9976
This section allows you to view all posts made by this member. Note that you can only see posts made in areas you currently have access to.
I don't understand very much, she says, I don't know what to believe here. Yesterday, what I told you, he says, putting his hand on her arm, you can believe that. Don't touch me, she says, moving away. Yesterday was like a door opening for me, she says, but today the door has closed, and it must remain closed. Why? he asks. Joanna, she says. Joanna is dead! he says, holding her arms. You still love her! says Daphne. No, says Quentin. I can't take her place, insists Daphne. Quentin assures her she's got her own place. Don't even says that, she pleads, don't even ask me to think about that, not after I saw her crying in that asylum for you--do you think we could be happy as long as I remember that--no, Quentin.[/spoiler]
He sits down, still gazing at the envelope, laughing. Like a naughty boy, he takes it out and reads: "I will wait for you at Collinwood-come there and I will tell you all that I remember." Tell all that she remembers? says Quentin aloud--oh, no, no one must... He is about to throw it into the fire when Barnabas enters, demanding, "What is that?" Nothing, says Quentin, just a note, it doesn't say anything. The note from Daphne? asks Barnabas. No, it's from Carolyn, says Quentin. May I see it? asks Barn. Quentin holds it crumbled in his hand, trying to hide it, but Barnabas takes it from him anyway, removing it from his hand. Quentin is ashamed of himself. Barnabas reads it and shouts, "You were going to destroy this?-Why?" Quentin pathetically says, "No one must know--no one." Julia enters--I looked everywhere for the note from Daphne, she says, but it's no where to be found. Barnabas holds out Carolyn's note--this note will be far more valuable, he says-I'll tell you on the way to Collinwood. Julia gives Quentin a last glance before they go. He sits down in the chair and tries to fold his very long legs up around him, begging, "Don't tell anyone-please don't tell anyone! Please, please don't tell anyone, please!" The camera pans back as he pleads, making him appear to be a child.[/spoiler]
With the exception of also being set in the Master Bedroom and its opening set up, Scene 101 is totally different in DC's script from the way it originally appeared in Grayson's. And furthermore, as we know only too well, in the film as it stands DC's versions of Scenes 101 & 102 (& the upcoming 103) are all incorporated into the unscripted dream Quentin has on his first night at Collinwood rather than standing alone as they do in the script.
Before we get into DC's script's version of Scenes 101 & 102, this is what Grayson's script's version is like:
Also before we get into DC's script's version of Scenes 101 & 102, we should reacquaint ourselves with Scene 67 in Grayson's script:
...
Why is that? Well, as we'll soon see, and you might have already picked up on your own, when the original versions of Scenes 67 & 68 were replaced with Scenes 66A, 67, 67A(the "Piano Scene" Flashback), & 68 in DC's script, bits of dialogue from original Scene 67 were incorporated into DC's script's rewritten version of Scene 101 - and an entirely new Scene 101A was added: