Moving through several scenes without any or with little scripted dialogue until we reach the current scene:
244 INT - FOYER - DAY 244
as Quentin ENTERS, the house is quiet and still. The sun filters through the vaulted windows giving the house that look of late afternoon.
245 INT - FIRST FLOOR CORRIDOR - DAY 245
From the far end of the hall, Quentin ENTERS THE SHOT and walks TOWARD CAMERA. The SOUND of his FOOTSTEPS ECHO on the marble floor.
246 INT - FIRST STAIRWAY - DAY - HIGH ANGLE 246
From the second floor, Quentin climbs the stairs TOWARD CAMERA. PAN WITH HIM as he reaches the second floor corridor and starts toward the gallery and the Master Bedroom.
247 INT - MASTER BEDROOM - DAY 247
as he comes up the stairs TOWARD CAMERA, PAN WITH HIM as he picks up his canvases. Then SLOWLY TRUCK IN TO HIS CLOSE-UP. He looks around, as if sensing a pre- sence in the house. HOLD HIM as he crosses to the doorway and than, carrying his paintings, EXITS into the gallery.
248 INT - GALLERY - DAY 248
QUENTIN - CLOSE-UP
as he looks down the long corridor toward the far end of the house.
FAR END OF CORRIDOR - QUENTIN'S P.O.V.
HOLD FOR A MOMENT on the empty scene, then, almost imperceptibly, a half open door begins to move.
SHARP CUT TO:
249 EXT - COLLINWOOD - DAY 249
Tracy gets out of the car and nervously begins to pace about. Then crossing back, she reaches in and honks the horn. Trying to decide what to do, she waits a few moments, then crosses to the front door.
250 INT - FOYER - DAY 250
as Tracy ENTERS, the house is completely silent. Crossing to where she can look down the main corridor, she calls out.
TRACY Quentin!
Her only response in the ECHO of her own voice as she starts down the hall toward the stairs.
251 INT - FIRST FLOOR STAIRS - DAY - HIGH ANGLE 251
as Tracy comes up TOWARD CAMERA.
252 INT - GALLERY - DAY 252
From the gallery, Tracy can be seen coming along the corridor TOWARD CAMERA. Suddenly she stops, noticing Quentin's canvases stacked against the wall near the wall to the bedroom. she starts toward the steps.
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And that's when today's quote -
Page 114/Scene 252 - Tracy: 'Quentin? What's taking so long?'
is scripted to come up, followed in the script by:
And as far as what might be different in all that, we'll get into it all next time...