...