To me, the most erotic vampire movies--in terms of the actual vampirism--were
Interview with the Vampire (even at his cruelest, Lestat was seductive to the max), BBC's 1977
Count Dracula (the biting being little less than intercourse in some ways), Jean Rollin's
Vampire Orphan Twins with its eerie sensuality,
Bram Stoker's Dracula (especially when the Brides "rape" Harker), and a wonderfully atmospheric (and over the top) Italian flick called
Slaughter of the Vampires, in black and white.
Together these had the elements I love most in depictions of vampires, and frankly what I hope to see in any new version of DS:
1.
Strange beauty. I like my vampires to be fallen angels, not bestial monsters like
Nosferatu or
30 Days of Night. Those were fun movies, to be sure, but the idea of ravenous creatures that just want to eat you feels "Zombie" to me, not vampire. Just a personal preference. Thus I'd want Barnabas or Angelique or whoever to be exotic and lovely to behold, even (especially) when baring their fangs. I don't even mind if they have a "vamp face" a la
Buffy, but why not a beautiful one?
2.
Addiction The vampire is addicted to blood, must have it like a crackhead needs cocaine. But no less the victim, once bitten, should crave more. I was startled as a mere lad at the seductiveness on DS of some victims yearning to have their master bite them again. Seemed like an excellent metaphor for all those weird drives and dreams of which the vampire partakes so readily. Besides, addiction is a complex state and portrayed accurately is a source of much drama. But part of that dynamic also is that the
vampire must not kill with one bite, nor must one bite create a vampire. That robs us of the relationship between predator and prey, of seducer and seducee (and btw, are we always sure which is which?)
3.
Guilt Methinks we all recognize that a vampire who revels in his/her condition can be loads of fun. But the one who feels guilt for what happens to them, who still feels a connection to the humanity of his/her victims, that is much more compelling. Barnabas Collins, Nicholas Knight, Angel--all these grabbed our imagination and rightfully so. With this comes another point, namely that
the vampire needs something to feel guilty about. He or she needs to have been a genuine force of destruction. Nick Knight and Angel also explored the idea of a "parent" vampire urging our hero to give to his desires, to let the beast go.
4..
Atmosphere Dammit, I want a DS that is genuinely gothic! I want candles and coffins, flowing nightgowns and moonlit nights. Not that I want to ignore the modern world, far from it, but there should be room for all the lovely gothic stuff too. In flashbacks at least!
5.
Nature Okay this one is technical. I want consistent rules, thank you very much, and the more they make some kind of internal sense the better. Is it the symbol of the cross that repels, or the faith of the wielder? Do vampires sleep during the day, or are they dead? Can vampires eat food or not? Is a vampire a specialized kind of demonic possession, the equivalent of a supernatural disease, or what? And what are a vampire's powers?
That is what I want to see in the vampires of a new DS.
Next...what I want to see in the werewolves!