946
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Here's another example of a music cue that rightfully doesn't play as part of a scene on the VHS/Laser but does in every other release of the film. We dealt with one such cue back when Scene 103 came up in its intended place as scripted. And this time around we're dealing with the opening of Scene 117:
Here we have the Laser version:
And here we have the Blu-ray to represent every other version:
The cue heard on the Blu-ray and others other than the VHS/Laser is obviously a segue from the end of Scene 116 (which only appears in the 129 minute version of the film - all other versions go from Scene 115 to Scene 117, as can be seen in the Laser and Blu-ray clips)
...
(ADMIN: Edited to replace VHS video with Laser video)
Barnabas notes how deadly silent the room is--the clock stopped! The door blows open and Josette, her face covered in a bridal veil, enters. He's pathetically happy to see her, but she doesn't feel the same. He forced her to come, and demands he keep his distance. She assures him she doesn't hate him, she's beyond all that. She feels nothing. He wanted them to be forever together, he says. He asks if she forgives him, and she replies there is nothing to forgive--they have gone to their respective fates. They can't be together, she says, and he must allow her to rest. He presses her to stay, relentlessly, and she finally lifts her veil to reveal her torn, tattered, hideously deformed face. Barnabas gasps, "No!"
Yesterday's and today's graphics -
- have been made using different crops of this -
- which was published as part of a NoDS Movie Preview article in 16 SPEC Magazine and as far as I can recall has never been officially published anywhere else...
I would have loved to see Carlotta's reaction if Tracy attempted to intrude on her kitchen.
Oh God - can you even imagine?! I hadn't thought about it before you mentioned it, but the daggers Carlotta threw at Tracy when she thought Tracy had persuaded Quentin not to use the Tower room would have surely been nothing by comparison!