Wrapping up DC's script's version of Scene 80, beginning with Quentin's followup action to claiming to have seen girl holding a "teddy bear":
He looks around the room.
|
And that's when yesterday's quote -
Page 30A/Scene 80 - Carlotta: Yes, this is a little girl's room. It was Mrs. Stoddard's when she was a child. It must have been a trick of light.'
- comes up, followed by the script continuing with:
FLASH CUT - LITTLE GIRL IN THE WINDOW
as he remember's what he saw.
QUENTIN - CLOSE-UP
QUENTIN Yes , it must have been.
Then not knowing what else to do
QUENTIN Well I'd better get to work.
He EXITS toward the tower as she stands there watching him go.
|
End of scene.
And when it comes to what's different with the dialogue, after mentioning the girl, Quentin actually asks "This was a child's room, wasn't it?" - to which Carlotta actually replies "Yes, it was. It was Mrs. Stoddard's when she was a little girl," and then there's a pause before she adds "It must have been a trick of the light."
And yes, there is an extra space in the script between "Yes" and the comma - and yes, there's no comma or period after "Well".
And when it comes to what's different with the descriptions and directions, Quentin doesn't actually look around the room - and interestingly enough, it's Carlotta who's in close-up when Quentin asks if the room was a child's room - but things return to a two shot when Carlotta answers that the room was once Mrs. Stoddard's - and as Carlotta finishes with that remark and as she offers that it must have been a trick of the light, the camera does indeed pan to Quentin as DC's erased notation once indicated that it would - and does Quentin
really remember what he saw? - and DC also has a few other notations, like how Carlotta will be in close-up after Quentin recalls what he saw (and the way she looks at him, with a tilt of the head, seems to speak volumes), how Quentin will then be in close-up as he agrees it must have been a trick of the light (though in reality he's in more of a medium shot), and how as he exits the room, the camera would pan to Carlotta - however, we don't actually see Quentin exit the room in the direction of the tower because the camera doesn't actually pan from Quentin because it goes right to a close-up of Carlotta and we simply see Quentin's chest and left arm pass briefly in front of her face as she closely watches him leave.
And Grayson's script also has notations for this section of the scene, but I'll hold off getting into them until I post her script's version of Scene 80...